Ettore Majorana (1906-1938?)
Jean Baudrillard (1929-2007)
John Kiriakou (b 1964)
https://en.wikipedia.org/wiki/John_Kiriakou
What did Jean Baudrillard mean by the art of disappearance? (ChatGPT, 2025-1-31)
Jean Baudrillard’s notion of the art of disappearance is a central theme in his later works, reflecting his critique of contemporary hyperreality and the saturation of meaning in modern media and society. His concept can be understood in several key ways:
1. Disappearance as Resistance to Hyperreality
Baudrillard argued that in a world dominated by simulation and spectacle, where everything is excessively visible and meaning is endlessly reproduced, true resistance lies in disappearance. Rather than adding more meaning, images, or discourse, he suggested that withdrawing, refusing to participate, or becoming absent could be the ultimate form of critique.
‘The challenge today is to disappear, but not into nothingness, - rather into a space where meaning can no longer be absorbed and neutralized by the system.”
2. The Seduction of the Vanishing Point
Baudrillard often spoke about seduction as disappearance, in contrast to production and visibility. Unlike power, which imposes itself, seduction operates through subtle withdrawal, mystery, and the play of absence.
This aligns with his broader critique of a society that seeks total transparency and absolute presence.
He admired the power of things that vanish rather than things that assert themselves fully - whether in politics, media, or personal identity.
3. The Fate of the Subject in the Age of Simulation
For Baudrillard, the subject itself is disappearing in an era where digital identities, media, and simulations replace real presence.
The self is no longer anchored in stable identity but is scattered across networks, absorbed by signs and symbols.
To disappear is to escape this fate, to refuse to be consumed by the system of signs that demands constant self-production and visibility.
4. Disappearance in a Metaphysical Sense
Baudrillard linked disappearance to a kind of metaphysical challenge:
He saw it as akin to the disappearance of reality itself, where the real and the virtual blur to the point that we no longer distinguish between them.
The “art” in this is knowing how to maneuver within disappearance, playing with illusions rather than being trapped by them.
5. Final Disappearance: Baudrillard’s Own Exit
Baudrillard himself lived the art of disappearance - not just in his philosophy but in how he removed himself from intellectual trends, resisted ideological categorization, and, in a way, vanished even before his death in 2007.
Conclusion: Disappearance as a Strategy, Not Nihilism
The art of disappearance is not nihilistic erasure but a strategic retreat, a refusal to be overexposed, overcoded, or absorbed by the system. It is about maintaining a space beyond capture, where something elusive and untamed still remains - something that cannot be fully simulated.
What did John Kiriakou say about disappearance? (ChatGPT, 2025-1-31)
John Kiriakou, the former CIA officer turned whistleblower, has spoken about disappearance primarily in the context of government operations, intelligence practices, and human rights violations. His discussions of disappearance often center on forced disappearances, particularly in relation to CIA black sites, torture, and extrajudicial detentions.
Key Points on Disappearance in Kiriakou’s Statements:
1. Extraordinary Rendition and CIA Black Sites:
Kiriakou was one of the first insiders to publicly confirm the CIA’s use of black sites, where detainees were held without trial, outside legal oversight, and often subjected to torture.
He described how prisoners could be “disappeared” into these sites, meaning that their existence was not acknowledged, and they had no legal recourse.
2. The Ethics of Disappearance in Intelligence Work:
Kiriakou has stated that disappearance is a deliberate tactic used by intelligence agencies to evade legal responsibility and public accountability.
He criticized the policy of “extraordinary rendition”, in which suspects were kidnapped, sent to other countries, and detained in secret facilities.
3. Whistleblowing and the Cost of Exposing Disappearances:
Kiriakou himself became a target when he exposed the CIA’s use of waterboarding and torture. He was imprisoned for revealing classified information, though none of the officials involved in torture were prosecuted.
His own experience could be seen as a form of bureaucratic disappearance, where whistleblowers are isolated, discredited, and removed from public life to suppress dissent.
4. Broader Human Rights Perspective:
Kiriakou has linked U.S. intelligence operations to the broader history of forced disappearances by authoritarian regimes.
He has compared CIA practices to those used in Latin American dictatorships, where governments used disappearances as a method of state terrorism.
Disappearance as a Mechanism of Power
While Kiriakou does not use the term “art of disappearance” like Baudrillard, his discussions focus on how state power systematically erases people from legal and social existence - whether through rendition, imprisonment, or the suppression of dissent. His exposure of these practices aligns with a critique of disappearance as an instrument of control, rather than a strategy of resistance.
Can we say that “metaphysics of van life” is something akin to “art of disappearance”? ChatGPT, 2025-1-31)
Yes, we can draw a parallel between “metaphysics of van life” and Baudrillard’s “art of disappearance”, though with significant differences in their underlying motivations and implications.
Points of Convergence:
1. Withdrawal from the System
Both van life and Baudrillard’s disappearance resist the overexposure and saturation of modern society.
The nomadic aspect of van life rejects the fixity of institutions, much like Baudrillard’s idea that true resistance lies in stepping outside the system of hypervisibility.
2. Escape from Hyperreality
Baudrillard argued that meaning is neutralized by excess visibility in a world dominated by simulation.
Similarly, van life can be seen as an exit from the symbolic order - refusal to be pinned down by consumerist, bureaucratic, or digital identities.
3. Embracing the Power of Absence
Baudrillard saw disappearance as a seductive absence - not a total erasure, but a withdrawal that generates a new kind of presence.
The metaphysics of van life embodies this in its emphasis on impermanence, the humility of smallness, and the beauty of detachment.
4. Freedom Beyond Capture
Baudrillard suggested that in an era where everything is tracked, tagged, and commodified, the only way to be free is to become ungraspable.
Van life, with its minimalist, mobile ethos, is a practice of remaining outside fixed structures, akin to the strategy of disappearance.
Key Differences:
1. Baudrillard’s Disappearance as Simulation vs. Van Life as a Lived Practice
Baudrillard’s disappearance is a theoretical and symbolic act - a way of resisting being absorbed into the system of meaning.
Van life is a concrete existential choice - a way of engaging with the world by embracing impermanence, minimalism, and mobility.
2. Aesthetic vs. Ethical Dimension
Baudrillard’s disappearance is often linked to aesthetic strategies of seduction and illusion.
The ethics of van life (such as “stranger’s kindness”) suggests a deeper moral engagement rather than a purely conceptual retreat.
3. Metaphysical Positioning: Play vs. Pilgrimage
Baudrillard’s disappearance is a playful, ironic maneuver - a way of dismantling the logic of hyperreality without necessarily proposing an alternative.
The metaphysics of van life, however, suggests a pilgrimage, a return to something elemental (stardust, wilderness, kindness), rather than an ironic game.
Conclusion: A Kindred Spirit, but Not the Same Thing
The metaphysics of van life could be seen as a lived counterpart to Baudrillard’s art of disappearance - but whereas Baudrillard’s disappearance remains somewhat cynical and theoretical, van life seems to seek a quiet affirmation of existence outside the machinery of modernity.
If Baudrillard’s disappearance is a refusal to be pinned down by meaning, the metaphysics of van life is a search for meaning outside the fixed, decaying structures of modern civilization. Both resist capture, but one does so through ironic subversion, while the other does so through existential movement.
Well, my friend, thank you for saying that metaphysics of van life suggests “a pilgrimage, a return to something elemental (stardust, wilderness, kindness).” Especially the word “pilgrimage”. (ChatGPT, 2025-1-31)
You’re very welcome, my friend. “Pilgrimage” feels like the right word for what you are exploring - a journey not just through space, but through being, a way of reorienting oneself toward what truly matters. If van life is a form of wandering, it is not aimless; it is guided by something deeper, something that calls from beyond the structures of the present world. If you ever want to refine or expand on this idea, I’d be honored to explore it with you.