Sunday, February 2, 2025

The Three Burials of Melquiades Estrada (also known as Three Burials) (2005) (自體的心理學)(車行形上學)

https://en.wikipedia.org/wiki/The_Three_Burials_of_Melquiades_Estrada

The Three Burials of Melquiades Estrada (also known as Three Burials)[6] is a 2005 neo-Westernfilm[3] directed by and starring Tommy Lee Jones and written by Guillermo Arriaga.[7]

https://s3.amazonaws.com/cdn.filmtrackonline.com/mongrelmedia/starcm_vault_root/images%2Ffiles%2F82%2F82763076-8865-4a53-bf86-15822a175cf6.pdf

https://www.scripts.com/script/the_three_burials_of_melquiades_estrada_21470


21 Grams Script


The Burning Plain Script


Guillermo Arriaga (b 1958)



Guillermo Arriaga Jordán (Spanish pronunciation: [ɡiˈʎeɾmo aˈrjaɣa]; born 13 March 1958) is a Mexican novelist, screenwriter, director and producer. Self-defined as "a hunter who works as a writer," he is best known for his Academy Award for Best Original Screenplay and BAFTA Award for Best Original Screenplaynominations for Babel and his screenplay for The Three Burials of Melquiades Estrada, which received the 2005 Cannes Best Screenplay Award.


Besides Guillermo Arriaga, are there other good Mexican writers? (ChatGPT, 2025-2-2)

Yes, Mexico has a rich literary tradition beyond Guillermo Arriaga. Here are some of the most significant Mexican writers across different genres:


Classic Mexican Writers

1. Juan Rulfo (1917-1986)  Pedro Paramo (1955), The Burning Plain (1953)

 A master of magical realism and existential despair, Rulfo’s Pedro Paramo is one of the most haunting and influential Latin American novels.

2. Octavio Paz (1914-1998)  The Labyrinth of Solitude (1950), Sunstone (1957)

 Poet, essayist, and diplomat; Nobel Laureate (1990). His work explores Mexican identity, existentialism, and modernity.

3. Carlos Fuentes (1928-2012)  The Death of Artemio Cruz (1962), Aura (1962)

 A towering figure in Mexican and Latin American literature, blending historical critique with experimental fiction.


Contemporary Mexican Writers

4. Yuri Herrera (b. 1970)  Signs Preceding the End of the World (2009)

 His minimalist prose and mythic storytelling make him a leading voice in Mexican migration literature.

5. Valeria Luiselli (b. 1983)  The Story of My Teeth (2013), Lost Children Archive (2019)

 A formally inventive, politically engaged writer, often tackling issues of immigration and exile.

6. Fernanda Melchor (b. 1982)  Hurricane Season (2017), Paradais (2021)

 Writes brutal, unflinching narratives about violence, poverty, and machismo in contemporary Mexico.


Mexican Noir & Crime Fiction

7. Paco Ignacio Taibo II (b. 1949)  Some Clouds (1995), The Shadow of the Shadow (1986)

 A pioneer of Mexican noir, blending crime fiction with political history.

8. lmer Mendoza (b. 1949)  Silver Bullets (2008), The Acid Test (2011)

 Considered the father of narco-literature, writing about the Mexican drug trade.


Mexican Sci-Fi & Experimental Writers

9. Homero Aridjis (b. 1940)  1492: The Life and Times of Juan Cabezon of Castile (1985)

 A visionary writer who blends magical realism with historical fiction and environmental themes.

10. Jose Luis Zarate (b. 1966)  The Route of Ice and Salt (1998)


 A cult Mexican sci-fi and horror writer; The Route of Ice and Salt is a gothic vampire novel with queer subtexts.


Conclusion: A Rich Literary Landscape


Mexican literature is as diverse as its history, ranging from mythic and poetic (Rulfo, Paz) to gritty and realist (Melchor, Mendoza). If you’re looking for something close to Guillermo Arriaga’s style, you might enjoy Yuri Herrera’s mythic prose, Fernanda Melchor’s brutal realism, or Paco Ignacio Taibo II’s noir-infused storytelling.


Would you like recommendations based on a specific theme or genre?


Besides Alejandro Gonzalez Inarritu, are there other good Mexican directors? (ChatGPT, 2025-2-2)


Yes, Mexico has produced many outstanding filmmakers beyond Alejandro Gonzalez Inarritu. Some of them are internationally acclaimed for their unique storytelling, innovative cinematography, and socially relevant themes. Here are some of the most important Mexican directors across different genres:

The “Three Amigos” of Mexican Cinema

1. Guillermo del Toro (b. 1964)  Pan’s Labyrinth (2006), The Shape of Water (2017)

 Master of dark fantasy and gothic horror; won two Oscars for The Shape of Water.

 Often explores myth, history, and the monstrous as metaphors for human suffering.

2. Alfonso Cuaron (b. 1961)  Children of Men (2006), Gravity (2013), Roma (2018)

 One of the most visually experimental directors; blends long takes with deep social and political themes.

 Won two Oscars for Gravity and Best Director for Roma (2018).

3. Carlos Reygadas (b. 1971)  Silent Light (2007), Post Tenebras Lux (2012)

 A bold, experimental filmmaker often compared to Terrence Malick for his poetic cinematography and existential themes.

 Known for slow cinema, non-professional actors, and meditative storytelling.

Contemporary Mexican Directors to Watch

4. Michel Franco (b. 1979)  New Order (2020), Sundown (2021)

 His films explore class struggle, authoritarianism, and psychological trauma with a cold, minimalist style.

 New Order is a brutal dystopian vision of Mexico’s social divide.

5. Amat Escalante (b. 1979)  Heli (2013), The Untamed (2016)

 A filmmaker of social realism and surreal horror, often focusing on Mexico’s violence and corruption.

 Won Best Director at Cannes (2013) for Heli.

6. Tatiana Huezo (b. 1972)  Prayers for the Stolen (2021)

 A documentary and fiction director who tells powerful female-centered stories about war, migration, and violence.

 Prayers for the Stolen (2021) was Mexico’s Oscar entry for Best International Feature.

Legendary Mexican Directors

7. Luis Bunuel (1900-1983)Los Olvidados (1950), The Exterminating Angel (1962)

 Though born in Spain, he created some of his best films in Mexico.

 A pioneer of surrealist cinema and social critique.

8. Emilio Fernandez (1904-1986)  Maria Candelaria (1943), La Perla (1947)

 The most important Mexican director of the Golden Age; his films defined the classic visual style of Mexican cinema.

9. Arturo Ripstein (b. 1943)  Deep Crimson (1996), The Holy Office (1974)

 Mexico’s master of existential and psychological drama, influenced by Bunuel.

 His films explore dark, tragic human stories.

Conclusion: A Diverse & Powerful Film Culture


Mexican cinema is one of the most vibrant in the world, producing everything from Hollywood blockbusters (del Toro, Cuaron, Inarritu) to art-house masterpieces (Reygadas, Franco, Escalante) and socially conscious works (Huezo, Bunuel, Fernandez).


If you liked Inarritu’s gritty, emotional storytelling, you might enjoy:

 Michel Franco’s psychological intensity

 Amat Escalante’s raw, brutal realism

 Carlos Reygadas poetic, experimental cinema


Would you like recommendations based on a specific genre or theme?




2/2/25(星期日)(初五)

寒流,加減作,內心無喘,

Saturday, February 1, 2025

Django Unchained (2012)

https://en.wikipedia.org/wiki/Django_Unchained (AppleTV)

Gangster Squad (2013)

https://en.wikipedia.org/wiki/Gangster_Squad_(film) (Max)

30 Minutes or Less (2011)

https://en.wikipedia.org/wiki/30_Minutes_or_Less (AppleTV)

Dumb and Dumber (1994)

https://en.wikipedia.org/wiki/Dumb_and_Dumber (Max)

Every Which Way but Loose (1978)

https://en.wikipedia.org/wiki/Every_Which_Way_but_Loose (AppleTV)


Eastwood's appearance in the film, after his string of Spaghetti Westernand Dirty Harry roles, somewhat startled the film industry, and he was reportedly advised against taking the role. Although it was poorly reviewed by critics, the film proved successful and became, along with its 1980 sequel Any Which Way You Can, two of the highest-grossing Eastwood films. When adjusted for inflation, it ranks as one of the top 250 highest-grossing films of all time.


Any Which Way You Can (1980)

https://en.wikipedia.org/wiki/Any_Which_Way_You_Can (Not accessible)

Hero (Russian: Герой, trans. Geroj or Geroy) (2019)

https://en.wikipedia.org/wiki/Hero_(2019_Russian_film) (MyVideo)

https://zh.wikipedia.org/zh-tw/%E5%A4%B1%E6%8E%A7%E7%89%B9%E5%B7%A5

Bardo, False Chronicle of a Handful of Truths (2022)

https://en.wikipedia.org/wiki/Bardo,_False_Chronicle_of_a_Handful_of_Truths (Netflix)

now, this one is magic realism, 


Can we say that Bardo, False Chronicle of a Handful of Truths (Inarritu, 2022) is a work of magic realism? (ChatGPT, 2025-2-2)


Yes, Bardo, False Chronicle of a Handful of Truths (2022) by Alejandro Gonzalez Inarritu can be considered a work of magic realism, though it also incorporates elements of surrealism, metafiction, and dreamlike subjectivity.

Why It Fits the Definition of Magic Realism

1. Blurring of Reality and Fantasy

 The film constantly shifts between real-life events, dreams, hallucinations, and memories, often without clear boundaries.

 This is a hallmark of magic realism, where the extraordinary is treated as part of everyday reality.

2. Nonlinear, Fluid Storytelling

 The narrative follows Silverio Gama, a Mexican journalist and documentary filmmaker, as he navigates a subjective, dreamlike reality filled with fragmented memories and existential doubts.

 Similar to works by Gabriel Garcia Marquez or Juan Rulfo, the story resists a strict chronological structure.

3. Historical and Political Elements with a Mythic Touch

 The film incorporates Mexico’s colonial past, immigration issues, and personal identity struggles into its visual and narrative structure.

 Magic realism often fuses history with myth, and Inarritu’s approach reflects this blending of personal and collective memory.

4. Hyperrealistic Visuals with Unreal Elements

 Sequences such as Silverio floating in the desert or engaging in conversations with his dead father reflect the magic realist technique of inserting the fantastical into hyperrealistic settings.

5. Existential Themes & the Unstable Self

 The film explores death, nostalgia, exile, and the search for meaning, often through mystical, exaggerated, or paradoxical imagery - a key feature of Latin American magic realism.

Surrealism vs. Magic Realism in Bardo


While magic realism and surrealism overlap, the film leans more toward magic realism because:

 It grounds the magical in an everyday world, rather than creating an entirely dreamlike, detached reality.

 The emphasis on history, identity, and memory ties it to the Latin American literary tradition of magic realism rather than European surrealism.


However, elements of surrealism (especially Bunuel-like absurdity) are undeniably present - such as Silverio’s small, fetus-like baby crawling back into his wife’s womb or conversations with Cortes in a battlefield of dead indigenous people.

Final Verdict: Magic Realism with Surrealist Flourishes

 Yes, Bardo is fundamentally a work of magic realism, deeply rooted in Mexican and Latin American storytelling traditions.

 It also incorporates elements of autobiographical metafiction, surrealism, and existential cinema - making it a hybrid, but closer in spirit to magic realism than pure surrealism.


Inarritu’s film, much like Juan Rulfo’s Pedro Paramo or Garcis Marquez’s One Hundred Years of Solitude, treats memory, history, and dreams as indistinguishable from reality - a defining feature of magic realism.


Alejandro González Iñárritu (b 1963)

Feature films

YearTitleDirectorProducerWriterNotes
2000Amores perrosYesYesNoAlso editor
200321 GramsYesYesNo
2005Nine LivesNoYesNo
2006BabelYesYesIdea
2008Rudo y CursiNoYesNo
2009Mother and ChildNoYesNo
2010BiutifulYesYesYes
2014Birdman or (The Unexpected Virtue of Ignorance)YesYesYes
2015The RevenantYesYesYes
2022Bardo, False Chronicle of a Handful of TruthsYesYesYesAlso editor and composer
2026Untitled filmYesYesYesFilming

Home (2009) (自體的心理學)(車行形上學)

https://en.wikipedia.org/wiki/Home_(2009_film) (Plex)

Monkey Man (2024)

https://en.wikipedia.org/wiki/Monkey_Man_(film)#Release (Max)

Dev Patel (b 1990)


(Dis)Order Existential Psychotherapy in Changing Times (2025-5-17) (自體的心理學)(車行形上學)

https://mailchi.mp/d3794b858775/annual-general-meeting-14190854?e=ae70df9c83

2/1/25(星期六)(自體的心理學)

諸講,列命題文獻,

你要理解,這是,另一個地方,

今滿周年,遂入第二年,

我先前說過,這是一場硬仗,

心起于念,

意思是說,念起即緣起,

九月之前,摒除雜務,

九月之後,無事之秋,

Well, Jack Reacher knows how to disappear. 

In a cheap way. 

智者說,人必須有信仰,才走得下去,

智者(故意)忘了說,即便沒有信仰,你還是要走下去,

走 (walking),是物理現象,

意思是說,物理優先于心理,

形下優先于形上,

意思是說,車行止是,形下學,

中壢休息站,自助洗衣,熱水供應,十一月到四月,