屍速列車 (Train to Busan, 2016)

https://www.youtube.com/watch?v=yisq4BgTY64

屍速列車   前傳：首爾車站
https://www.youtube.com/watch?v=dhKZbdv6aEU&t=3435s

Clara Thompson (1893-1958)

Psychoanalysis: Evolution and Development (1951 / 2002)

Clara Thompson’s main contribution to the field of psychoanalysis consists of an extensive overview of the field. 

Thompson divided Psychoanalysis’ development into four periods:

(1) 1885–1900: In this period the majority of the basic ideas of psychoanalysis were born out of Freud’s mind and remain at the center of some schools up till the present day.

(2) 1900–1910/1920: Stressed the importance of the biological sexual development of the child.

(3) 1910–1925: The focus extended itself to the entire personality.

(4) 1925–present: The view on psychoanalysis expanded from internal forces only (the classic psychoanalysis) to the influences of culture and other persons on the patient and its psychoanalysis. This is also the view that Thompson herself embraced: the influence of culture and interpersonal relationship can never be discarded in psychoanalysis.

In theory and practice she emphasized and analyzed what went on between people to facilitate the growth of a human relationship. She passionately believed in the value of psychoanalysis for enhancing the humanity of persons, no matter how sick they appeared to be.

Her book “Psychoanalysis: Evolution and Development” (1951) is a comprehensive documentation of the course of psychoanalytic theory and practice and Thompson's main point is that psychoanalysis has changed since its Freudian theorisation. Specifically, although she recognises Freud's genius, she notes his limitations in the theory and focuses on the changes that occurred due to the contribution of great therapists that followed Freud. Thompson also refers to cultural anthropology research as another contributor to further evolution of psychoanalysis. Moreover, in this book she investigates how the therapist-patient relationship has been viewed in the course of time. She underscores the importance of this relationship in the therapeutic procedure.
                                                                                (https://en.wikipedia.org/wiki/Clara_Thompson) 

about the Anthropocene

1. The Birth of the Anthropocene, by Jeremy Davies, University of California Press, May 24, 2016 (accessible via scribd) 

2. Learning to Die in the Anthropocene: Reflections on the End of a Civilization, by Roy Scranton, City Lights Publishers, 2015 (accessible via scribd) 

3. The Great Acceleration: An Environmental History of the Anthropocene since 1945, by J. R. McNeill, Peter Engelke, Belknap Press, April 4, 2016 (kindle 2016-9-15) 

4. Ecological Economics for the Anthropocene: An Emerging Paradigm, ed. by Peter G. Brown, Peter Timmerman, Columbia University Press, 2015 (accessible via scribd) 

5. Keeping the Wild: Against the Domestication of Earth, ed. by George Wuerthner, et al., Foundations for Deep Ecology, 2 ed, 2014 (accessible via scribd)

Wounds of History (six bullets)

1. Wounds of History: Repair and Resilience in the Trans-Generational Transmission of Trauma (Relational Perspectives Book Series), ed. by Jill Salberg, Sue Grand, Routledge, Dec 22, 2016

2. Trans-generational Trauma and the Other: Dialogues across history and difference (Relational Perspectives Book Series), ed. by Sue Grand, Jill Salberg, Routledge, Dec 17, 2016

3. Haunting Legacies: Violent Histories and Transgenerational Trauma, by Gabriele Schwab, Columbia University Press, 2010 (accessible via scribd)
4. Trauma: A Social Theory, by Jeffrey C. Alexander, Polity, 2012 (kindle 2015-3-14)
5. Demons in the Consulting Room: Echoes of Genocide, Slavery and Extreme Trauma in Psychoanalytic Practice (Relational Perspectives Book Series). ed. by Adrienne Harris, et al., Routledge, 2016
6. Ghosts in the Consulting Room: Echoes of Trauma in Psychoanalysis (Relational Perspectives Book Series), ed. by Adrienne Harris, et al., Routledge, 2016

放風恆春

十多年未返恆春
侯鳥儀式止於

那年的夏天

數度樹林等待
深夜颱風過境

直到橋斷


今晚聽說風又來了

主客觀之間 --- not either/or, but iteratively both/and

不約而同他們都在講同一件事可見either/or是牢獄不見天日的solitary confinement換句話說我們須要放封(風)

Solitary confinement is colloquially referred to in American English as "the hotbox", "the hole", "lockdown", "punk city", "SCU" (solitary confinement unit), "AdSeg" (administrative segregation), the "SHU" (pronounced "shoe"), an acronym for "special housing unit" or "security housing unit", or "the pound"; in British English as "the block" or "the cooler"; and in Canada, it is known as the Special Handling Unit. (wikipedia)

The Wounded Researcher: Research with Soul in Mind, by Robert Romanyshyn, Spring Journal, Inc; 2007 

... the task is precisely to be objective toward oneself and subjective toward all others (Kierkegaard 1967: IV 4542) (Everyday Mysteries, by Emmy van Deurzen, 2e, 2010, kindle location 496/9281)

我先前說過      心理治療所為何來    不過是讓一個人     因此     不要把自己看得太重 (not to take oneself too seriously)   

可見      關於自己      通常困難是 subjective > objective      治療者尤然

關於他者     則      困難通常是 objective > subjective      因為人與他者關係     界面粗糙     除異化(alienation)物化(reification)      幾已無     其他可能

生命       所有美好      發生在往返      之間

the (im)possibility of objective study of subjectivity 

and Matthew B. Crawford (2009, 2015)

跪久了站起來遛遛

https://www.youtube.com/watch?v=RRrVchndYm4
https://www.youtube.com/watch?v=c21g_x1sSh8

這是讓高文謙先生落淚的那句話
這是讓民進黨諸公獰笑的那句話

獰笑後他們說這不是今天的主題

九月十二日

Isn't This Fun?: Investigating the Serious Business of Enjoying Ourselves (Michael Foley, June 30, 2016)

serious businesses include serious drink, serious joke, serious money, serious sex, serious being-fucked-up, etc

funnily serious, seriously funny; have fun, they insist, and seriously pretending to be funny; no fun, without belly laugh and tears; fun, got to be, casual and lean

Zen in the Art of Archery (Eugen Herrigel, 1948)

Eugen Herrigel (1884-1955) was a German philosopher who taught philosophy at Tohoku Imperial University in Sendai, Japan, from 1924 to 1929 and introduced Zen to large parts of Europe through his writings.

While living in Japan from 1924 to 1929, he studied kyūdō, traditional Japanese archery, under Awa Kenzô (阿波研造:1880-1939), a master of the art, in the hope of furthering his understanding of Zen. In July 1929 he returned to Germany and was given a chair in philosophy at the University of Erlangen. 

According to Gershom Scholem "Herrigel joined the Nazi Party after the outbreak of the war and some of his former friends in Frankfurt, who broke with him over this issue, told me about his career as a convinced Nazi, when I enquired about him in 1946. He was known to have stuck it out to the bitter end. This was not mentioned in some biographical notes on Herrigel published by his widow, who built up his image as one concerned with the higher spiritual sphere only." (wikipedia)

http://www.ideologic.org/files/Eugen_Herrigel_-_Zen_in_the_Art_of_Archery.pdf

Zen and the Art of Motorcycle Maintenance: An Inquiry into Values, first published in 1974, is a work of philosophical non-fiction, the first of Robert M. Pirsig's texts in which he explores his Metaphysics of Quality.

The title is an apparent play on the title of the book Zen in the Art of Archery by Eugen Herrigel. (wikipedia)

http://www.arvindguptatoys.com/arvindgupta/zen-motorcycle.pdf

The Case for Working With Your Hands (Matthew B. Crawford, NYT Magazine, May 21, 2009)

http://www.nytimes.com/2009/05/24/magazine/24labor-t.html?_r=0

a lost way of life, not a loser's way of life, man

Roy on the roof (Bladerunner, 1982)

Roy: Not very sporting to fire on an unarmed opponent. I thought you were supposed to be good. Aren't you the good man? Come on Deckard. Show me what you're made of. [Roy breaks through wall.] 
Roy: Proud of yourself, little man? This is for Zhora. [Roy grabs Deckard's hand... breaking a trigger finger.] 
Deckard: Arrggh. 
Roy: This is for Pris. 
Deckard: Arrgghh. [Another trigger finger.] 
Roy: Come on, Deckard, I'm right here, but you've got to shoot straight. [Deckard fires again.] 
Roy: Straight doesn't seem to be good enough. Now it's my turn. I'm gonna give you a few seconds before I come. One, Two. Three, Four. Pris... 
Deckard: Arrghhh. [Chase starts... Roy begins howling.] 
Roy: [singing] I'm coming. [pause] Four, five. How to stay alive. [pause] I can see you! [pause, grasping hand] Not yet. Not... [Roy drives nail through hand and screams.] 
Roy: Yes... [Roy smashes his head through the shower wall.] 
Roy: You better get it up, or I'm gonna have to kill ya! Unless you're alive, you can't play, and if you don't play... Six, seven. Go to hell, go to heaven. [Deckard breaks off a pipe from the wall... hits Roy's forehead like a bat.] Yeah, that's the spirit. [Deckard flees out a boarded window by kicking it.] 

Roy: That hurt. That was irrational. Not to mention, unsportsmanlike. Ha ha ha. Where are you going? [Deckard does some dazzling cliffhanging... gets on rooftop... Roy comes up on roof... Deckard leaps to next building... just missing, but catching the edge... Deckard hangs on a beam with fear... time passes... Roy leaps across with ease, after letting a white pigeon go from his hand... Roy watches Deckard.] 
Roy: Quite an experience to live in fear, isn't it? That's what it is to be a slave. [Deckard falls, Roy catches him...pulls him to safety... Deckard crawls a few feet and rests.] 

Roy: I've seen things you people wouldn't believe. Attack ships on fire off the shoulder of Orion. I watched C-beams glitter in the dark near Tannhauser Gate. All those moments will be lost in time... like tears in rain. [Pause] Time to die. 

Deckard (voice-over): I don't know why he saved my life. Maybe in those last moments he loved life more than he ever had before. Not just his life, anybody's life, my life. All he'd wanted were the same answers the rest of us want. Where did I come from? Where am I going? How long have I got? All I could do was sit there and watch him die. 
Gaff: [Gaff on rooftop by spinner.] You've done a man's job, sir. I guess you're through, huh? [Gaff tosses Deckard's blaster toward him.] 
Deckard: Finished. 
Gaff: It's too bad she won't live. But then again, who does? [Gaff leaves.] 

http://www.oocities.org/lpittack/br-transcript.html

https://www.youtube.com/watch?v=NoAzpa1x7jU

https://drive.google.com/file/d/0B5viXpvvYMYEbzNNb3c2Wl96SnM/view?usp=sharing  (accessible via scribd)

https://www.youtube.com/watch?v=LgcAbJ_cuQI   ("30 years ago I saw the future") (2016-10-9)

One more question. You're watching a stage play. A banquet is in progress. The guests are enjoying an appetizer of raw oysters. The entree consists of boiled dog. (Bladerunner, 1982)

Tyrell Corporation - Egyptian similarities. An owl flies across the room and lands on perch. 
Rachael: Do you like our owl? 
Deckard: It's artificial? 
Rachael: Of course it is. 
Deckard: Must be expensive. 
Rachael: Very. I'm Rachael. 
Deckard: Deckard. 
Rachael: It seems you feel our work is not a benefit to the public. 
Deckard: Replicants are like any other machine. They're either a benefit or a hazard. If they're a benefit, it's not my problem. 
Rachael: May I ask you a personal question? 
Deckard: Sure. 
Rachael: Have you ever retired a human by mistake? 
Deckard: No. 
Rachael: But in your position that is a risk? 
Tyrell: Is this to be an empathy test? Capillary dilation of the so-called blush response? Fluctuation of the pupil? Involuntary dilation of the iris? 
Deckard: We call it Voigt-Kampff for short. 
Rachael: Mr. Deckard, Dr. Eldon Tyrell. 
Tyrell: Demonstrate it. I want to see it work. 
Deckard: Where's the subject? 
Tyrell: I want to see it work on a person. I want to see a negative before I provide you with a positive. 
Deckard: What's that going to prove? 
Tyrell: Indulge me. 
Deckard: On you? 
Tyrell: Try her. 

Deckard: It's too bright in here. [The window changes shade, letting less light in.] 
Rachael: Do you mind if I smoke? 
Deckard: It won't affect the test. All right, I'm going to ask you a series of questions. Just relax and answer them as simply as you can. [pause] It's your birthday. Someone gives you a calfskin wallet. 
Rachael: I wouldn't accept it. Also, I'd report the person who gave it to me to the police. 
Deckard: You've got a little boy. He shows you his butterfly collection plus the killing jar. 
Rachael: I'd take him to the doctor. 
Deckard: You're watching television. Suddenly you realize there's a wasp crawling on your arm. 
Rachael: I'd kill it. 
Deckard: You're reading a magazine. You come across a full-page nude photo of a girl. 
Rachael: Is this testing whether I'm a replicant or a lesbian, Mr. Deckard? 
Deckard: Just answer the questions, please. [pause] You show it to your husband. He likes it so much he hangs it on your bedroom wall. 
Deckard (background): ... bush outside your window... 
Rachael: I wouldn't let him. 
Deckard (background): ... orange body, green legs... 
Deckard: Why not? 
Rachael: I should be enough for him. [Audio fades out and in, time passes.] 
Deckard: One more question. You're watching a stage play. A banquet is in progress. The guests are enjoying an appetizer of raw oysters. The entree consists of boiled dog. 
Tyrell: Would you step out for a few moments, Rachael? [pause] Thank you. 

Deckard: She's a replicant, isn't she? 
Tyrell: I'm impressed. How many questions does it usually take to spot them? 
Deckard: I don't get it Tyrell. 
Tyrell: How many questions? 
Deckard: Twenty, thirty, cross-referenced. 
Tyrell: It took more than a hundred for Rachael, didn't it? 
Deckard: She doesn't know?! 
Tyrell: She's beginning to suspect, I think. 
Deckard: Suspect? How can it not know what it is? 
Tyrell: Commerce, is our goal here at Tyrell. More human than human is our motto. Rachael is an experiment, nothing more. We began to recognize in them strange obsessions. After all they are emotional inexperienced with only a few years in which to store up the experiences which you and I take for granted. If we give them the past we create a cushion or pillow for their emotions and consequently we can control them better. 
Deckard: Memories. You're talking about memories. 

https://www.youtube.com/watch?v=yWPyRSURYFQ

http://www.oocities.org/lpittack/br-transcript.html


A scene from Scott's Bladerunner provides a useful example. Using the 'voigt-kampff' machine, Deckard (Harrison Ford) interrogates Rachel (Sean Young) at the Tyrell Corporation in order to test her empathic responses and thereby to establish whether she is truly human or a manufactured 'replicant' Rachel 's answers are slick and
sure-fire and indicate well-rounded subjectivation. 

The final question, however, leaves Rachel floundering in a state of
confusion as she cannot find a point of positive identification (in the symbolic order) and the machine registers a chilling wipe-out - the void of $. 

What is compelling about the scene is that, far from separating Rachel (and the other replicants) from 'us', it serves to underscore her human condition as a being whose subjectivation is prone to failure and negative distortion. 

It is precisely this malfunctioning element (the bone stuck in the symbolic order) that confers human status.

(Conversations with Zizek, 2004, pp. 4-5)

鄭成功領有海盜執照? (1624-1662)

http://news.ltn.com.tw/news/politics/breakingnews/1822692

本來知道做皇民和台北市長要考執照不知做海盜也要考執照決定跟鄭老要考古題趕快去考

Gary Moore - Whiskey In The Jar (From "One Night In Dublin: A Tribute To Phil Lynott") etc

https://www.youtube.com/watch?v=DgJnqAx5N9Y&index=10&list=RD4O_YMLDvvnw

Gary Moore (1952-2011)      what a fucking happy long song

As I was goin' over the Cork and Kerry mountains
I saw Captain Farrell and his money he was countin'
I first produced my pistol and then produced my rapier
I said stand and deliver or the devil he may take ya

I took all of his money and it was a pretty penny
I took all of his money yeah and I brought it home to Molly
She swore that she'd love me, no never would she leave me
But the devil take that woman yeah for you know she tricked me easy

Musha ring dum a doo dum a da
Whack for my daddy-o
Whack for my daddy-o
There's whiskey in the jar-o

Being drunk and weary I went to Molly's chamber
Takin' my money with me, but I never knew the danger
For about six or maybe seven in walked Captain Farrell
I jumped up, fired off my pistols and I shot him with both barrels

Musha ring dum a doo dum a da
Whack for my daddy-o
Whack for my daddy-o
There's whiskey in the jar-o

Now some men like the fishin' and some men like the fowlin'
And some men like ta hear, ta hear the cannon ball a roarin'
Me I like sleepin', specially in my Molly's chamber
But here I am in prison, here I am with a ball and chain yeah

Musha ring dum a doo dum a da
Whack for my daddy-o
Whack for my daddy-o
There's whiskey in the jar-o

Whiskey in the jar-o
Musha ring dum a doo dum a da
Musha ring dum a doo dum a da
Hey, musha ring dum a doo dum a da
Musha ring dum a doo dum a da

zizek, in a not unusual at all sunday

https://drive.google.com/drive/folders/0B5viXpvvYMYEZ0R3czFpYXhKUkE?usp=sharing (accessible via scribd mostly)

so many roads

https://www.youtube.com/watch?v=dwc7ZEYfWYc

Heauton Timorumenos (The Self-Tormentor)

Heauton Timorumenos (The Self-Tormentor) --- The play has presented academics with some problems. Firstly it is not entirely clear whether Heauton Timorumenos is Terence's second or third play. More importantly, due to the scant survival of Menander's play of the same name, there is no simple way to judge how much Terence's version is translation and how much is invention.

It is set in a village in the countryside of Attica. (wikipedia)

Publius Terentius Afer (c. 195/185 – c. 159? BC), better known in English as Terence, was a playwright of the Roman Republic, of berber descent. His comedies were performed for the first time around 170–160 BC. Terentius Lucanus, a Roman senator, brought Terence to Rome as a slave, educated him and later on, impressed by his abilities, freed him. Terence apparently died young, probably in Greece or on his way back to Rome. All of the six plays Terence wrote have survived.

One famous quotation by Terence reads: "Homo sum, humani nihil a me alienum puto", or "I am human, and nothing of that which is human is alien to me." This appeared in his play Heauton Timorumenos. (wikipedia) (more than one editions, ebook or Epub, accessible via scribd)

起因是剛跟T君通電話他說居然發生這種事我說憑甚麼我們不會發生這種事最好的最糟的我們都照單全收這才是真實人生我說的是真實人生不是俗稱的好棒棒的人生(good life)要找好的人生就去法國料理店大啖生蠔然後優雅的勃起

On the Concept of Irony with Continual Reference to Socrates (Søren Kierkegaard, 1841)

On the Concept of Irony with Continual Reference to Socrates is Soren Kierkegaard's 1841 doctoral thesis under Frederik Christian Sibbern.

This thesis is the culmination of three years of extensive study on Socrates, as seen from the view point of Xenophon, Aristophanes, and Plato. His thesis dealt with irony, and in particular, Socratic irony. (wikipedia)  (accessible via scribd)

john lee hooker (1917-2001)

https://www.youtube.com/watch?v=uFnSKD2E0Z8

台灣上古史 (1993-2000)

http://news.ltn.com.tw/news/politics/breakingnews/1819525

智商一萬八以上的台灣人
才知道那十年發生了甚麼
隻手遮天如此完美長嘆矣

Lightnin' Hopkins (1912-1982)

https://www.youtube.com/watch?v=ZBYPxOshV6w
https://www.youtube.com/watch?v=Ikg38fS4eH0

谷阿莫和浩爾先生

https://www.youtube.com/watch?v=aOnijJJ5CYI

阿莫兄正在整理真的好屌台灣史系列    比如說    三分鐘看完年金改革會議    三分鐘看完台灣洗錢史    三分鐘看完台灣哲學史     三分鐘看完台灣東廠史     三分鐘看完GG市長的偉大德政    三分鐘看完台灣當權者優雅微笑後面暗藏的凶狠無情     此系列已入課綱     小朋友們看了     都說台灣歷史好屌好有趣    

蔡佳玲

https://www.youtube.com/watch?v=LlVWKON_UXE
https://www.youtube.com/watch?v=XKqWGX1ROf0

太有趣了    這個跨性別的前衛小弟弟    台灣史異人篇一定要記一筆     聽說他近日要冒充老習的女兒    混進總統府找蔡英文    交換永續鬥爭文革六四寶貴經驗    且將主持國是會議    跟小段子說    你要知所進退    改革就是(台灣式)相親  

Alfred Döblin (1878 –1957)

Alfred Döblin (1878–1957) was born in German Stettin (now the Polish city of Szczecin), to Jewish parents. When he was ten his father, a master tailor, eloped with a seamstress, abandoning the family. Subsequently his mother relocated the rest of the family to Berlin. 

Döblin studied medicine at Friedrich Wilhelm University, specializing in neurology and psychiatry. While working at a psychiatric clinic in Berlin, he became romantically entangled with two women: Friede Kunke, with whom he had a son, Bodo, in 1911, and Erna Reiss, to whom he had become engaged before learning of Kunke’s pregnancy. He married Erna the next year, and they remained together for the rest of his life. 

His novel The Three Leaps of Wang Lun was published in 1915 while Döblin was serving as a military doctor; it went on to win the Fontane Prize. In 1920 he published Wallenstein, a novel set during the Thirty Years’ War that was an oblique comment on the First World War. He became president of the Association of German Writers in 1924, and published his best-known novel, Berlin ­Alexanderplatz, in 1929, achieving modest mainstream fame while solidifying his position at the center of an intellectual group that included Bertolt Brecht, Robert Musil, and Joseph Roth, among others. He fled Germany with his family soon after Hitler’s rise, moving first to Zurich, then to Paris, and, after the Nazi invasion of France, to Los Angeles, where he converted to Catholicism and briefly worked as a screenwriter for Metro-Goldwyn-Mayer. After the war he returned to Germany and worked as an editor with the aim of rehabilitating literature that had been banned under Hitler, but he found himself at odds with conservative postwar cultural trends. He suffered from Parkinson’s disease in later years and died in Emmendingen in 1957. Erna committed suicide two months after his death and was interred along with him. (amazon) 

廿世紀初的精神科醫師作家   很有趣   注意其書寫策略

Döblin is generally considered one of the most important German writers of the twentieth century; yet popular perception of his work rests almost exclusively on Berlin Alexanderplatz, considered the canonical German novel of the modern metropolis ("Großstadtroman"). 

His writing is characterized by an innovative use of montage and perspectival play, as well as what he dubbed in 1913 a "fantasy of fact" ("Tatsachenphantasie")—an interdisciplinary poetics that draws on modern discourses ranging from the psychiatric to the anthropological to the theological, in order to "register and articulate sensory experience and to open up his prose to new areas of knowledge." 

His engagement with such key movements of the European avant-garde as futurism, expressionism, dadaism, and Neue Sachlichkeit has led critic Sabina Becker to call him "perhaps the most significant representative of literary modernism in Berlin." (wikipedia)

http://www.en.alfred-doblin.com/

Bright Magic: Stories, by Alfred Doblin, NYRB Classics, October 25, 2016

Alfred Döblin’s many imposing novels, above all Berlin Alexanderplatz, have established him as one of the titans of modern German literature. This collection of his stories —astonishingly, the first ever to appear in English—shows him to have been a master of short fiction too. (amazon)

Berlin Alexanderplatz (1929)  (Epub, accessible via scribd)

what matters is how to live a FUCKING life that does not matter

到處我們都被優雅的喝著一瓶接一瓶

每瓶十八萬起跳的紅酒的成功者說教

他們知道什麼值得什麼是好的生活

當然他們也知道屁眼在那裡

他們媽媽的什麼都知道呢

老古白活六十年

讀萬卷書行萬里路

還找不到屁眼

可見讀萬卷書行萬里路

跟找不找得到屁眼沒有關係

可見老古找到屁眼後

就會從此讀不下書行不了路

也可見屁眼是當代

人生最重要的器官

the fucking holy hole of our times, i. e. 

上述成功屁眼學Jack Reacher講過很多次

這是為什麼我這麼喜歡這個怪胎的原因

起因是近幾年走到那都一再聽到那個他媽的沒有教養的音譯詞魯蛇(loser)依此asshole應譯為雅絲猴人(不)如畜牲果然但我仍採數千年來舊譯屁眼此譯兼具生物科學和形上美學意涵且具象寫實Jack Reacher說我們看不到自己的屁眼除非你拿根棍子上頭綁著一面鏡子照自己褲搭這是一個富策略性高難度的動作只有苦練成功者才做得到Jack和我很少洗澡照鏡都做不到

Anthropocene

The Anthropocene (人類世, 人新世) is a proposed epoch that begins when human activities started to have a significant global impact on Earth's geology and ecosystems. 

Neither the International Commission on Stratigraphy nor the International Union of Geological Sciences has yet officially approved the term as a recognized subdivision of geological time, although the Working Group on the Anthropocene (WGA) have voted to formally designate the epoch Anthropocene and present the recommendation to the International Geological Congress on 29 August 2016. (wikipedia) 

... started from around 1800 (Mobile Lives, 2010, p. 154)

The Holocene (全新世) is the geological epoch that began after the Pleistocene (更新世, 從2,588,000年前到11,700年前) at approximately 9,700 BCE. ... 

The Holocene also encompasses the growth and impacts of the human species worldwide, including all its written history, development of major civilizations, and overall significant transition toward urban living in the present. 

Human impacts on modern-era Earth and its ecosystems may be considered of global significance for future evolution of living species, including approximately synchronous lithospheric evidence, or more recently atmospheric evidence of human impacts. 

Given these, a new term, Anthropocene, is specifically proposed and used informally only for the very latest part of modern history involving significant human impact. (wikipedia)

https://www.theguardian.com/environment/2016/aug/29/declare-anthropocene-epoch-experts-urge-geological-congress-human-impact-earth

http://quaternary.stratigraphy.org/workinggroups/anthropocene/

https://www.weforum.org/agenda/2016/08/what-is-the-anthropocene-and-why-does-it-matter/

九月七日

白露

白露是二十四節氣中的第十五個節氣。每年八月中（西曆9月7日或8日）太陽到達黃經165度時為白露。《月令七十二候集解》中說：「八月節……陰氣漸重，露凝而白也。」 天氣漸轉涼，會在清晨時分發現地面和葉子上有許多露珠，這是因夜晚水氣凝結在上面，故名。

《禮記•月令》篇記載這個節氣的景象：「盲風至，鴻雁來，玄鳥歸，群鳥養羞。」

小明教你說德文

https://www.youtube.com/watch?v=G7j6jngoNZk

Erwachsene Kind zu stehlen Geld, eine Menge Geld zu stehlen. 

The Nimmo Brothers - I Do It All For You

https://www.youtube.com/watch?v=JOlJBsfnXlA

Göran Lindh1 年前

Slow and yet powerful, good one. Play loud!

https://www.youtube.com/watch?v=hfxdFT4pUeA&index=1&list=RDhfxdFT4pUeA

do buy

https://www.youtube.com/watch?v=dYDc8V5bhbg
https://www.youtube.com/watch?v=YJJ0m42MoXA
https://www.youtube.com/watch?v=skBMB6sxUy4

'Evil paradises' of seductive attraction are designed, constructed and imagined as places of and for movement. (Mobile Lives, 2010, p. 115)

住七樓五年電梯曾壞四五次每次都說要日本人來跟它講日文才修得好因為日本人很少來台灣所以通常至少故障兩周從B1爬八層樓梯變成最好的運動這是一個有個性的明治維新的電梯近日正預期它又故障我說過現代文明是廢墟但這個氣喘吁吁的老電梯是道場不是廢墟

Mobile Lives (Anthony Elliott, John Urry, 2010)

https://drive.google.com/folderview?id=0B5viXpvvYMYEcjEtSzNtdS1nOFE&usp=sharing

The period of mobile lives may thus be a short interlude during the anthropocene period. (Mobile Lives, 2010, p. 154)

這時我們想起達摩 ...

相傳達摩在嵩山西麓五乳峰的中峰上部、離絕頂不遠的一孔天然石洞中面壁九年。他就在這個石洞里，面對石壁，端端正正的坐在那裡，兩腿曲盤，兩手作彌陀印，雙目下視，五心朝天入定。開定后，他就站起身來，作一些徑行活動，鍛煉一下身體，待倦怠恢復后，又是坐禪入定。

https://www.youtube.com/watch?v=_m4cC8A5P_4


這個老兄行萬里路來到一個山洞遂坐下來不動九年然後留一隻鞋西逝這個mobility的順序是正確的意思是說走萬里路要花九年才能恢復元氣才能再走萬里路回老家所以關鍵是行腳不是面壁一千五百年來大家都搞錯了


清閑無事靜處坐
飢時吃飯困時臥
放下身心不用忙
必定不招冤與禍