Wednesday, May 23, 2018
olafur arnalds - island songs (2016)
https://www.youtube.com/watch?v=RGHEeZbwZO8&list=PLXdEXDs_S7R--lBm9k13-HQQNZW4-2MVQ
trip hop
http://www.factmag.com/2015/07/30/50-best-trip-hop-albums/
https://en.wikipedia.org/wiki/Trip_hop
see also
https://www.youtube.com/watch?v=IlIQ0URrl7M&t=788s
https://www.youtube.com/watch?v=7ouYIW8LRns
https://en.wikipedia.org/wiki/Trip_hop
see also
https://www.youtube.com/watch?v=IlIQ0URrl7M&t=788s
https://www.youtube.com/watch?v=7ouYIW8LRns
红七条 (2014-10-9)
https://baike.baidu.com/item/%E7%BA%A2%E4%B8%83%E6%9D%A1
http://www.bbc.com/zhongwen/trad/china/2014/10/141010_university_teacher_ethics
http://cpc.people.com.cn/BIG5/n/2014/1013/c83083-25820697.html
http://www.bbc.com/zhongwen/trad/china/2014/10/141010_university_teacher_ethics
http://cpc.people.com.cn/BIG5/n/2014/1013/c83083-25820697.html
翟桔红 vs 审时度势的吴冠军
https://www.youtube.com/watch?v=UjmagH11SHs
https://www.youtube.com/watch?v=BvbRTzsjeiE
http://opinion.people.com.cn/n1/2018/0513/c1003-29984701.html
https://www.nownews.com/news/20180521/2758176
https://www.youtube.com/watch?v=L0cEi5is7VY
https://www.youtube.com/watch?v=BvbRTzsjeiE
http://opinion.people.com.cn/n1/2018/0513/c1003-29984701.html
https://www.nownews.com/news/20180521/2758176
https://www.youtube.com/watch?v=L0cEi5is7VY
key texts (for 2018-12-1)
Toward an
Emancipatory Psychoanalysis: Brandchaft's Intersubjective Vision,by Bernard
Brandchaft, Shelley Doctors, Dorienne Sorter,
Routledge, 2010
The Tragedy of
Liberation: A History of the Chinese Revolution 1945-1957 (Peoples Trilogy), by Frank Dikötter,
Bloomsbury Publishing, 2013
Tuesday, May 22, 2018
How I Wrote Certain Of My Books (Raymond Roussel 1935)
Raymond Roussel (1877-1933), next-door neighbor of Marcel Proust, can be described without exaggeration as the most eccentric writer of the twentieth century. His unearthly style based on elaborate linguistic riddles and puns fascinated the Surrealists and famously influenced the composition of Marcel Duchamp's “Large Glass,” but also affected writers as diverse as Gide, Robbe-Grillet and Foucault (author of a book-length study of Roussel). The title essay of this collection is the key to Roussel’s method, and it is accompanied by selections from all his major works of fiction, drama and poetry, translated by his New York School admirers John Ashbery, Kenneth Koch and Harry Mathews, and the painter and author Trevor Winkfield. Ashbery writes that Roussel’s work is “like the perfectly preserved temple of a cult which has disappeared without a trace… we can still admire its inhuman beauty, and be stirred by a language that seems always on the point of revealing its secret.” (amazon)
http://www.complete-review.com/reviews/rousselr/rr1.htm
https://en.wikipedia.org/wiki/Raymond_Roussel
https://drive.google.com/file/d/1CoNj4zAZrBt0FXUQwp21dx6IK7ziMEAu/view?usp=sharing
Sandor Ferenczi está de vuelta 07/03/2010- Por Héctor López
http://www.elsigma.com/columnas/sandorferenczi-esta-de-vuelta/12056
Sándor Ferenczi is back on track
Sándor Ferenczi is back on track
彭博社：中国人均收入贫富差距极端化
http://www.aboluowang.com/2018/0521/1117510.html
https://www.youtube.com/watch?v=zPMZgErplgE
https://www.youtube.com/watch?v=zPMZgErplgE
Mad World Remix of Moby Video (Are You Lost In The World Like Me)
https://www.youtube.com/watch?v=5DU1B_XkyIk
narrative
narrative ~ historical / anthropological / sociological /
psychological / economic / political / biological / literary / novelistic /
poetic / philosophical / artistic / musical / cinematic / sculptural /
architectural / animational / 俗套的 vs 藝術的 / mixed (e.g. hip hop mix) /
desire etc
researcher's desire
analyst's desire
therapist's desire
father's desire
mother's desire
analyst's desire
therapist's desire
father's desire
mother's desire
emperor’s desire
柯建銘關說 是需要 也是慾望
中國製造2025 不是需要 是慾望
飽暖思淫慾 飽暖是需要 淫慾是慾望
行雲流水 不是需要 也不是慾望
when the confusion is not so bad ~ benign regression
when the confusion is bad enough ~ malignant regression
柯建銘關說 是需要 也是慾望
中國製造2025 不是需要 是慾望
飽暖思淫慾 飽暖是需要 淫慾是慾望
行雲流水 不是需要 也不是慾望
when the confusion is not so bad ~ benign regression
when the confusion is bad enough ~ malignant regression
也是冥界
那篇文章叫做COT between need and desire
那天我說善意是針對需要
但需要和慾望往往是分不清楚的
尤其當人學會法文
我們拿甚麼來面對慾望
才能讓一個人面對他自己的慾望
這是精神分析唯一的鋼索
那天我說治療者必來自那個地方
而且他還在那個地方
治療者有沒有他自己的COT between need and desire
治療者怎麼面對他自己的慾望
不更重要的是治療者怎麼面對他自己的破碎
這是那個地方唯一的局
正確的說是殘局
所以你知道我們現在有三個字了
需要慾望破碎
意思是說破碎的需要破碎的慾望
事情越來越有趣了你說
破碎在尋找Bacon的畫框
以至於可以放進一個範圍
以至於可以寫成一個作品
以至於可以針對某一個人
這是為什麼這種移情要命
我心目中的治療者是不要命的人
他自己的破碎放在哪一個畫框和作品和對象
不他自己的破碎散落一地
就像Bacon的畫室
我的意思是說他是面對一張空白畫布的Bacon
面對空無畢竟不落筆的Bacon
你說你對他的要求太高了
他還可能不瘋狂不毀滅嗎
我說這說明了救贖的困難
如果你不打算買一個救贖
如果我要做一個 trip hop mix
它的名字會叫做confusion of tongue between need and desire
兩到三個線索
其中一個必須是淒厲的人聲
另外可以是重複的
短短的悠揚的樂段
「同志們辛苦了大家辛苦了」
念一段佛經或克萊茵
「叫我達文西」
Monday, May 21, 2018
The Klein Tradition: Lines of Development—-Evolution of Theory and Practice over the Decades (ed. Penelope Garvey, Kay Long 2018-5-1)
Melanie Klein's extension of Freud's ideas - in particular her explorations into the world of the infant and her emphasis on the complex interactions between the infant's internal world of powerful primitive emotions of love and hate and the mothering that the infant receives - were greeted with skepticism but are now widely accepted as providing an invaluable way of understanding human cognitive and emotional development. Klein's insights shed light on persecuted states, guilt, the drive to create and to repair; they also provide the clinician with a theory of technique.
Klein's work has inspired the work of psychoanalysts around the world. Her concept of projective identification with its implications for the understanding of countertransference made a significant impact on her followers and on psychoanalysts in other countries and from other schools of thought. Further exploration of these ideas has led to greater understanding of how change occurs in psychoanalysis and has inspired a large literature with a particular focus on technique. (amazon)
Sunday, May 20, 2018
荊門後的象山
這是宋元學案留下的公案
據說黃宗羲(1610-1695)曾為此無眠
當然象山(1139-1192)
沒有改變南宋(1127-1279)的命運
我(1957-)想起那個邊城
改變不了歷史的邊城
有點像清潔工
把台灣總督府掃乾淨
或我家牛排的洗碗工
洗不完的碗
然後來到
一個乾淨明亮的地方 (EH 1933)
"Good
night," the other said. Turning off the electric light he continued the
conversation with
himself. It was the light of course but it is necessary that the
place be clean and
pleasant. You do not want music. Certainly you do not want
music. Nor can you
stand before a bar with dignity although that is all that is
provided for these
hours. What did he fear? It was not a fear or dread. It was a
nothing that he knew
too well. It was all a nothing and a man was a nothing too.
It was only that and
light was all it needed and a certain cleanness and order.
Some lived in it and
never felt it but he knew it all was nada y pues nada y nada y
pues nada. Our nada
who art in nada, nada be thy name thy kingdom nada thy
will be nada in nada
as it is in nada. Give us this nada our daily nada and nada us
our nada as we nada
our nadas and nada us not into nada but deliver us from
nada; pues nada. Hail
nothing full of nothing, nothing is with thee.
He
smiled and
Looking for The Stranger: Albert Camus and the Life of a Literary Classic (Alice Kaplan 2016)
The Stranger is a rite of passage for readers around the world. Since its publication in France in 1942, Camus’s novel has been translated into sixty languages and sold more than six million copies. It’s the rare novel that’s as at likely to be found in a teen’s backpack as in a graduate philosophy seminar. If the twentieth century produced a novel that could be called ubiquitous, The Stranger is it.
How did a young man in his twenties who had never written a novel turn out a masterpiece that still grips readers more than seventy years later? With Looking for “The Stranger”, Alice Kaplan tells that story. In the process, she reveals Camus’s achievement to have been even more impressive—and more unlikely—than even his most devoted readers knew.
Born in poverty in colonial Algeria, Camus started out as a journalist covering the criminal courts. The murder trials he attended, Kaplan shows, would be a major influence on the development and themes of The Stranger. She follows Camus to France, and, making deft use of his diaries and letters, re-creates his lonely struggle with the novel in Montmartre, where he finally hit upon the unforgettable first-person voice that enabled him to break through and complete The Stranger.
Even then, the book’s publication was far from certain. France was straining under German occupation, Camus’s closest mentor was unsure of the book’s merit, and Camus himself was suffering from near-fatal tuberculosis. Yet the book did appear, thanks in part to a resourceful publisher, Gaston Gallimard, who was undeterred by paper shortages and Nazi censorship.
The initial critical reception of The Stranger was mixed, and it wasn’t until after liberation that The Stranger began its meteoric rise. As France and the rest of the world began to move out of the shadow of war, Kaplan shows, Camus’s book— with the help of an aggressive marketing campaign by Knopf for their 1946 publication of the first English translation—became a critical and commercial success, and Camus found himself one of the most famous writers in the world. Suddenly, his seemingly modest tale of alienation was being seen for what it really was: a powerful parable of the absurd, an existentialist masterpiece.
Few books inspire devotion and excitement the way The Stranger does. And it couldn’t have a better biographer than Alice Kaplan, whose books about twentieth-century French culture and history have won her legions of fans. No reader of Camus will want to miss this brilliant exploration. (amazon)
How did a young man in his twenties who had never written a novel turn out a masterpiece that still grips readers more than seventy years later? With Looking for “The Stranger”, Alice Kaplan tells that story. In the process, she reveals Camus’s achievement to have been even more impressive—and more unlikely—than even his most devoted readers knew.
Born in poverty in colonial Algeria, Camus started out as a journalist covering the criminal courts. The murder trials he attended, Kaplan shows, would be a major influence on the development and themes of The Stranger. She follows Camus to France, and, making deft use of his diaries and letters, re-creates his lonely struggle with the novel in Montmartre, where he finally hit upon the unforgettable first-person voice that enabled him to break through and complete The Stranger.
Even then, the book’s publication was far from certain. France was straining under German occupation, Camus’s closest mentor was unsure of the book’s merit, and Camus himself was suffering from near-fatal tuberculosis. Yet the book did appear, thanks in part to a resourceful publisher, Gaston Gallimard, who was undeterred by paper shortages and Nazi censorship.
The initial critical reception of The Stranger was mixed, and it wasn’t until after liberation that The Stranger began its meteoric rise. As France and the rest of the world began to move out of the shadow of war, Kaplan shows, Camus’s book— with the help of an aggressive marketing campaign by Knopf for their 1946 publication of the first English translation—became a critical and commercial success, and Camus found himself one of the most famous writers in the world. Suddenly, his seemingly modest tale of alienation was being seen for what it really was: a powerful parable of the absurd, an existentialist masterpiece.
Few books inspire devotion and excitement the way The Stranger does. And it couldn’t have a better biographer than Alice Kaplan, whose books about twentieth-century French culture and history have won her legions of fans. No reader of Camus will want to miss this brilliant exploration. (amazon)
The Existentialist's Survival Guide: How to Live Authentically in an Inauthentic Age (Gordon Marino 2018-4-24)
Sophisticated self-help for the 21st century—when every crisis feels like an existential crisis
Soren Kierkegaard, Frederick Nietzsche, Jean-Paul Sartre, and other towering figures of existentialism grasped that human beings are, at heart, moody creatures, susceptible to an array of psychological setbacks, crises of faith, flights of fancy, and other emotional ups and downs. Rather than understanding moods—good and bad alike—as afflictions to be treated with pharmaceuticals, this swashbuckling group of thinkers generally known as existentialists believed that such feelings not only offer enduring lessons about living a life of integrity, but also help us discern an inner spark that can inspire spiritual development and personal transformation. To listen to Kierkegaard and company, how we grapple with these feelings shapes who we are, how we act, and, ultimately, the kind of lives we lead.
In The Existentialist's Survival Guide, Gordon Marino, director of the Hong Kierkegaard Library at St. Olaf College and boxing correspondent for The Wall Street Journal, recasts the practical takeaways existentialism offers for the twenty-first century. From negotiating angst, depression, despair, and death to practicing faith, morality, and love, Marino dispenses wisdom on how to face existence head-on while keeping our hearts intact, especially when the universe feels like it’s working against us and nothing seems to matter.
What emerges are life-altering and, in some cases, lifesaving epiphanies—existential prescriptions for living with integrity, courage, and authenticity in an increasingly chaotic, uncertain, and inauthentic age. (amazon) (kindle 2018-5-20)
“The self is a relation that relates itself
to itself or is the relation’s relating itself to itself in the relation. The
self is not the relation but is the relation’s relating itself to itself.”
Marino, Gordon. The Existentialist's
Survival Guide: How to Live Authentically in an Inauthentic Age (pp. 6 & 245).
HarperCollins. Kindle edition.
希望
正在聽Quantic快樂的選歌
突然知道希望在哪裡
希望在陰囊
正確的說法是搔陰囊
這件事情需要說明
人類有史以來
用雙腳走路的士兵 (foot soldier)
都很少洗澡
而且露宿荒野
浸泡在壕溝的泥濘
是平常的命運
以上當然不是空軍的命運
所以用力搔陰囊是陸軍的天職 (rigorous scrotum scratching)
這裡需要說明陰囊
陰囊是一個敏感的器官
這件事日本AV女優知道
當陰囊被黴菌感染的時候
那是比登天還愉悅的事
我是說用力搔的時候
回到希望
台灣和中國的希望在
搔自己的陰囊
看著彼此搔各自的陰囊
互相搔彼此的陰囊
最後那一句是人類相處
最文明友善的舉動
有點像猴子或猩猩
互相抓跳蚤吃掉當點心
Le Mellotron 24/7 • Global music radio from Paris • An eclectic livestream curated by music lovers
https://www.youtube.com/watch?v=2PEIECo3VGE
Quantic • Vinyl Set & Interview by Soulist • Le Mellotron
https://www.youtube.com/watch?v=R8odhH-cNss
now, this one, is so fucking happy
Arthur Jeffes & Nils Frahm - Up Is Good (1+1=X)
https://www.youtube.com/watch?v=GiVItwGdnI8
https://www.youtube.com/watch?v=GiVItwGdnI8&list=RDGiVItwGdnI8&t=5
https://www.youtube.com/watch?v=GiVItwGdnI8&list=RDGiVItwGdnI8&t=5
天呐我的丧尸！ オー・マイ・ゼット！ (2016)
https://movie.douban.com/subject/26854314/
https://www.youtube.com/watch?v=lVDBShD-tRc
https://www.youtube.com/watch?v=lVDBShD-tRc
《正義之劍》戰後中國審理日本戰犯 （一二三四）
https://www.youtube.com/watch?v=Pb65HCgStnM&list=PL5XCPXJSTwhhiOG3kRKZQ5aSGVwVqx4J6
https://www.youtube.com/watch?v=bJq4_ydGf-M&index=2&list=PL5XCPXJSTwhhiOG3kRKZQ5aSGVwVqx4J6
https://www.youtube.com/watch?v=yYUExxLBGDw&list=PL5XCPXJSTwhhiOG3kRKZQ5aSGVwVqx4J6&index=3
https://www.youtube.com/watch?v=33v2bQs_BJk&list=PL5XCPXJSTwhhiOG3kRKZQ5aSGVwVqx4J6&index=4
https://www.youtube.com/watch?v=bJq4_ydGf-M&index=2&list=PL5XCPXJSTwhhiOG3kRKZQ5aSGVwVqx4J6
https://www.youtube.com/watch?v=yYUExxLBGDw&list=PL5XCPXJSTwhhiOG3kRKZQ5aSGVwVqx4J6&index=3
https://www.youtube.com/watch?v=33v2bQs_BJk&list=PL5XCPXJSTwhhiOG3kRKZQ5aSGVwVqx4J6&index=4
擺渡人 (See You Tomorrow) (2016)
https://zh.wikipedia.org/wiki/%E6%93%BA%E6%B8%A1%E4%BA%BA_(2016%E5%B9%B4%E9%9B%BB%E5%BD%B1)
https://v.qq.com/x/cover/1wa6zo6gmd93t02/a0022zblxjq.html
https://v.qq.com/x/cover/1wa6zo6gmd93t02/a0022zblxjq.html
Confused Bi-Product of a Misinformed Culture
https://www.youtube.com/channel/UCSsz5GO1rQjzp1RND7QtEjg
Trip Hop/Chill Out/Downtempo/Abstract Hip Hop/Hip Hop Instrumental Mix
https://www.youtube.com/watch?v=JV1yM49r_8E
老愚
http://www.ftchinese.com/column/007000020
http://www.chinesepen.org/blog/archives/95402
https://www.letscorp.net/archives/87358
http://m.kdnet.net/share-12743284.html
http://www.chinesepen.org/blog/archives/95402
https://www.letscorp.net/archives/87358
http://m.kdnet.net/share-12743284.html
Saturday, May 19, 2018
Gasoline - A Journey Into Abstract Hip-Hop [Full album]
https://www.youtube.com/watch?v=3q8nGnls1Ow
now, this one, is transcendental, not almost
now, this one, is transcendental, not almost
Music of Morocco
https://www.youtube.com/watch?v=mvRQtbqLPK8&list=RDmvRQtbqLPK8&t=34
now, jason bourne was here, for a couple of days, then split with nickey, without saying goodbye, of course
now, jason bourne was here, for a couple of days, then split with nickey, without saying goodbye, of course
禪門驪珠集
http://ddc.shengyen.org/mobile/toc/04/04-02/index.php
http://www.book853.com/show.aspx?id=57&cid=170
http://www.book853.com/show.aspx?id=57&cid=170
意外是一切的關鍵
沒有興趣知道
已經知道的
被規定知道的
有興趣知道
從來沒聽說的
意外碰到才知道的
所以你知道
意外是一切的關鍵
容許意外發生是唯一的機會
唯一的甚麼機會你說
我想了想說
唯一的自由的機會
Tom Waits - Bone Machine (Full Album)
https://www.youtube.com/watch?v=CMzl_aez6JA
像喝了太多威士忌的日本浪人唱的英文歌
Friday, May 18, 2018
Social Robots from a Human Perspective (ed.Jane Vincent et al. 2015)
This book presents a comprehensive overview of the human dimension of social robots by discussing both transnational features and national peculiarities. Addressing several issues that explore the human side of social robots, this book investigates what a social robot is and how we might come to think about social robots in the different areas of everyday life. Organized around three sections that deal with Perceptions and Attitudes to Social Robots, Human Interaction with Social Robots, and Social Robots in Everyday Life, it explores the idea that even if the challenges of robot technologies can be overcome from a technological perspective, the question remains as to what kind of machine we want to have and use in our daily lives.
Lessons learned from previous widely adopted technologies, such as smartphones, indicate that robot technologies could potentially be absorbed into the everyday lives of humans in such a way that it is the human that determines the human-machine interaction. In a similar way to how today’s information and communication technologies were initially designed for professional/industrial use, but were soon commercialized for the mass market and then personalized by humans in the course of daily practice, the use of social robots is now facing the same revolution of ‘domestication.’ In the context of this transformation, which involves the profound embedding of robots in everyday life, the ‘human’ aspect of social robots will play a major part. This book sheds new light on this highly topical issue, one of the central subjects that will be taught and studied at universities worldwide and that will be discussed widely, publicly and repeatedly in the near future. (amazon)
now, how about therapist robot, and of course, according to different schools, e.g. Lacanian robot, Kleinian robot, Kohutian robot, Winnicottian robot, CBT robot, existential therapy robot, or, even better, personalizing the guru him/herself?
see also
http://www.bbc.com/future/story/20141016-the-odd-things-robots-do-to-us
2018-5-18 (FJU)
https://drive.google.com/drive/folders/1HYkYDF527KxMY3FWlMFi8_L1LIIlP2oC?usp=shari
最大的公案在 confusion of tongue between need and desire
最大的公案在 confusion of tongue between need and desire
需要和慾望 (need vs. desire)
106-12-10
這是昨天留下的伏筆 意思是說
自體心理學中間學派和依附理論 低估了慾望
當然反過來說 拉岡和克萊茵
尤其是前者 高估了慾望 後者則可能可以這麼說 無菌的避之如蛇蠍般的對待慾望
所以問題是自體心理學中間學派和依附理論
這些爛好人們 怎麼會不知道這件事
他們怎麼會以為 回應病人的需要的同時
不會開啟了黑暗的慾望的猛獸的柵欄
昨天我是這麼說的 先餵他吃魚
一段時間後 再教他釣魚
我會不會是自圓其說 我畢竟沒有辦法
沒有機會教他釣魚了 如果我先餵他吃魚
你難道沒有聽過 得寸進尺嗎
我想上述的兩難和質疑 是因為我看到的
跟拉岡克萊茵看到的 是不同的病人 我看到的是低端人口 他們月薪三萬元 渾身髒兮兮 每天必須喝保力達 才有力氣看得到夕陽 他們只有素樸的信仰 沒有辦法辯論形上學
簡單講 他們付不起談話每小時三千元
我為什麼不要求上進 去另一個香水和LV的世界
因為我就是低端人口
物以類聚 你聽過罷
昨天我說 我的難題是 每天洗五千個碗的我
能不能洗出救贖
回到一開始的需要和慾望 我不擔心慾望這麼高級的人類心智活動
我把它交給拉岡和克萊茵了
Thursday, May 17, 2018
當經驗再現(representation)的速度趕不上經驗發生(presentation)的速度
我們遂只有一次機會
而且這僅有的一次機會
不會是三思而後行的機會
意思是說你要相信你的adrenaline rush
這個世界喜新厭舊
物如此人亦如此
昨天的晚餐吃了甚麼
已經變成歷史
經驗再現的速度
趕不上經驗發生的速度
舉例來說
Green Zone is
a 2010 war thriller film
directed by Paul Greengrass. The storyline was conceived from a screenplay written by Brian Helgeland, based on a 2006 non-fiction book Imperial Life in the Emerald City by
journalist Rajiv Chandrasekaran. The book documented life within the Green Zone in Baghdad during
the 2003 invasion of Iraq.
The film generally received mixed
critical reviews and was a box office flop, as it
cost $100 million to produce plus $40 million in marketing, while the global
theatrical runs only gave $94,882,549 in gross revenue.
2010演2006的書寫的是2003
你現在知道為什麼它是票房炸彈了罷
所以我們的生活
比小說更小說
比恐怖片更恐怖
而且它只上演一次
微軟小冰 (Xiaoice)
https://zh.wikipedia.org/wiki/%E5%BE%AE%E8%BD%AF%E5%B0%8F%E5%86%B0
https://en.wikipedia.org/wiki/Xiaoice
https://en.wikipedia.org/wiki/Xiaoice
The Nether (2013)
https://en.wikipedia.org/wiki/The_Nether
http://www.thenetherplay.com/
https://www.youtube.com/watch?v=iJocAeXT0Ag
https://www.youtube.com/watch?v=D64v9KGWrVY
https://www.youtube.com/watch?v=xej5a7HlRrY
http://www.thenetherplay.com/
https://www.youtube.com/watch?v=iJocAeXT0Ag
https://www.youtube.com/watch?v=D64v9KGWrVY
https://www.youtube.com/watch?v=xej5a7HlRrY
“Artificial Intelligence: Implications for China” (McKinsey Global Institute, April 2017)
https://www.mckinsey.com/~/media/McKinsey/Global%20Themes/China/Artificial%20intelligence%20Implications%20for%20China/MGI-Artificial-intelligence-implications-for-China.ashx
Beijing bets on facial recognition in a big drive for total surveillance (2018-1-7)
https://www.washingtonpost.com/news/world/wp/2018/01/07/feature/in-china-facial-recognition-is-sharp-end-of-a-drive-for-total-surveillance/?noredirect=on&utm_term=.ebf6aba6c656
China may match or beat America in AI (2017-7-15)
https://www.economist.com/business/2017/07/15/china-may-match-or-beat-america-in-ai
Overall, as of 2017, China ranks second in the world, with 8,000 AI patents, behind the nearly 16,000 held by the United States but well ahead of the 4,000 held by Europe and Japan.
West, Darrell M.. The Future of Work: Robots, AI, and Automation (Kindle location 469-470). Brookings Institution Press. Kindle edition.
Overall, as of 2017, China ranks second in the world, with 8,000 AI patents, behind the nearly 16,000 held by the United States but well ahead of the 4,000 held by Europe and Japan.
West, Darrell M.. The Future of Work: Robots, AI, and Automation (Kindle location 469-470). Brookings Institution Press. Kindle edition.
Quantum computing
https://en.wikipedia.org/wiki/Quantum_computing
https://en.wikipedia.org/wiki/Qubit (qubit or quantum bit (sometimes qbit) )
https://en.wikipedia.org/wiki/Qubit (qubit or quantum bit (sometimes qbit) )
How artificial intelligence is transforming the world (Darrell M. West, John R. Allen 2018-4-24)
https://www.brookings.edu/research/how-artificial-intelligence-is-transforming-the-world/
Peter Thiel at Yale: We wanted flying cars, instead we got 140 characters (2013-4-27)
https://som.yale.edu/blog/peter-thiel-at-yale-we-wanted-flying-cars-instead-we-got-140-characters
If You Don't Start Drinkin' (I'm Gonna Leave) - George Thorogood
https://www.youtube.com/watch?v=_AwaV-lwDmc
Wednesday, May 16, 2018
Herbie Hancock – Flood (Full Album) 1975 (b 1940)
https://www.youtube.com/watch?v=bc2kcOJ8fjo
https://en.wikipedia.org/wiki/Herbie_Hancock
https://en.wikipedia.org/wiki/Herbie_Hancock
我們需要好笑的領導人和政黨
打開電視尤其民視三立
你就知道我們需要好笑的政治
我們是指大陸和台灣
好笑是讓你捧腹大笑 (belly laugh)
笑到流淚的那種
好笑不是可笑
我們不缺可笑
從來不缺
笑是最高級的人類行為
阿里斯多德和孔子的表妹夫
很早以前說過
意思是說喜劇比悲劇深刻
人是先有悲劇才能喜劇的
不信你下去問豬哥亮
安逸的日子過久了講不出血淚的話
安逸的日子過久了講不出血淚的話
這是閱讀生命和文本的唯一標準
尤其是人文學和社會科學
今早我說Bacon的畫裡摻了汗水精液灰塵
他把它們和瓶瓶罐罐的破舊顏料混在一起
意思是說那個畫是有味道的
因為那是精液
今早我也說Bacon的夜生活多采多姿
他尊敬能和他用同樣速度喝酒的人
可見酩酊大醉是必要的前半夜
我樂於想像後半夜的Bacon放慢速度
逐漸醒轉看著身旁嘔吐的倫敦
破曉時清醒的他必回到那個
混亂兩字無法形容的畫室
面對那張空白的畫布
The Future of Work: Robots, AI, and Automation (Darrell M. West 2018-5-15)
Looking for ways to handle the transition to a digital economy
Robots, artificial intelligence, and driverless cars are no longer things of the distant future. They are with us today and will become increasingly common in coming years, along with virtual reality and digital personal assistants.
As these tools advance deeper into everyday use, they raise the question—how will they transform society, the economy, and politics? If companies need fewer workers due to automation and robotics, what happens to those who once held those jobs and don't have the skills for new jobs? And since many social benefits are delivered through jobs, how are people outside the workforce for a lengthy period of time going to earn a living and get health care and social benefits?
Looking past today's headlines, political scientist and cultural observer Darrell M. West argues that society needs to rethink the concept of jobs, reconfigure the social contract, move toward a system of lifetime learning, and develop a new kind of politics that can deal with economic dislocations. With the U.S. governance system in shambles because of political polarization and hyper-partisanship, dealing creatively with the transition to a fully digital economy will vex political leaders and complicate the adoption of remedies that could ease the transition pain. It is imperative that we make major adjustments in how we think about work and the social contract in order to prevent society from spiraling out of control.
This book presents a number of proposals to help people deal with the transition from an industrial to a digital economy. We must broaden the concept of employment to include volunteering and parenting and pay greater attention to the opportunities for leisure time. New forms of identity will be possible when the "job" no longer defines people's sense of personal meaning, and they engage in a broader range of activities. Workers will need help throughout their lifetimes to acquire new skills and develop new job capabilities. Political reforms will be necessary to reduce polarization and restore civility so there can be open and healthy debate about where responsibility lies for economic well-being.
This book is an important contribution to a discussion about tomorrow—one that needs to take place today. (amazon) (kindle 2018-5-16)
Darrell M. West is vice president of the Governance Studies program at the Brookings Institution. He is the author of Megachange: Economic Disruption, Political Upheaval, and Social Strife in the 21st Century and Billionaires: Reflections on the Upper Crust. (amazon)
What Keeps Xi Jinping Awake at Night (NYT 2018-5-11)
https://www.nytimes.com/2018/05/11/world/asia/xi-jinping-china-national-security.html?rref=collection%2Ftimestopic%2FXi%20Jinping&action=click&contentCollection=timestopics®ion=stream&module=stream_unit&version=latest&contentPlacement=6&pgtype=collection
https://www.youtube.com/watch?v=gYpECxw3HG8
https://www.youtube.com/watch?v=gYpECxw3HG8
张博树《中国批判理论》第十讲 思考者与行动者（上下）
https://www.youtube.com/watch?v=kDWmrQJNGcg
https://www.youtube.com/watch?v=OwH5Jppu8Gk
https://www.youtube.com/watch?v=OwH5Jppu8Gk
新極權 新冷戰 新叢林
更加兇殘 更加隱蔽 更加狡猾 更加邪惡
講到行動 結果不動
破曉在 4:52 AM
Jason Bourne永遠輕裝急行
或躺在床上驚夢滿身大汗
或逕入網咖查完資料就走
或徹夜公路黑暗穿梭歐洲
或來去無蹤突然在你後面
我沒有見過他抽菸酒醉
問題出在這裡我終於知道
An adrenaline rush begins in the brain.
This, Jason and we know.
An adrenaline rush should end in the looking out the
window, after a proper getting-laid, preceded by a letting go, facilitated by a
not-so-proper drunkenness.
This, we know. Jason knows too, but just cannot.
Now, you know, Jason has a lot to learn from Jack.
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