https://zh.wikipedia.org/wiki/%E7%9B%A7%E5%86%A0%E5%BB%B7
https://www.youtube.com/watch?v=rkJPHCNse4k&list=PL5l9iRZwq9Ukswm7hT-cB-AevlBqWsSyL
https://itunes.apple.com/tw/album/beyond-imagination/id1007201378?app=itunes&ign-mpt=uo%3D4
These ponderings attempt to let themselves be appropriated by the event. (Beiträge zur Philosophie (Vom Ereignis), Martin Heidegger, 1936–38/1989)
Friday, December 15, 2017
一生所愛
https://www.youtube.com/watch?v=-8UbOhzu1Eo
https://www.youtube.com/watch?v=63EV7-Ha5zE
https://www.youtube.com/watch?v=ull58YWDots
作詞:唐書琛
作曲:盧冠廷
編曲:盧冠廷
從前現在過去了再不來
紅紅落葉長埋塵土內
開始終結總是沒變改
天邊的你飄泊白雲外
苦海翻起愛恨
在世間難逃避命運
相親竟不可接近
或我應該相信是緣份
情人別後永遠再不來(消散的情緣)
無言獨坐放眼塵世岸(願來日再續)
鮮花雖會凋謝(只願)但會再開(為你)
一生所愛隱約(守候)在白雲外(期待)
what about tomorrow, and the day after tomorrow
12/9 SP, 12/14 bullshit meeting in taipei, 12/15 YM deadline, ppt and exam to CR Tsai, 12/15 MC case notes (8), 12/19 fucking big show, 12/25 lecture 6, better a normal topic, 12/27 YM, again, better a normal one, 1/1 plan for 長照 2.0 (2018), 02/08 suicide assessment and intervention (new ppt), 02/15 the decision, 04/30 let go, no more fucking meetings, in the remains of this fucking lifetime
Thursday, December 14, 2017
张博树《中国批判理论十讲》第七讲:建构概念的张力(上下)
https://www.youtube.com/watch?v=G6GKcCQ4rJ8
https://www.youtube.com/watch?v=C0TydrB0Qg4&t=15s
https://www.youtube.com/watch?v=C0TydrB0Qg4&t=15s
完整歌名:如果下雨的时候你拖着行李箱子站在屋檐下面那么其实我没有足够的时间找一个好一点的理由抛弃家里面的狗坐上K667次列车到你在的地方找个商店买一把伞然后给我妹妹弹吉他因为她要参加比赛所以我回不去了我也不会给你说我泡面的碗还没洗
https://www.youtube.com/watch?v=JLq9c2xtvAo&index=10&list=RD137QoB4tQfc
愤怒全面炸开!公开信疯传!全民倒蔡奇
https://www.youtube.com/watch?v=_gDp-2iubXc
http://tw.aboluowang.com/2017/1214/1039864.html
https://hk.news.appledaily.com/international/daily/article/20171214/20243993
Wednesday, December 13, 2017
外来人口北京街头抗议示威 中共极权统治崩溃的五步曲
https://www.youtube.com/watch?v=2rl3JUT_hQM
http://bbs.omnitalk.org/politics/messages/97786.html
http://bbs.omnitalk.org/politics/messages/97786.html
Intersubjectivity in Psychoanalysis: A Model for Theory and Practice (Lewis Kirshner May 17, 2017)
https://www.amazon.com/Intersubjectivity-Psychoanalysis-Model-Theory-Practice-ebook/dp/B0711N2161/ref=mt_kindle?_encoding=UTF8&me= (kindle 2017-12-13)
Tuesday, December 12, 2017
中国将迎来巨变!美国向中国扔下一枚经济核弹,川普税改倒逼习近平政改?习近平已别无选择!
https://www.youtube.com/watch?v=23YZcHKzC3k
interesting, think about it
interesting, think about it
李志 Li Zhi《人民不需要自由》
https://www.youtube.com/watch?v=fKYfH3N9KzA
a very fucking happy song, or a happy song, after being fucked up, though we'd prefer, after fucking
a very fucking happy song, or a happy song, after being fucked up, though we'd prefer, after fucking
郭文贵的超级核弹 与习近平的终极秘密
https://www.youtube.com/watch?v=xoWCcwCkJNg
now, this guy, apparently, is a number man, not a word man, just like jack reacher, which means he is fascinated by numbers, and can read the mystery of numbers, and, now, i have 320 dollars in my wallet, and i usually take bath every 87 days, i wonder what it means
now, this guy, apparently, is a number man, not a word man, just like jack reacher, which means he is fascinated by numbers, and can read the mystery of numbers, and, now, i have 320 dollars in my wallet, and i usually take bath every 87 days, i wonder what it means
Monday, December 11, 2017
王炳章在监狱15年的祈祷文
http://www.asianews.it/news-zh/%E6%B0%91%E4%B8%BB%E5%85%88%E9%A9%B1%E7%8E%8B%E7%82%B3%E7%AB%A0%E5%9C%A8%E7%9B%91%E7%8B%B115%E5%B9%B4%E7%9A%84%E7%A5%88%E7%A5%B7%E6%96%87-41822.html
近日王炳章6月27日写了《被绑架十五周年的特别祈祷辞》,全文如下:
亲人们, 二零一七年六月二十七日,是我遭到绑架,被打入单人囚牢十五周年的日子。在这个特别的日子,我做了特别的祈祷。“特别祈祷辞”如下,愿与亲人们分享。
我的圣造物主、我的上帝、神、圣皇、天父、圣子耶稣基督、圣灵:
仆人王炳章向你祈祷。十五年前的二零零二年六月二十七日,我被绑架,自此关入单人囚牢。
我感谢您十五年来及给我的陪伴,支撑与导。感谢您使用我,交给我一个特别的使命,那就是,将您在造人类之初就给我定下来﹑领我们遵守的﹑在人类古文明,古经书中通过先祖传逮给我们的那些自然法则﹑契约规则﹑真理和道解悟出来,传播出去。我体悟到,您有一个拯救世界和人类的大计划,以使这个疯狂的世界重回您的轨道,以使这个迷失的人类重回您的怀抱。在您这个大计划中,我能为您做一点事工,感到荣幸。我知道,我的一切都是您赐予的,一切荣耀都是属于您的。
我一定不辜负您赐给我的使命,我继续珍爱自己,把身心搞好,活到您赐给我的天年。在您的教导﹑启示﹑引领下,每天有成就地为您做工。我保证,有您的拣选﹑厚爱﹑伴随﹑感恩与恩典,哪怕再有十五年的单独囚禁,我也会无所畏惧,越战越勇。我将倍加努力,向您交上一份可以荣耀您圣名的答卷。阿门。
永远爱你们的,
王炳章
2017.6.27
韶关监狱单人囚牢
周周侃 | “寒冬三把火”谁在给习近平挖坑?胡锡进都看不下去了!
https://www.youtube.com/watch?v=LylkOKxxsrg
挖坑是一個古老的概念劉全有常做這種事資治通鑑幾千年講的就是這件事
挖坑是一個古老的概念劉全有常做這種事資治通鑑幾千年講的就是這件事
Sunday, December 10, 2017
偉大的停車場
這是很不尋常的通常偉大是用來形容身體器官的比如說領導有一個偉大的鼻子或用來形容身體器官的熱脹冷縮的比如說領導有一個偉大的勃起剛剛我跟D君說昨天我把車停在大安高工的地下停車場那是一個偉大的停車場講完後我久久沒有說話D君說你被自己的偉大的話感動了我不好意思的擦乾眼淚點頭
Max Richter - Nosedive | Black Mirror Season 3 Soundtrack
需要和慾望 (need vs. desire)
這是昨天留下的伏筆 意思是說
自體心理學中間學派和依附理論 低估了慾望
當然反過來說 拉岡和克萊茵
尤其是前者 高估了慾望 後者則可能可以這麼說 無菌的避之如蛇蠍般的對待慾望
所以問題是自體心理學中間學派和依附理論
這些爛好人們 怎麼會不知道這件事
他們怎麼會以為 回應病人的需要的同時
不會開啟了黑暗的慾望的猛獸的柵欄
昨天我是這麼說的 先餵他吃魚
一段時間後 再教他釣魚
我會不會是自圓其說 我畢竟沒有辦法
沒有機會教他釣魚了 如果我先餵他吃魚
你難道沒有聽過 得寸進尺嗎
我想上述的兩難和質疑 是因為我看到的
跟拉岡克萊茵看到的 是不同的病人 我看到的是低端人口 他們月薪三萬元 渾身髒兮兮 每天必須喝保力達 才有力氣看到夕陽 他們只有素樸的信仰 沒有辦法辯論形上學
簡單講 他們付不起談話每小時三千元
我為什麼不要求上進 去那個香水和LV的世界
因為我就是低端人口
物以類聚 你聽過罷
昨天我說 我的難題是 每天洗五千個碗 能不能洗出救贖
回到一開始的需要和慾望 我不擔心慾望這麼高級的人類心智活動
我把它交給拉岡和克萊茵了
Elizabeth Severn: The "Evil Genius" of Psychoanalysis (Arnold Rachman, Nov 8, 2017)
https://www.amazon.com/Elizabeth-Severn-Psychoanalysis-Psychoanalytic-Inquiry/dp/1138122874/ref=sr_1_sc_2?s=books&ie=UTF8&qid=1512882334&sr=1-2-spell&keywords=evil+guinius+of+psychoanalysis (e-book unavailable yet)
Confusion of Tongues: A Return to Sandor Ferenczi (Miguel Gutierrez-Pelaez, Dec 31, 2017)
https://www.amazon.com/Confusion-Tongues-Return-Sandor-Ferenczi/dp/1782205721/ref=sr_1_12?s=books&ie=UTF8&qid=1512882143&sr=1-12&keywords=ferenczi
心靈的契合
http://news.ltn.com.tw/news/politics/paper/1158962
聽起來很像蔡奇講的人文關懷
see also
https://www.youtube.com/watch?v=Lqq0fnGOQn8
聽起來很像蔡奇講的人文關懷
see also
https://www.youtube.com/watch?v=Lqq0fnGOQn8
金正恩藏在中朝边境被证实,为了防止斩首登长白山,因为F22执行斩首行动需要进入中国领空
https://www.youtube.com/watch?v=urHvnaruUA4
https://www.youtube.com/watch?v=kntBfO5lIJM
https://www.youtube.com/watch?v=kntBfO5lIJM
推拿 (Blind Massage) (婁燁 2014)
https://zh.wikipedia.org/wiki/%E6%8E%A8%E6%8B%BF_(%E9%9B%BB%E5%BD%B1)
https://www.youtube.com/watch?v=tDLtx2gHGt4&list=RD137QoB4tQfc&index=12
堯十三-他爸的 Yaoshisan-FatherFucking
https://www.youtube.com/watch?v=Z2VqeZizFzY&index=51&list=RD137QoB4tQfc
堯十三_他媽的
https://www.youtube.com/watch?v=137QoB4tQfc
https://www.youtube.com/watch?v=tDLtx2gHGt4&list=RD137QoB4tQfc&index=12
https://www.youtube.com/watch?v=tDLtx2gHGt4&list=RD137QoB4tQfc&index=12
寡妇王二孃
https://www.youtube.com/watch?v=vYbeTc3amy8 (recommended by 玲茜 2017-12-9)
https://www.youtube.com/watch?v=4QUONw8bKKg
貴州方言版歌詞:
二嬢,罵咦二嬢,哎呀二嬢,你家小娃,漚尿淋我家狗嘞!
哎呀哎呀,緊倒淋我家狗嘞
二嬢二嬢,你聞起好香,罵咦二嬢二嬢,今天走我家吃莽莽
二嬢二嬢,我給你講我家飯雜實香, 我啊媽削個洋芋檢點芫荽匯個油酸湯 ho
二嬢二嬢,聽我吉他盎不盎,我嘞琴弦哈biu裝,你也一點都不莽
二嬢二嬢,接倒走我家吃莽莽,將就皮鞋草鞋拖鞋涼鞋再蘸油酸湯 嘎
二嬢二嬢,我窮得響叮噹,小嘞時候營養不良,哦oh卡角生瘡
二嬢二嬢,們倆去跳黃浦江,找個死豬騎起,們倆征服太平洋克
二嬢二嬢,你當我家婆娘,們倆老鄉擺老鄉專門兩眼淚汪汪
二嬢二嬢,你當我家婆娘,們倆赤腳麻腳打perper然嗨粑粑
不如咋磨砂
哎呀
二嬢盎盎盎盎盎盎盎盎盎昂,喲你張倒嘍
二嬢盎盎盎盎盎盎盎盎盎昂。咦你倒二很
二嬢盎盎盎盎盎盎盎盎盎昂
二嬢二嬢,你當我家婆娘不當,你不當不當講不當豆不當
哎呀二嬢二嬢,你當我家婆娘不當,你不當不當講不當豆不當
唱呢二嬢二嬢,你當我家婆娘不當,你不當不當講不當豆不當
拐球二嬢二嬢,你當我家婆娘不當,你不當不當講不當豆不當
天二嬢二嬢,你當我家婆娘不當,你不當不當們不當豆不當嘍嘛
不當嘍嘛
哎喲,你表打我嘛,你一打我,哎呀,你好溫柔啊你,你,你
我要抱起你享一大口
從腦門心到腳板底
二嬢,二嬢
二嬢,雜食趴活嘞二嬢。
二嬢,你家小娃,又漚尿淋我家狗嘞
我啊狗濕澆澆嘞,黏揪揪嘞,吹風機吹都吹不幹
我也是濕澆澆嘞,黏揪揪嘞,oho其實我不得吹風機
哎呀二嬢我嗯你講我腦殼頭其實有鍋烙鍋
們我一天又臊又費們又冒憨水
問題是我又不興害羞們
追們,拉們都拿我當哈二苗
這個世界不好,二嬢你也不好,我也不好,我家啊狗更不好
不對不對,其實很好,其實很好,二嬢你很好, 們唱們我還是不好嘛,唱們我和我啊狗哈是不好嘛們
唱們等待歸一嘍哈是等待,遠方背後哈是遠方
追們天涯海角去們,都無處是家鄉
二嬢結婚嘍,小娃七歲半
二嬢結婚嘍,小娃七歲半
二嬢結婚嘍,小娃七歲半
二嬢結婚嘍,小娃七歲半
二嬢結婚嘍,小娃七歲半
國語翻譯歌詞:
二嬢,哎呀二嬢,哎呀二嬢,你家孩子,在我家狗身上撒尿啊!
哎呀哎呀,一直一直地在我家狗身上撒尿啊!
二嬢二嬢,你聞哎呀好香,嘿二嬢二嬢,今天去我家吃飯飯
二嬢二嬢,我給你說我家的飯特別香, 我媽媽削個土豆洗點芫荽再匯個油酸湯 ho
二嬢二嬢,聽我吉他響不響,我的琴弦還沒裝,你也一點都不胖
二嬢二嬢,走還去我家吃飯,今天湊活皮鞋草鞋拖鞋涼鞋再蘸油酸湯 嘎
二嬢二嬢,我窮得響叮噹,小的時候營養不良,兩腿之間長瘡
二嬢二嬢,咱倆去跳黃浦江,找個死豬騎哎呀,征服太平洋去
二嬢二嬢,你當我老婆啊,我們老鄉騙老鄉天天兩眼淚汪汪
二嬢二嬢,你當我老婆啊,咱倆在乒乓球桌上躲貓貓打槍戰再來一發
其實還不如抽根煙 哼
哎呀
二嬢盎盎盎盎盎盎盎盎盎昂,你真客氣
二嬢盎盎盎盎盎盎盎盎盎昂。你有些略微的作你知道嗎?
二嬢盎盎盎盎盎盎盎盎盎昂
二嬢二嬢,你當我老婆啊,你不當啊說不當就不當啊
哎呀二嬢二嬢,你當我老婆啊,你不當啊說不當就不當啊
為什麼啊二嬢二嬢,你當我老婆啊,你不當啊說不當就不當啊
臥槽啊二嬢二嬢,你當我老婆啊,你不當啊說不當就不當啊
天呐二嬢二嬢啊,你當我老婆啊,你不當那就不當了吧,不當了吧
哎喲,你別打我啊,你一打我,哎呀,你好溫柔啊你,你,你
我要抱著你親一大口
從額頭親到腳底
二嬢,二嬢
二嬢,特別特別軟的二嬢。
二嬢,你家小孩,又在我家狗身上撒尿了啊
我的狗一直濕漉漉的,黏糊糊的,吹風機吹都吹不幹
我也是濕漉漉的,黏糊糊的,好吧其實我沒有吹風機
哎呀二嬢我給你說啊我的腦子可能是由一些煎土豆和煎豆腐撒上辣椒 面的混合物構成的
所以我每天都很調皮不安分並且額頭上冒傻氣
問題是我偏偏不知道害羞,
所以從今以後,他們都拿我當成是樓下翻垃圾桶的衣衫襤褸的那個人
世界不好,二嬢你也不好,我也不好,我家的狗更不好
不對不對,世界其實很好,二嬢你很好,但為什麼我還是不好, 為什麼我和我的狗還是不好
為什麼等待結束仍是等待,為什麼遠方後面還是遠方
從此以後天涯海角,無處是家鄉
二嬢結婚了
她的孩子,七歲半
https://www.youtube.com/watch?v=4QUONw8bKKg
貴州方言版歌詞:
二嬢,罵咦二嬢,哎呀二嬢,你家小娃,漚尿淋我家狗嘞!
哎呀哎呀,緊倒淋我家狗嘞
二嬢二嬢,你聞起好香,罵咦二嬢二嬢,今天走我家吃莽莽
二嬢二嬢,我給你講我家飯雜實香,
二嬢二嬢,聽我吉他盎不盎,我嘞琴弦哈biu裝,你也一點都不莽
二嬢二嬢,接倒走我家吃莽莽,將就皮鞋草鞋拖鞋涼鞋再蘸油酸湯 嘎
二嬢二嬢,我窮得響叮噹,小嘞時候營養不良,哦oh卡角生瘡
二嬢二嬢,們倆去跳黃浦江,找個死豬騎起,們倆征服太平洋克
二嬢二嬢,你當我家婆娘,們倆老鄉擺老鄉專門兩眼淚汪汪
二嬢二嬢,你當我家婆娘,們倆赤腳麻腳打perper然嗨粑粑
不如咋磨砂
哎呀
二嬢盎盎盎盎盎盎盎盎盎昂,喲你張倒嘍
二嬢盎盎盎盎盎盎盎盎盎昂。咦你倒二很
二嬢盎盎盎盎盎盎盎盎盎昂
二嬢二嬢,你當我家婆娘不當,你不當不當講不當豆不當
哎呀二嬢二嬢,你當我家婆娘不當,你不當不當講不當豆不當
唱呢二嬢二嬢,你當我家婆娘不當,你不當不當講不當豆不當
拐球二嬢二嬢,你當我家婆娘不當,你不當不當講不當豆不當
天二嬢二嬢,你當我家婆娘不當,你不當不當們不當豆不當嘍嘛
不當嘍嘛
哎喲,你表打我嘛,你一打我,哎呀,你好溫柔啊你,你,你
我要抱起你享一大口
從腦門心到腳板底
二嬢,二嬢
二嬢,雜食趴活嘞二嬢。
二嬢,你家小娃,又漚尿淋我家狗嘞
我啊狗濕澆澆嘞,黏揪揪嘞,吹風機吹都吹不幹
我也是濕澆澆嘞,黏揪揪嘞,oho其實我不得吹風機
哎呀二嬢我嗯你講我腦殼頭其實有鍋烙鍋
們我一天又臊又費們又冒憨水
問題是我又不興害羞們
追們,拉們都拿我當哈二苗
這個世界不好,二嬢你也不好,我也不好,我家啊狗更不好
不對不對,其實很好,其實很好,二嬢你很好,
唱們等待歸一嘍哈是等待,遠方背後哈是遠方
追們天涯海角去們,都無處是家鄉
二嬢結婚嘍,小娃七歲半
二嬢結婚嘍,小娃七歲半
二嬢結婚嘍,小娃七歲半
二嬢結婚嘍,小娃七歲半
二嬢結婚嘍,小娃七歲半
國語翻譯歌詞:
二嬢,哎呀二嬢,哎呀二嬢,你家孩子,在我家狗身上撒尿啊!
哎呀哎呀,一直一直地在我家狗身上撒尿啊!
二嬢二嬢,你聞哎呀好香,嘿二嬢二嬢,今天去我家吃飯飯
二嬢二嬢,我給你說我家的飯特別香,
二嬢二嬢,聽我吉他響不響,我的琴弦還沒裝,你也一點都不胖
二嬢二嬢,走還去我家吃飯,今天湊活皮鞋草鞋拖鞋涼鞋再蘸油酸湯 嘎
二嬢二嬢,我窮得響叮噹,小的時候營養不良,兩腿之間長瘡
二嬢二嬢,咱倆去跳黃浦江,找個死豬騎哎呀,征服太平洋去
二嬢二嬢,你當我老婆啊,我們老鄉騙老鄉天天兩眼淚汪汪
二嬢二嬢,你當我老婆啊,咱倆在乒乓球桌上躲貓貓打槍戰再來一發
其實還不如抽根煙 哼
哎呀
二嬢盎盎盎盎盎盎盎盎盎昂,你真客氣
二嬢盎盎盎盎盎盎盎盎盎昂。你有些略微的作你知道嗎?
二嬢盎盎盎盎盎盎盎盎盎昂
二嬢二嬢,你當我老婆啊,你不當啊說不當就不當啊
哎呀二嬢二嬢,你當我老婆啊,你不當啊說不當就不當啊
為什麼啊二嬢二嬢,你當我老婆啊,你不當啊說不當就不當啊
臥槽啊二嬢二嬢,你當我老婆啊,你不當啊說不當就不當啊
天呐二嬢二嬢啊,你當我老婆啊,你不當那就不當了吧,不當了吧
哎喲,你別打我啊,你一打我,哎呀,你好溫柔啊你,你,你
我要抱著你親一大口
從額頭親到腳底
二嬢,二嬢
二嬢,特別特別軟的二嬢。
二嬢,你家小孩,又在我家狗身上撒尿了啊
我的狗一直濕漉漉的,黏糊糊的,吹風機吹都吹不幹
我也是濕漉漉的,黏糊糊的,好吧其實我沒有吹風機
哎呀二嬢我給你說啊我的腦子可能是由一些煎土豆和煎豆腐撒上辣椒
所以我每天都很調皮不安分並且額頭上冒傻氣
問題是我偏偏不知道害羞,
所以從今以後,他們都拿我當成是樓下翻垃圾桶的衣衫襤褸的那個人
世界不好,二嬢你也不好,我也不好,我家的狗更不好
不對不對,世界其實很好,二嬢你很好,但為什麼我還是不好,
為什麼等待結束仍是等待,為什麼遠方後面還是遠方
從此以後天涯海角,無處是家鄉
二嬢結婚了
她的孩子,七歲半
Saturday, December 9, 2017
华涌在逃亡中写给自由世界的公开信
https://www.youtube.com/watch?v=DwdzBq7OJH8
https://www.bannedbook.org/bnews/zh-tw/ssgc/20171209/867655.html
华涌逃离警察追捕,首次报平安,采访低端人口被抓捕
https://www.youtube.com/watch?v=J9PgWtRaejE
see also
https://www.youtube.com/watch?v=JWb3zsdYdfU
see also
https://www.youtube.com/watch?v=JWb3zsdYdfU
John Mayall and The Bluesbreakers- Mists Of Time - Stories
https://www.youtube.com/watch?v=kmyoDqbitUc&index=4&list=RDEMsTxuEhuS1X4r3KbYWbrfPw
Marc Bloch (1886-1944)
https://en.wikipedia.org/wiki/Marc_Bloch#Second_World_War
https://en.wikipedia.org/wiki/The_Historian%27s_Craft
In 1939 France declared war on Germany after its invasion and occupation of Poland. As France mobilized its troops, Marc Bloch left his position at the Sorbonne and took up his reserve status as a captain in the French Army at the age of 52. He was encouraged at the time by colleagues both in France and abroad to leave the country. He said it was his personal obligation to stand for the moral imperative.
- "I was born in France, I have drunk the waters of her culture. I have made her past my own. I breathe freely only in her climate, and I have done my best, with others, to defend her interests."
His memoir of the first days of World War II, Strange Defeat, written in 1940 but not published until 1946.
The Historian's Craft (French: Apologie pour l'histoire ou Métier d'historien, 1949) is a book by Marc Bloch and first published in English in 1953 (New York: Knopf) (it was the first of his works to be translated into English). At that stage he was not as well known in the English-speaking world as he was to be in the 1960s where his works on feudal society and rural history were published.
The book was written in 1941 and 1942. Bloch joined the French Resistance prior to its completion.
CHAMP
https://en.wikipedia.org/wiki/Counter-electronics_High_Power_Microwave_Advanced_Missile_Project
https://www.youtube.com/watch?v=GDSY_H3wYuA
https://www.youtube.com/watch?v=GDSY_H3wYuA
Psychology of the Self: An Unfinished Revolution (2017-12-9)
https://drive.google.com/file/d/1TAKihmlPqfkl2A2vsmEaX3DEDhIgWCWy/view?usp=sharing
https://drive.google.com/file/d/1hJlWcGpnjXl8-fDMQe0K_oldZjdAsHFm/view?usp=sharing (MP3)
https://drive.google.com/file/d/15c6LsHudrU8icrBpHF5QOfcegvHzuWxW/view?usp=sharing (discussion)
appendix
https://drive.google.com/file/d/1EXIYRC5_2DHhp-8m5MhzxC7Ftwqsamee/view?usp=sharing
https://drive.google.com/file/d/1hJlWcGpnjXl8-fDMQe0K_oldZjdAsHFm/view?usp=sharing (MP3)
https://drive.google.com/file/d/15c6LsHudrU8icrBpHF5QOfcegvHzuWxW/view?usp=sharing (discussion)
appendix
https://drive.google.com/file/d/1EXIYRC5_2DHhp-8m5MhzxC7Ftwqsamee/view?usp=sharing
Friday, December 8, 2017
Thursday, December 7, 2017
爷们儿 (2014)
https://www.youtube.com/watch?v=U7ZrZYCrpyo
(1) 從劉全有身上要學到共產黨內鬥的本質
(2) 這部戲是一部恐怖片說明中國人的關係的恐怖的本質
(3) 恐怖顯現在幾個層面人與黨和組織的關係是其一
(4) 這部分李國生說這是時代的錯誤意思是說算了不要計較了你認為呢
(5) 避而不論政治的罪惡後最大的恐怖在家裡
(6) 挑播離間無日無之
(7) 上面再框一個親情的大帽子
(8) 這種家庭你看不到獨立的個人和個性
(9) 挑播離間包括李國生的媽媽姊姊妹妹
(10)和回來報仇的許婷
(11)當然還要加上壞透了的劉全有
(12)李國生是個厚道的濫好人卡在這個泥沼
(13)陳麗是唯一念過書的有見解的女人
(14)編劇寫得出這種劇本
(15)表示有這種現實
(16)我剛剛說過
(17)恐怖的現實
(18)最恐怖的就是媽媽
(19)正因為爸爸早就掛了
(20)所以這部戲的片名應該是
(21)爺們早掛了
(22)所以沒有爺們了
(23)至於北北
(24)當然長大就是邊緣性人格違常
(25)所以恐怖在看著一群中國大人男男女女老老少少
(26)怎麼以愛和倫理之名
(27)製造出中國第一個邊緣性違常
(1) 從劉全有身上要學到共產黨內鬥的本質
(2) 這部戲是一部恐怖片說明中國人的關係的恐怖的本質
(3) 恐怖顯現在幾個層面人與黨和組織的關係是其一
(4) 這部分李國生說這是時代的錯誤意思是說算了不要計較了你認為呢
(5) 避而不論政治的罪惡後最大的恐怖在家裡
(6) 挑播離間無日無之
(7) 上面再框一個親情的大帽子
(8) 這種家庭你看不到獨立的個人和個性
(9) 挑播離間包括李國生的媽媽姊姊妹妹
(10)和回來報仇的許婷
(11)當然還要加上壞透了的劉全有
(12)李國生是個厚道的濫好人卡在這個泥沼
(13)陳麗是唯一念過書的有見解的女人
(14)編劇寫得出這種劇本
(15)表示有這種現實
(16)我剛剛說過
(17)恐怖的現實
(18)最恐怖的就是媽媽
(19)正因為爸爸早就掛了
(20)所以這部戲的片名應該是
(21)爺們早掛了
(22)所以沒有爺們了
(23)至於北北
(24)當然長大就是邊緣性人格違常
(25)所以恐怖在看著一群中國大人男男女女老老少少
(26)怎麼以愛和倫理之名
(27)製造出中國第一個邊緣性違常
棋盘山 (辽宁沈阳市棋盘山)
https://baike.baidu.com/item/%E6%A3%8B%E7%9B%98%E5%B1%B1/14830
http://www.qipanshanjiu.com/news-156994
Tinsley Ellis - Kiss Of Death
https://www.youtube.com/watch?v=Ty2qEVlwBG0&index=14&list=RDGMEM3vRVvLY6rn_98uxOr5tY5AVMaLR_bSzPTiY
Mighty Sam McClain - When The Hurt Is Over
https://www.youtube.com/watch?v=J4YPMiFaPWo&index=8&list=RDGMEM3vRVvLY6rn_98uxOr5tY5AVMaLR_bSzPTiY
The Time Paradox: The New Psychology of Time That Will Change Your Life (Philip Zimbardo, John Boyd, 2008)
Your every significant choice -- every important decision you make -- is determined by a force operating deep inside your mind: your perspective on time -- your internal, personal time zone. This is the most influential force in your life, yet you are virtually unaware of it. (amazon) (accessible via scribd)
茫、勞、憂、亂、虛、盪、滯、厭、變、惜
https://www.ettoday.net/news/20171207/1067928.htm?t=2017%E5%B9%B4%E5%BA%A6%E4%BB%A3%E8%A1%A8%E5%AD%97%E6%98%AF%E3%80%8C%E8%8C%AB%E3%80%8D%EF%BC%81%E3%80%80%E5%BD%AD%E5%95%9F%E6%98%8E%EF%BC%9A%E5%8F%B0%E7%81%A3%E6%9C%AA%E4%BE%86%E7%99%BC%E5%B1%95%E8%8C%AB%E7%84%B6
用英文說十字變一字就是FUCK (or, of course, you can fuck ten times, if you prefer)
用英文說十字變一字就是FUCK (or, of course, you can fuck ten times, if you prefer)
John Mayall & Gary Moore - If I don't get home
https://www.youtube.com/watch?v=dyF2Hmys8Sc&index=3&list=RDGMEM3vRVvLY6rn_98uxOr5tY5AVMaLR_bSzPTiY
well, i told you before too, this one is, simply, fucking immortal
well, i told you before too, this one is, simply, fucking immortal
Tinsley Ellis - In From The Cold
https://www.youtube.com/watch?v=IUwRIyi9I00&index=2&list=RDGMEM3vRVvLY6rn_98uxOr5tY5AVMaLR_bSzPTiY
look, man, i told you before, this is good, very fucking good
look, man, i told you before, this is good, very fucking good
Joe Bonamassa with Beth Hart - I'll Take Care of You
https://www.youtube.com/watch?v=aLR_bSzPTiY&list=RDGMEM3vRVvLY6rn_98uxOr5tY5AVMaLR_bSzPTiY
北京排华 煤改气重创民生 19大蓝图破灭民怨沸腾
https://www.youtube.com/watch?v=vvOtjRZtIjY
http://www.epochtimes.com/b5/tag/%E5%85%B1%E7%94%A2%E4%B8%BB%E7%BE%A9%E7%9A%84%E7%B5%82%E6%A5%B5%E7%9B%AE%E7%9A%84.html
http://www.ntdtv.com/xtr/b5/2017/12/07/a1353967.html
http://www.epochtimes.com/b5/tag/%E5%85%B1%E7%94%A2%E4%B8%BB%E7%BE%A9%E7%9A%84%E7%B5%82%E6%A5%B5%E7%9B%AE%E7%9A%84.html
http://www.ntdtv.com/xtr/b5/2017/12/07/a1353967.html
死亡實驗 (Das Experiment 2001)
https://zh.wikipedia.org/wiki/%E6%AD%BB%E4%BA%A1%E5%AF%A6%E9%A9%97
史丹佛監獄實驗 (Stanford prison experiment, Philip Zimbardo, 1971)
https://zh.wikipedia.org/wiki/%E6%96%AF%E5%9D%A6%E7%A6%8F%E7%9B%91%E7%8B%B1%E5%AE%9E%E9%AA%8C
https://zh.wikipedia.org/wiki/%E7%B1%B3%E7%88%BE%E6%A0%BC%E5%80%AB%E5%AF%A6%E9%A9%97
史丹佛監獄實驗 (Stanford prison experiment, Philip Zimbardo, 1971)
https://zh.wikipedia.org/wiki/%E6%96%AF%E5%9D%A6%E7%A6%8F%E7%9B%91%E7%8B%B1%E5%AE%9E%E9%AA%8C
https://zh.wikipedia.org/wiki/%E7%B1%B3%E7%88%BE%E6%A0%BC%E5%80%AB%E5%AF%A6%E9%A9%97
The Lucifer Effect: Understanding How Good People Turn Evil, by Philip Zimbardo, Random House, 2007
Wednesday, December 6, 2017
被收買的知識份子
長相福泰體面注重養生
政治正確的頭髮很多
為了維持正確
大約每六小時洗一次頭
必須有三十七個戶頭
其中表面收入的那個
永遠餘額三十七元以示清白
陰囊很癢所以手放在褲襠
不停地抓
臉部肌肉經過演員訓練唱作俱佳
舉頭三尺看到的
當然是波多野結衣
慵懶的傳來回音的陰戶
當然他以為是神明
政治正確的頭髮很多
為了維持正確
大約每六小時洗一次頭
必須有三十七個戶頭
其中表面收入的那個
永遠餘額三十七元以示清白
陰囊很癢所以手放在褲襠
不停地抓
臉部肌肉經過演員訓練唱作俱佳
舉頭三尺看到的
當然是波多野結衣
慵懶的傳來回音的陰戶
當然他以為是神明
Tuesday, December 5, 2017
197條英文路
https://www.youtube.com/watch?v=BvYhsSUgnFQ
我的朋友查理士布朗遜說他贊成改為波多野結衣路或邊看波多野結衣邊學習說英文路ハタノが英語の道を学ぶニットを見ながら
我的朋友查理士布朗遜說他贊成改為波多野結衣路或邊看波多野結衣邊學習說英文路ハタノが英語の道を学ぶニットを見ながら
Paul Krugman (Nov 19, 2016)
https://www.voanews.com/a/noted-economist-warns-economic-woes-china/3603502.html
多少「陳賣光」賣國企! 中國「盜賊型政權」這樣來?
https://udn.com/news/story/7331/2843375
http://phtv.ifeng.com/a/20160708/41635698_0.shtml
http://phtv.ifeng.com/a/20160708/41635698_0.shtml
中国灾荒史 (1989)
中国灾荒史 (孟昭华,彭传荣 水利电力出版社 1989)
介绍1949-1989年期间发生在中国的自然灾害
https://baike.baidu.com/item/%E4%B8%AD%E5%9B%BD%E7%81%BE%E8%8D%92%E5%8F%B2see also
中国灾荒史记 (孟昭华 中国社会出版社 1999)
本书是由《中国救荒史》和《中国灾荒史》修订成的
https://book.douban.com/subject/1041702/
鄭必堅 (b 1932)
https://zh.wikipedia.org/wiki/%E9%83%91%E5%BF%85%E5%9D%9A
http://www.chinatimes.com/newspapers/20140327001025-260108
http://www.chinatimes.com/newspapers/20140328002165-260302
http://www.chinatimes.com/newspapers/20140327001025-260108
http://www.chinatimes.com/newspapers/20140328002165-260302
中国到底有多少中产阶级 最新报告称已超1亿 (2016-5-18)
http://business.sohu.com/20160518/n450057934.shtml
http://lifeinvan.com/b5/k2openinnew/item/3005468-%E4%B8%AD%E5%9C%8B%E4%B8%AD%E7%94%A2%E9%9A%8E%E7%B4%9A%E9%81%941-09%E5%84%84%E4%BA%BA-%E4%BD%94%E5%85%A8%E5%9C%8B%E6%88%90%E5%B9%B4%E4%BA%BA%E5%8F%A311.html
http://lifeinvan.com/b5/k2openinnew/item/3005468-%E4%B8%AD%E5%9C%8B%E4%B8%AD%E7%94%A2%E9%9A%8E%E7%B4%9A%E9%81%941-09%E5%84%84%E4%BA%BA-%E4%BD%94%E5%85%A8%E5%9C%8B%E6%88%90%E5%B9%B4%E4%BA%BA%E5%8F%A311.html
從中國階層結構看社會轉型的失敗(上)(2015-5-26)
https://www.epochtimes.com.tw/n128043/%E5%BE%9E%E4%B8%AD%E5%9C%8B%E9%9A%8E%E5%B1%A4%E7%B5%90%E6%A7%8B%E7%9C%8B%E7%A4%BE%E6%9C%83%E8%BD%89%E5%9E%8B%E7%9A%84%E5%A4%B1%E6%95%97%E4%B8%8A.html
要真刀真枪要刺刀见红要敢于硬碰硬為人民人文關懷服務
https://www.youtube.com/watch?v=wJppQQfeNWw
https://www.youtube.com/watch?v=ScnSh70q_6c
https://www.youtube.com/watch?v=qroyqeP6L40
https://www.youtube.com/watch?v=ScnSh70q_6c
https://www.youtube.com/watch?v=qroyqeP6L40
Monday, December 4, 2017
华涌:如果不能说真话,艺术又有什么用呢
https://www.youtube.com/watch?v=OAl09DbYTeE
https://www.youtube.com/watch?v=tevJS6QF5NM
https://www.youtube.com/watch?v=tevJS6QF5NM
Sunday, December 3, 2017
尹胜 etc
https://www.youtube.com/watch?v=XibJlDsOWHw
see also
https://www.youtube.com/watch?v=KzwRhfjhR00
https://www.youtube.com/watch?v=yhjyx9gYWzY
https://www.youtube.com/watch?v=bekuuHXmhbo
https://www.youtube.com/watch?v=-sspXsutVK4
see also
https://www.youtube.com/watch?v=KzwRhfjhR00
https://www.youtube.com/watch?v=yhjyx9gYWzY
https://www.youtube.com/watch?v=bekuuHXmhbo
https://www.youtube.com/watch?v=-sspXsutVK4
two archive fevers, one melancholy
Archive Fever: A Freudian Impression (Religion and Postmodernism), by Jacques Derrida, Eric Prenowitz (Translator), University of Chicago Press, 1998
Archive Fever: Uses of the Document in Contemporary Art, by Okwui Enwezor, Steidl/ICP, 2008
Was it Joseph Cornell's dossiers on ballerinas and artists that first proposed the model of the archive as a creative storehouse, a vehicle for the ordering of chaotic fragments? Over the past 30 years, successive generations have taken wide-ranging approaches to archives, most of them (like Cornell) concentrating on photographic and filmic collections. Organized and written by renowned scholar and ICP Adjunct Curator Okwui Enwezor, and taking its title from Jacques Derrida's book of the same name, Archive Fever gathers leading contemporary artists who use archival materials in the fabrication of their work. As Derrida notes, the Greek etymology of "archive" connotes both "commencement" and "commandment," implying that authority is as much at stake as authenticity. For artists, of course, these imperatives provoke all kinds of exciting opportunities for eccentricity and falsification, and the works included herein take many forms, including physical archives arranged by bizarre cataloguing methods, imagined biographies of fictitious persons, collections of found and anonymous photographs, film versions of photographic albums and photomontages composed from historical photographs. These images offer a wide-ranging subject matter, but are linked by the artists' shared meditation on photography and film as the quintessential media of the archive. Artists include Tacita Dean, Stan Douglas, Felix Gonzalez-Torres, Zoe Leonard, Ilán Lieberman, Walid Raad, Thomas Ruff, Anri Sala, Fazal Sheikh, Eyal Sivan, Lorna Simpson and Vivan Sundaram, among others.(amazon) (accessible via scribd)
this is, how Jonathan Boulter read Beckett
this is, how Jonathan Boulter read Beckett
塔西佗陷阱
https://baike.baidu.com/item/%E5%A1%94%E8%A5%BF%E4%BD%97%E9%99%B7%E9%98%B1
https://hk.news.appledaily.com/local/daily/article/20171202/20232152
http://www.ntdtv.com/xtr/b5/2017/12/03/a1353470.html
https://www.youtube.com/watch?v=g9KCOgX2Cic
https://hk.news.appledaily.com/local/daily/article/20171202/20232152
http://www.ntdtv.com/xtr/b5/2017/12/03/a1353470.html
https://www.youtube.com/watch?v=g9KCOgX2Cic
The Weight of Compassion: Essays on Literature and Medicine (Eoin O'Brien 2012)
'THERE ARE MANY facets to Samuel Beckett's writing - humour, despair, love, poignancy, suffering - but for me there is one dominant characteristic, compassion, compassion for the human condition of existence.' So begins Eoin O'Brien's title essay, an observation that encapsulates the collection as it broadens out into convergent streams of essays on literature and medicine. Part One focuses on the nature of friendship and connectivity, on the role of the 'good doctor' and the individual in society. Intimate portraits of literary Dublin of the twentieth century and earlier, Samuel Beckett, Con Leventhal, Nevill Johnson, Denis Johnston, Micheal MacLiammoir and Petr Skrabanek; Corrigan, Gogarty and Korotkoff, Chekhov and Handel, speak of exemplars past and values present, as the influence of the arts is inscribed on a doctor's life and work. The Beckett essays alone yield remarkable commentary on Ireland's greatest early modernist, and include a little-known account of the Irish Hospital at Saint-Lo in Normandy, where Beckett worked as a storekeeper in a poignant drama of 'humanity in ruins' that informed his subsequent work. 'The Corruption of Privilege', addressed in Part Two, looks incisively at the practice and history of the author's profession within Ireland and elsewhere, at medical education and the medical establishment; at medical journalism, humanitarian involvement, and at broader issues - landmines in the Third World and the plight of colleagues in Bahrain. Invaluable archival images of Beckett, Con Leventhal, Nevill Johnson and others - some sixty in all - underpin the writings of this chronicler and observer of Ireland's recent past.(amazon) (accessible via scribd)
https://drive.google.com/file/d/1x08CYybrWCeZYS2ij-N8EnEl9Z2Ut-8y/view?usp=sharing
see also
https://en.wikipedia.org/wiki/Saint-L%C3%B4#World_War_II
https://en.wikipedia.org/wiki/The_Capital_of_the_Ruins
Dialogue in the Void: Beckett & Giacometti (Matti Megged 1992)
see also
https://rhystranter.com/2017/06/14/when-giacometti-met-beckett/
http://www.tate.org.uk/art/artists/alberto-giacometti-1159/long-read/when-alberto-giacometti-met-samuel-beckett
讀兩個(或四個)作者
讀兩個(或四個)作者
2017-12-3
讀兩個作者(Bret Davis, Jonathan Boulter)如何讀兩個作者(Martin
Heidegger, Samuel Beckett)前者是關於technology as “will to will” vs. gelassenheit
(Country Path Conversations, MH, 2010; MH: Key Concepts,
ed. Bret Davis, 2010; Heidegger and the Will: On the Way to
Gelassenheit, by Bret Davis, 2007)後者是關於如何讀貝克特(THE
‘LITERATURE OF THE UNWORD’, MELANCHOLY, AND THE ARCHIVE) (Beckett: A
Guide for the Perplexed, by Jonathan Boulter, Bloomsbury Academic, 2008; Melancholy and the Archive: Trauma, History
and Memory in the Contemporary Novel, by Jonathan Boulter, Bloomsbury Academic,
2013)前者說明了我們回不到自然後者說明了我們回不到歷史
https://drive.google.com/drive/folders/1KWsQcZXXgnd4OG-NQ8pinx19wfGDrlU4?usp=sharing
https://drive.google.com/drive/folders/1763y2zbvlVJaZqVldvTwpD0N_vK2O3pt?usp=sharing
https://drive.google.com/drive/folders/1KWsQcZXXgnd4OG-NQ8pinx19wfGDrlU4?usp=sharing
https://drive.google.com/drive/folders/1763y2zbvlVJaZqVldvTwpD0N_vK2O3pt?usp=sharing
Saturday, December 2, 2017
Towards a literature of the unword : a study of the aesthetic quest of Samuel Beckett
Smith, Brian., "Towards a literature of the unword : a study of the aesthetic quest of Samuel Beckett." (1974). Electronic Theses and Dissertations. 4406.
http://scholar.uwindsor.ca/etd/4406
http://scholar.uwindsor.ca/etd/4406
Samuel Beckett, letter to Axel Kaun, 9 July 1937
To drill one hole after another into it [language] until that which lurks behind, be it something or nothing, starts seeping through — I cannot imagine a higher goal for today’s writer.
https://andrewgallix.com/2012/07/24/the-literature-of-the-unword/
http://aflls.ucdc.ro/en/doc2/3%20SAMUEL%20BECKETT.pdf
http://diginole.lib.fsu.edu/islandora/object/fsu:169070/datastream/PDF/view
https://analoguehumanist.wordpress.com/2015/01/19/becketts-unword-and-literary-history/
Melancholy and the Archive: Trauma, History and Memory in the Contemporary Novel (Jonathan Boulter 2013)
Melancholy and the Archive examines how trauma, history and memory are represented in key works of major contemporary writers such as David Mitchell, Paul Auster, Haruki Murakami and Jose Saramago. The book explores how these authors construct crucial relationships between sites of memory-the archive becomes a central trope here-and the self that has been subjected to various traumas, various losses. The archive-be it a bureaucratic office (Saramago), an underground bunker (Auster), a geographical space or landscape (Mitchell) or even a hole (Murakami)-becomes the means by which the self attempts to preserve and conserve his or her sense of history even as the economy of trauma threatens to erase the grounds of such preservation: as the subject or self is threatened so the archive becomes a festishized site wherein history is housed, accommodated, created, even fabricated. The archive, in Freudian terms, becomes a space of melancholy precisely as the subject preserves not only a personal history or a culture's history, but also the history of the traumas that necessitates the creation of the archive as such. (amazon) (Google play 2017-12-2)
這本書說明了我們回不到歷史
see also
Beckett: A Guide for the Perplexed, by Jonathan Boulter, Bloomsbury Academic, 2008 (kindle 2017-12-2)
Interpreting Narrative in the Novels of Samuel Beckett, by Jonathan Boulter, University Press of Florida, 2001
Interpreting Narrative in the Novels of Samuel Beckett. Contributors: Barge, Laura - Author. Journal title: Christianity and Literature. Volume: 51. Issue: 4 Publication date: Summer 2002. Page number: 682+ (questia)
华涌被迫选择离开北京
https://www.youtube.com/watch?v=MSPsubG9-OA
see also
https://www.youtube.com/watch?v=MAtPCWQVM88
see also
https://www.youtube.com/watch?v=MAtPCWQVM88
When less plot is actually more
https://zh.scribd.com/article/335886435/When-Less-Plot-Is-Actually-More
“Once you have suffered sufficiently, the idea of making up John and Jane and having them do things together seems utterly ridiculous.” (Rachel Cusk)
“Once you have suffered sufficiently, the idea of making up John and Jane and having them do things together seems utterly ridiculous.” (Rachel Cusk)
世界政党帮主分贓圍事交換洗錢心得会议
https://www.youtube.com/watch?v=JgA4yAmE960
https://www.youtube.com/watch?v=jV8kzWKkqsU
https://www.youtube.com/watch?v=rUNbc1eJkHM
https://www.youtube.com/watch?v=jV8kzWKkqsU
https://www.youtube.com/watch?v=rUNbc1eJkHM
北京折叠 (2016) (郝景芳 b 1984)
https://zh.scribd.com/document/326047013/%E5%8C%97%E4%BA%AC%E6%8A%98%E5%8F%A0-pdf (accessible via scribd)
see also
https://drive.google.com/file/d/1CeFFz8GtAeqY60nsuyc9qRGYcgH_VQml/view?usp=sharing
see also
https://drive.google.com/file/d/1CeFFz8GtAeqY60nsuyc9qRGYcgH_VQml/view?usp=sharing
東北病和新流民——十九大前夕中國政局觀察
http://chinaexaminer.bayvoice.net/b5/comments/2017/08/31/369752.htm%E6%9D%B1%E5%8C%97%E7%97%85%E5%92%8C%E6%96%B0%E6%B5%81%E6%B0%91-%E5%8D%81%E4%B9%9D%E5%A4%A7%E5%89%8D%E5%A4%95%E4%B8%AD%E5%9C%8B%E6%94%BF%E5%B1%80%E8%A7%80%E5%AF%9F%E5%9C%96.html
http://www.dw.com/zh/%E5%AE%A2%E5%BA%A7%E8%AF%84%E8%AE%BA%E4%B8%9C%E5%8C%97%E7%97%85%E5%92%8C%E6%96%B0%E6%B5%81%E6%B0%91-%E5%8D%81%E4%B9%9D%E5%A4%A7%E5%89%8D%E5%A4%95%E4%B8%AD%E5%9B%BD%E6%94%BF%E5%B1%80%E8%A7%82%E5%AF%9F%E4%B9%8B%E4%BA%8C/a-40263198?&zhongwen=simp
http://www.dw.com/zh/%E5%AE%A2%E5%BA%A7%E8%AF%84%E8%AE%BA%E4%B8%9C%E5%8C%97%E7%97%85%E5%92%8C%E6%96%B0%E6%B5%81%E6%B0%91-%E5%8D%81%E4%B9%9D%E5%A4%A7%E5%89%8D%E5%A4%95%E4%B8%AD%E5%9B%BD%E6%94%BF%E5%B1%80%E8%A7%82%E5%AF%9F%E4%B9%8B%E4%BA%8C/a-40263198?&zhongwen=simp
VOA焦点对话:“低端人口”,中国政局的最大变数?
https://www.youtube.com/watch?v=nrURa8A2X-U&t=82s
http://m.creaders.net/china/2017/12/01/1896029.html
http://m.creaders.net/china/2017/12/01/1896029.html
在最近北京驱赶外来人口的争议中,“低端人口”是最让人脊骨发凉一个说法。尽管官媒和北京市政府争辩这并非官方说辞,但几天来社交媒体流传出的北京区一级政府部门的报告和文件中,这一说法却多次出现。其实“低端人口”也好,中性一些的“多余人口”,“流动人口”也好,不管当局采用什么称呼,都难以抹杀几十万人在严寒中无家可归或者黯然离去的悲凉。中国的“低端人口”都是谁?当一个政府将自己的人民分为三六九等,个人的尊严和价值还有存在的空间吗?在未来几十年,“低端”群体对于权利,尊严和机会的追求,可能如何影响中国的政治稳定和社会和谐?
嘉宾:旅美经济学者秦伟平先生; 中国经济学者胡星斗教授;北京独立时事评论员吴强博士。
秦伟平指出,“低端人口”的说法很难让人接受,是赤裸裸地把人群分为三六九等。当然,社会学里的确存在不同阶层的划分,比方底层、中层、上层。中共标榜无产阶级是主人,实际是中国5%的精英阶层才是真正的主人。北京这次驱逐几十万所谓低端,其实真正的原因公众看不到。中国有2.8亿人口是赤贫,就是每天收入不足2美元,是真正低端。城市务工人口大约有5、6亿,他们奉献了青春、血汗获得微薄的收入,没有任何社会保障,是当局认为的不稳定因素。经济发展时期官方称他们是新市民,经济下滑没有就业机会时,当局害怕他们闹事于是一赶了之。
秦伟平说,中国经济变革之后,草根流民阶层在原籍没有发展机会没有未来,于是迁徙到大城市,但同样面临生活的艰辛。他们在多年付出后获得了些许金钱,但是没有养老保障没有医疗保险。政府所谓清理低端人口其实只是表象,真正的原因是,这些人口是一股巨大的社会能量。中国现在的环境有别于20年前的经济增长期,现在的经济是强弩之末。这点百姓不知道,但是当局了解。只要不继续印制钞票和继续给经济输血,经济就危在旦夕。全国几亿草民在城市虽然是无产者,但是他们有眼界,有组织能力,有社会关系,一旦经济危机全面爆发,他们没有饭吃,在居住的城市很容易引发危机。这样的情况让政府恐惧。政府要在经济全面倒下之前的节点上,让危险人口回流。因此我预测驱赶点端人口的举措全国各大城市都会效仿。
秦伟平称,中共社会奉行的是社会达尔文主义,要结果而不要手段,为自己的目的践踏他人。实际上,当局与自己的倡导依法治国背道而驰;北京的清理手段无论从社会制度、从人权和人文关怀层面来说,都是丛林法则。其实,上海的类似行动早已开始,通过调高房租来逼走所谓低端人口。值得注意的是,现在离春节只有两个月,为什么当局连两个月的宽限都不给?蔡奇是个懂宣传的人,知道舆论的后果,所以并非他选择授人以柄,而是不得已而为之,必须提前采取措施,不能再等,所以强制。也许中共认为在六个月到一年的时间内经济可能断层,如果大批人突然失业生活无以为继的话,他们给当局的威胁显而易见。现在他们还有口饭吃,所以即便被驱赶也还不会造反。如果没有了饭碗,估计当局开枪也打不走。这是当局无法说出口的理由。我认为不光是低端人口,高端人口也将被危及。一旦危机爆发,中产阶级也将被重创,可能财产蒸发,被打回原型。
胡星斗说,本次北京大兴区发生火灾之后,地方政府相当重视也采取了很多措施,以减轻城市压力和减少事故。应该说,政府用意并非不好,但是效果不佳。北京的做法缺乏人文关怀和法治精神,也与“自由、平等、公正、法治”的社会主义核心价值观相违背。“低端人口”这个名称本身就是侮辱;报道上说的北大学生毕业卖猪肉,也会被算作“低端人口”而被驱赶。应该说,北京作为政治中心要驱逐低端产业是有道理的,但是,控制人口要合理、合法、符合人道精神,应该通过市场调节来实现,而不是以强压弱来强行实施。
胡星斗认为,所谓的低端人口虽然长期居住城市并且为城市做贡献,却没有城市人的权利。在当局眼里,他们挑战政府的稳定。我认为,所谓低端产业人口其实是被社会抛弃的人群,他们不仅仅是弱势,而且无法从制度上融入城市,但同时也无法回到农村。因为农村没有了土地,也没有了活干,子女更是不习惯。所以,他们既不是市民也不是农民。按理说,这些生活在北京的所谓低端为社会做了贡献,北京应该感谢他们,现在反而被逼走。他们做了城市最辛苦、最肮脏的工作,却得不到公民的权利。毛时代用强制手段赶走知识青年到农村是如出一辙,当时也是为了社会稳定。现在的政府把“流民”赶回农村,同样是为了北京的安全。不过,这种思维不符合现代文明标准,就像朝鲜首都平壤设置层层关卡不让外地人进入一样。难怪有人说,排华运动现在是中国人自己排自己了。
胡星斗说,中国社会现在有普遍的仇富仇官的紧张情绪。政府应该在解决仇恨方面有所作为,但不是使用北京的处理手法。这么多人在寒风中度过夜晚,这引发底层弱势的极大愤慨,也引发社会的巨大同情。这体现中国官员耀武扬威、欺压百姓的思维,也反映权力缺乏制约的现状。我特别要强调的是,中国不能乱,中国应该走出千年王朝暴力更替的血腥循环。这也正是毛泽东说过的,只有民主才能结束这样的暴力更替。政府要守法,外来人口都是公民,都受到宪法保护。当法律不能保护弱势群体权益时,高端人口的正当权益也会被侵害。希望政府牢记社会利益,不是政府眼前利益,把人民利益放在心中。
胡星斗说,有分析说,中国现在是社会达尔文主义,我认为是马基雅维利主义,为了社会发展好像可以牺牲多数弱势群体。其实,发展目的是为了广大民众,不为少数人的利益。弱势群体的生存状态是一个国家文明程度的体现。欧美国家穷人的标准是中国的20多倍。中国不仅要重视经济效率更要重视社会公平,我也呼吁过要开展平权,来逐渐解决公平问题。
吴强表示,中国的所谓低端人口只能有贡献而没有权利。我认为,他们是中国的新流民阶层。同意两位的评论,他们并不是所谓低端人口,这种分类败坏政治伦理的体现,是对人民错误分类,是陈腐观念的可耻应用。我曾经进行过全国流动人口调查,发现改革以来,中国有一个二、三亿农民工为主体的、庞大的新流民阶层,他们与中国中产阶级的利益休戚相关。这些人的共同特点是,非正式就业、没有稳定的合同、没有医疗保险、没有稳定住所。这些人他们由于工作和生活不稳定,一方面是城市最有活力的部分,一方面也对危机中的当局构成不安全感。
吴强说,中共建政以来,从来没有停止过对社会阶层的野蛮整治。1949年以来三番五次清理阶级以及相关分子,比方三反五反,反右,文革,直到红卫兵被利用参与文革后被下乡以完成对城市的净化,然后就是83年的严打,也是驱逐低端人口。现在的大兴现象也是城市净化的一部分。我们看到,这样的净化行动已经进行了五年。首先是互联网净网,然后是文艺界反三俗,现在是在十九大提出美好生活蓝图的形势下,对城市中所谓不符合美好生活画面的部分加以净化。
吴强表示,我不同意中共是因为可能发生经济危机而驱赶不稳定人口的说法。我认为,实际的原因是最高领导个由于人权力膨胀,丧失了对形势的判断。过去几年对社会异议的打压成功了,包括民权团体、维权律师、活动人士等,感到权力所向披靡,所以在城市管理上可以激进行事,只是没想到国际社会和公民社会的反弹如此强烈。
Watt (1942-1944)
this is the one, in which beckett left language behind
in those dark years, while he was in hiding
and, the trilogy were preceded by this one
come in, let it stand
On a few occasions Beckett took down passages of Finnegans Wake as Joyce dictated.
Richard
Ellmann
recounts an amusing anecdote told him by Beckett about one such session of dictation. During
the
dictation there was a knock on the door. Joyce said, ‘Come in.’ Beckett
had not noticed
the
knock, so he put Joyce’s words down in the text. When Joyce found out
later, he said, ‘Let it stand.’
Beckett
told Ellmann he
felt ‘fascinated and thwarted’ by this method of writing. (Eugene Webb, 1970, pp. 14-15)
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