These ponderings attempt to let themselves be appropriated by the event. (Beiträge zur Philosophie (Vom Ereignis), Martin Heidegger, 1936–38/1989)
Monday, March 2, 2026
張賢亮 (1936-2014)
https://zh.wikipedia.org/zh-tw/%E5%BC%A0%E8%B4%A4%E4%BA%AE
代表作
- 長詩《大風》 1957年
- 短篇小說《邢老漢和狗的故事》
- 短篇小說《靈與肉》
- 短篇小說《肖爾布拉克》
- 短篇小說《初吻》
- 中篇小說《土牢情話》
- 中篇小說《龍種》
- 中篇小說《河的子孫》
- 中篇小說《綠化樹》
- 中篇小說《浪漫的黑炮》
- 中篇小說《男人的一半是女人》
- 長篇小說《男人的風格》
- 長篇小說《習慣死亡》
- 中短篇集《靈與肉》
- 中短篇集《感情的歷程》
- 中篇選集《張賢亮集》
張賢亮在哪一部作品裡,提到大飢荒年頭,在蘭州車站,遇到乞討父女,給了他們半個餅?
張賢亮在回憶錄《
野草編》(習慣死亡)以及相關的訪談中,提到了1960年在大飢荒年間於蘭州火車站的經歷 [14]。他在回憶中描述當時一名父親帶著14歲的女兒在車站乞討,用乞求的眼神尋求食物,張賢亮將自己僅有、打算在火車上吃的一塊高粱麵餅掰了半塊給女孩,這段經歷深刻反映了當時的飢餓與人性 [14]。- 作品/背景:此細節出現在張賢亮的回憶錄《野草編》中,或是在講述「餓的記憶」相關访谈與文章中 [14]。
- 事件時間:1960年大飢荒年間。
- 地點:蘭州火車站 [14]。
- 情節:張賢亮將自己僅有的高粱麵餅掰了半塊給乞討女孩 [14]。
這段經歷是張賢亮對「餓」的記憶中最為震撼的片段之一,體現了在極端飢荒下,物質的匱乏與人性的善良 [14]。
Sunday, March 1, 2026
The Limits of Control (2009)
https://en.wikipedia.org/wiki/The_Limits_of_Control
“ Everything is subjective," "The universe has no center and no edges; reality is arbitrary," and "Use your imagination and your skills
Jim Jarmusch (b 1953)
https://en.wikipedia.org/wiki/Jim_Jarmusch
The Dead Don’t Die (MyVideo)
interstellar too, though it has nothing to do with jim
Filmography
Main article: Jim Jarmusch filmography
Why AI Is A Game-Changer For Creatives, And Why The Creative Industries Must Fight For Their Rights
https://www.forbes.com/sites/bernardmarr/2026/02/27/why-ai-is-a-game-changer-for-creatives-and-why-the-creative-industries-must-fight-for-their-rights/
John Landis (b 1950)
Film
| Year | Title | Director | Writer | Producer | Notes |
|---|---|---|---|---|---|
| 1973 | Schlock | Yes | Yes | No | |
| 1977 | The Kentucky Fried Movie | Yes | No | No | |
| 1978 | Animal House | Yes | No | No | a.k.a. National Lampoon's Animal House |
| 1980 | The Blues Brothers | Yes | Yes | No | Co-written with Dan Aykroyd |
| 1981 | An American Werewolf in London | Yes | Yes | No | |
| 1982 | Coming Soon | Yes | Yes | Yes | Documentary |
| 1983 | Trading Places | Yes | No | No | |
| Twilight Zone: The Movie | Yes | Yes | Yes | Segments "Prologue" and "Time Out" | |
| 1985 | Into the Night | Yes | No | No | plus actor, as one of the Iranian henchmen |
| Spies Like Us | Yes | No | No | ||
| Clue | No | Story | Executive | Co-story with Jonathan Lynn | |
| 1986 | ¡Three Amigos! | Yes | No | No | |
| 1987 | Amazon Women on the Moon | Yes | No | Executive | Segments "Mondo Condo", "Hospital", "Blacks Without Soul" and "Video Date" |
| 1988 | Coming to America | Yes | No | No | |
| 1991 | Oscar | Yes | No | No | |
| 1992 | Innocent Blood | Yes | No | No | |
| 1994 | Beverly Hills Cop III | Yes | No | No | |
| 1996 | The Stupids | Yes | No | No | |
| 1998 | Blues Brothers 2000 | Yes | Yes | Yes | |
| Susan's Plan | Yes | Yes | Yes | ||
| 2010 | Burke and Hare | Yes | No | No |
Quentin Tarantino (b 1963)
Film
| Year | Title | Director | Writer | Producer | Notes | Ref. |
|---|---|---|---|---|---|---|
| 1992 | Reservoir Dogs | Yes | Yes | No | [19][20] | |
| 1994 | Pulp Fiction | Yes | Yes | No | Story co-written with Roger Avary | [21] |
| 1997 | Jackie Brown | Yes | Yes | No | Adapted from the novel Rum Punch by Elmore Leonard | [22] |
| 2003 | Kill Bill: Volume 1 | Yes | Yes | No | [23][24] | |
| 2004 | Kill Bill: Volume 2 | Yes | Yes | No | [9][25] | |
| 2004 | Kill Bill: The Whole Bloody Affair | Yes | Yes | No | [26] | |
| 2007 | Death Proof | Yes | Yes | Yes | Also cinematographer | [27][28] |
| 2009 | Inglourious Basterds | Yes | Yes | No | [29] | |
| 2012 | Django Unchained | Yes | Yes | No | [25][30] | |
| 2015 | The Hateful Eight | Yes | Yes | No | [25] | |
| 2019 | Once Upon a Time in Hollywood | Yes | Yes | Yes |
3/1/26 (星期日)
落髮,為寇,中壢,休息站,央視新華人民網說,宏大敘事,就是一條,宏大的內褲,自體的心理學,的自體,也穿著內褲,意思是說,難脫敘事,但是,這是一條,恰當的內褲,意思是說,「每樣東西,都在它,恰當的位置」(這就是,優美,的定義),像 Toyota 一樣,好用耐操,意思是說,中國人民,在共匪的,宏大內褲裡,只找到醜陋的假屌,找不到優美的真屌,創造的定義,就是跟本來熟悉的,一成不變,不同,意思是說,中國歷史,從頭到尾,包括現在,這個包子,只有那條,三千年不洗,的宏大內褲,
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