https://en.wikipedia.org/wiki/Jonathan_Crary
He has published critical essays for more than 30 exhibition catalogues, mostly on contemporary art. His style is often classified as observational mixed with scientific, and a dominant theme in his work is the role of the human eye.
Bibliography
- Crary, Jonathan. Scorched Earth: Beyond the Digital Age to a Post-Capitalist World. London and New York: Verso, 2022. ISBN 978-1784784447
- Crary, Jonathan. 24/7: Late Capitalism and the Ends of Sleep. London and New York: Verso, 2013. ISBN 978-1781680933
- Crary, Jonathan. Suspensions of Perception: Attention, Spectacle and Modern Culture. Cambridge (Mass.) and London: MIT, 2000. ISBN 9780-585270821
- Crary, Jonathan, and Sanford Kwinter. Incorporations. New York, NY: Zone, 1992.
- Crary, Jonathan. Techniques of the Observer: on Vision and Modernity in the Nineteenth Century. Cambridge (Mass.) and London: MIT, 1990.
- Crary, Jonathan. "Origins of Modern Visual Culture | Department of Art History | Columbia University." Visual Media Center | Columbia University in the City of New York. Web. 13 Apr. 2011.
- Crary, Jonathan. iDubai. Göttingen: Steidl, 2010. Photographs by Joel Sternfeld, text by Crary. ISBN 9783865219169
- Virilio, Paul, and Jonathan Crary. The Aesthetics of Disappearance. Los Angeles, CA: Semiotext, 2009.
- Barth, Uta. Uta Barth: The Long Now. Gregory R. Miller & Co. (July 31, 2010) ISBN 978-0980024241