七年來
這根弦沒有鬆過
幾天前
這根弦鬆開來了
駕簡馭繁
駕極簡馭簡
傅柯問的是
甚麼讓你可能
考古學系譜學
是說明那個可能性的曾經1
還在呼吸的現在
則考驗那個可能性的邊界2
我之前說過
讓它穿過你
搞亂你原有相信的結構
崩塌的廢墟裡你會找到
下一個轉折
self-selfobject 如魚得水 所以對世界的理解 只能是這個水
離開水 gasping for air 其實是 gasping
for life
意思是說 selfobject是養育 也是限制
這說明了
為什麼我連那個字都不要
1 Foucault does not
exclude such ‘subject-centred’ accounts, but he points out that they are prone
to characteristic distortions. They treat history as a story, a narrative,
which, since it is told from the standpoint of one or more person’s
experiences, assumes the continuity and goal-directedness of consciousness.
History thus becomes a novel, with a plot unified by the concerns of human
beings and leading to a humanly meaningful conclusion. Such narration has a
superficial validity, but it ignores the extent to which the apparent
continuity and purposiveness of history may be due to the false assumption that
human history is primarily driven by the experiences and projects of the
consciousnesses that live it. Archaeology introduces factors outside
consciousness that may belie the continuity and direction that we read into our
lives.
Gutting, Gary. Foucault: A Very Short
Introduction (Very Short Introductions) (pp. 34-35). OUP Oxford. Kindle edition.
2.
限制和可能性 明顯跟存有有關 接受這個限制 承受這個限制 嘲笑(引刀成一快)這個限制 斯多葛學派對這個限制體會甚深 所以適合無趣的中老年人研讀
