Wednesday, January 1, 2025

Miroslav Dvořáček controversy (Milan Kundera)

https://en.wikipedia.org/wiki/Milan_Kundera#Miroslav_Dvo%C5%99%C3%A1%C4%8Dek_controversy

Miroslav Dvořáček controversy

On 13 October 2008, the Czech weekly Respekt reported that an investigation was being carried out by the state-funded historical archive and research Institute for the Study of Totalitarian Regimes,[45] into whether a young Kundera had denounced a returned defector, Miroslav Dvořáček, to the StB, or Czechoslovak secret police, in 1950.[46] The accusation was based on a police station report which named "Milan Kundera, student, born 1.4.1929" as the informant in regard to Dvořáček's presence at a student dormitory.[47] But the report did not include his ID card number, which was usually included, nor his signature.[47] According to the police report, the ultimate source of the information about Dvořáček's previous desertion from military service and defection to the West was Iva Militká.[46]

Dvořáček had allegedly fled Czechoslovakia after being ordered to join the infantry in the wake of a purge of the flight academy, and returned to Czechoslovakia as an agent of an anti-communist espionage agency organised by Czechoslovak exiles, an allegation which was not mentioned in the police report.[46] Dvořáček returned secretly to the student dormitory of a friend's ex-girlfriend, Iva Militká. Militká was dating and later married a fellow student, Ivan Dlask, who knew Kundera.[46] The police report alleges that Militká told Dlask of Dvořáček's presence, and that Dlask told Kundera, who told the secret police.[46] Although the prosecutor sought the death penalty, Dvořáček was sentenced to 22 years of hard labour, fined 10,000 crowns, stripped of personal property, and deprived of his civic rights for ten years.[46] Dvořáček served 14 years in a labor camp, some of it working in a uraniummine, before he was released.[48]

In his response to Respekt's announcement, Kundera denied turning Dvořáček into the StB,[48] stating he never knew him at all, and could not even remember an individual named "Militká".[49] On 14 October 2008, the Czech Security Forces Archive announced that they had ruled out the possibility that the document could be a forgery, but refused to arrive at any other definite conclusions.[50] Vojtech Ripka of the Institute for the Study of Totalitarian Regimes said, "There are two pieces of circumstantial evidence [the police report and its sub-file], but we, of course, cannot be one hundred percent sure. Unless we find all survivors, which is unfortunately impossible, it will not be complete." Ripka added that the signature on the police report matches the name of a man who worked in the corresponding National Security Corps section and that a police protocol is missing.[50]

Many in the Czech Republic condemned Kundera as a "police informer", while many others accused Respekt of committing journalistic misconduct by publishing such a poorly researched piece. On the other hand, presenting an ID card was a procedure whenever dealing with the StB in 1950. Kundera was the student representative of the dorm Dvořáček had visited, and while it cannot be ruled out that another student could have denounced him to the StB using Kundera's name,[47] impersonating someone else in a Stalinist police state posed a significant risk. Contradictory statements by Kundera's fellow students appeared in the Czech news media in the wake of this scandal. Historian Adam Hradílek, the co-author of the Respekt article, was also accused of an undeclared conflict of interest since one of the individuals involved in the incident was his aunt.[47] Nonetheless, Respekt states on its website that its task is to "impartially study the crimes of the former communist regime".[51] With time, the Western journalists realized the whole controversy was flawed, with French newspapers defending Kundera.[47] The literary scholar Karen de Kunes investigated the reports and came to the conclusion that even if Kundera had issued the report, all he reported was the existence of a suitcase in the hallway.[47]

On 3 November 2008, eleven internationally recognized writers came to Kundera's defence, including four Nobel laureates, Orhan Pamuk, Gabriel García Márquez, Nadine Gordimer and J. M. Coetzee, as well as Carlos Fuentes, Juan Goytisolo, Philip Roth, Salman Rushdie, and Jorge Semprún.[52]

MILAN KUNDERA: The man who Authored, 'The Unbearable Lightness of Being" died, aged 94. From Czechoslovakia to France: Discover The Inside Story of A Writer in Exile (Joyce R. Williams, 2023)

https://www.amazon.com/-/zh_TW/Joyce-R-Williams-ebook/dp/B0CBXPJBKN/ref=sr_1_97?crid=336DXVLR16D87&dib=eyJ2IjoiMSJ9.zruOoV9bHYehgklFTVZQm9CGudSWKE4UuhN1dS38Q4y0fu_GYquxqMjFJsbNYPTY8XzLQA1a7dfA4OjRTWMCUUVmAf35IfuUwSpTfMJwW2FnCxEP9NqgV07G3_n5VuTtdXiC99gFnvGcG1T1tehlqxrkQ-2SBTkrdOoBBnkuL-tPGzClQ4VJZuwv7L7mbmG_fRx4MaPl2ADkgSSavvOhVik6_690Fm_XrHYu8HGilCA.nXh_w3-tB1PgZ3Be3rejFKWrybCk7hY-mEBHyfa7QuY&dib_tag=se&keywords=Milan+Kundera&qid=1735741976&s=books&sprefix=milan+kundera%2Cstripbooks-intl-ship%2C412&sr=1-97&xpid=y3icuVk5d3JDp

The Biography Of Milan Kundera: Explore The Hidden Depths Of His Transcendent Literary Legacy, His Works, The Czech Chronicles & Exile (Robert C. Rameriz, 2023)

https://www.amazon.com/-/zh_TW/Robert-C-Rameriz-ebook/dp/B0CBVRTNZZ/ref=sr_1_87?crid=336DXVLR16D87&dib=eyJ2IjoiMSJ9.NtyxfPS15V27qHb4pqc6xyB0BlD_Jn2NXOtw2EUxBIaNyQcWnWcCDTENWICEQwJ3q7wJr_wLCuZmJb2MBhlXYsMoU9275mhq74XFig9dhARM1AyYbjrywD7Q7BS7QHEK2I8urJuJ6Uie3Wg6pASnRSZeNtmt7vQiuhCDkXy1yuPv0TgRmfHCyVbXc2RCG8_qyWGmZEpQFEMQ9sggs4cKF7p0vTFOUAbIQMjPk38U0Tk.0lhFyImyPX_3GMWc2Oy-O_S059KMJ3r9ongUj_ANVp0&dib_tag=se&keywords=Milan+Kundera&qid=1735741839&s=books&sprefix=milan+kundera%2Cstripbooks-intl-ship%2C412&sr=1-87&xpid=y3icuVk5d3JDp

MILAN KUNDERA: A Captivating Biography Revealing the Enigmatic Writer's Life, Cause of Death, Net Worth, and Controversies (Lee L. Mull, 2023)

https://www.amazon.com/-/zh_TW/Lee-L-Mull-ebook/dp/B0CBSSV8KV/ref=sr_1_74?crid=336DXVLR16D87&dib=eyJ2IjoiMSJ9.tpGYra2P8KLnVWJBzbx-PjcHLvX6gw3UBguAdCODtRLMlVy-qpk07xNNXJoUBR73UfX-QeobuqOBiymVbAQbkK1hOOl5WtLBXIH9_judn8X0ZHE4jl4WjCz_PwhF-WqDUJ-ZppR6sOr60TgO9bVDXJhCq7Xh6_yMfaw-FHJ7NApBs_uUxwl4uBxNVHapAURkxt0ep9ivJwL7TPlw5EVMzhJFQ35tkTVWzBOa1PGPTWQ.HpTudzCnWiF0yKt_rIsciKgRUM8mjZW05KFTCDI7vOw&dib_tag=se&keywords=Milan+Kundera&qid=1735741719&s=books&sprefix=milan+kundera%2Cstripbooks-intl-ship%2C412&sr=1-74&xpid=y3icuVk5d3JDp

MILAN KUNDERA: The Life and Works of a Literary Maestro (Morghan Knight, 2023)

https://www.amazon.com/-/zh_TW/Morghan-Knight-ebook/dp/B0CCG9Q989/ref=sr_1_52?crid=336DXVLR16D87&dib=eyJ2IjoiMSJ9.F9jVq1CRN2bMkdgZ6EjjHmd4PDnRFxk8NumcDmFcPE-mwjVoNxm1EcE7F3WgB85b5UJ-nxEVtE6x-cm3jS8dz33b7MBupoDai2RvaKHDJMEROTteip47zZTJSrUU3j_h79J-Zmiy5Pp5AGUJi9jqAgb3nMjV1UDb51f_fV_P3E9rALNthctGGWK7Zg8G6uJaNRWggIsnmGW5PNSACazIa65e_GGgBgE5FT8MvU2xB8I.V6BhD1XlCg0bbvUJH24J2nFeF5k4TkEiiLzPjyHVwVE&dib_tag=se&keywords=Milan+Kundera&qid=1735741506&s=books&sprefix=milan+kundera%2Cstripbooks-intl-ship%2C412&sr=1-52&xpid=y3icuVk5d3JDp

Milan Kundera Biography: The Life and Works of the Man Behind the Words (Gleb Andreevich Velikanov, 2023)

https://www.amazon.com/-/zh_TW/Milan-Kundera-Biography-Works-Behind/dp/B0C9S4VN6T/ref=sr_1_37?crid=336DXVLR16D87&dib=eyJ2IjoiMSJ9.7bjrwsWdwSdbUR_cjEMUWD9ByQkyV2fxruThhb7a811qh11nn1srKH3JGxh1yQdbaRowtu5Hh9UspyYCc-uFudVjXZToCiaI_HuyBrcb9_vO3O_b7nKrsvv92rogM9ma8rTw-ufuA_E1_TQM91LgnnGgk_poRJezeFOCY5smLEfuHuBMH7WanbMigdX0dOImE6X7C7L1MuTO5l-cD_lULmOfT6XnQgBC8YATgYJ0HJQ.IhKUaDC5NHO6H6mz3-yF7v8DlOqN6YDJSQSt1yGSJWM&dib_tag=se&keywords=Milan+Kundera&qid=1735741266&s=books&sprefix=milan+kundera%2Cstripbooks-intl-ship%2C412&sr=1-37&xpid=y3icuVk5d3JDp

Those Who Wish Me Dead (2021)

https://en.wikipedia.org/wiki/Those_Who_Wish_Me_Dead (Netflix)

適者生存就是卑劣無節者生存

 Related to the survival of the fittest, Charles Darwin said that "it is not the strongest of the species that survive nor the most intelligent but the one most responsive to change.”

比如說,共匪官僚系統,是逆淘汰,越蠢越卑劣越無節者,越上位,這是為什麼,自體疾患,如此可貴,因為他們,就是不願適者(misfits),比如說,彭立發,董瑤瓊,李宜雪,林昭,張志新,

Why was Francis Bacon particularly drawn to the Picasso of 1926-1932? (ChatGPT, 2025-1-1)

 Francis Bacon was particularly drawn to the Picasso of 1926-1932 because Picasso’s works during this period resonated with Bacon’s emerging artistic vision, especially in their themes, techniques, and emotional intensity. Here are the key reasons why Bacon found this phase of Picasso’s work so compelling:


1. Distortion of the Human Figure

• Picasso’s 1926-1932 works, especially his biomorphic distortions of the human body, deeply influenced Bacon’s fascination with the vulnerability and malleability of the flesh.

• Picasso fragmented and reshaped the human form into grotesque yet evocative shapes, turning the body into a site of psychological and existential exploration.

• Bacon similarly sought to depict the human condition in a visceral and unsettling way, often distorting figures to expose their fragility and pain.

• Bacon’s Reaction:

• Bacon once remarked that Picasso’s twisted, deconstructed figures “opened up” new possibilities for art by showing how the human body could be transformed into something both abstract and emotionally charged.


2. Exploration of Violence and Vulnerability

• Picasso’s works of this period, such as his “Bone Women” and surreal depictions of the body, convey a sense of tension, violence, and eroticism.

• These themes aligned with Bacon’s lifelong preoccupation with the intersection of beauty, suffering, and destruction.

• Picasso’s treatment of the body as simultaneously sensual and grotesque likely struck a chord with Bacon’s own experiences and artistic goals.


3. Emotional and Psychological Depth

• Picasso’s surrealist-inspired works from this period delve into the subconscious, capturing the raw, often unsettling emotions that lie beneath the surface.

• Bacon admired how Picasso imbued his works with intense psychological resonance, turning abstract forms into carriers of human experience.

• For Bacon, Picasso demonstrated how art could transcend literal representation to convey the visceral truths of existence.


4. Breaking Free from Tradition

• Picasso’s 1926-1932 works shattered traditional boundaries of portraiture and figuration, liberating the artist to experiment with abstraction and symbolism.

• Bacon, who was self-taught and resisted conventional academic styles, found Picasso’s work revolutionary.

• Picasso’s innovations encouraged Bacon to reject realism and explore new ways of depicting the human condition.


5. Influence on Bacon’s Early Work

• Picasso’s 1926-1932 period was a direct inspiration for Bacon’s early works:

• Bacon’s 1933 painting “Crucifixion” shows clear echoes of Picasso’s biomorphic distortions and surrealist experimentation.

• The fragmented, contorted figures in Picasso’s works gave Bacon a framework for his own exploration of the grotesque and existentially charged human form.


6. A Shared Existential Perspective

• Both Picasso and Bacon were deeply attuned to the existential tensions of their respective times:

• Picasso’s works from this period reflect a world grappling with uncertainty, desire, and fragmentation in the interwar years.

• Bacon, painting in the aftermath of World War II, was equally concerned with the fragility and violence of human existence.

• Bacon likely saw in Picasso’s works a precursor to his own quest to portray the anguish and absurdity of life.


Conclusion


Francis Bacon was drawn to the Picasso of 1926-1932 because these works embodied a radical departure from tradition, exploring themes of violence, distortion, and the subconscious that resonated with Bacon’s own artistic and existential concerns. Picasso’s ability to distort the human form while preserving its emotional intensity provided Bacon with both inspiration and validation for his own explorations into the darker aspects of the human condition. Picasso, in this period, showed Bacon how to turn the wound of existence into a source of profound artistic expression.


What was Picasso’s works like in the period of 1926-1932? (ChatGPT, 2025-1-1)

 Between 1926 and 1932, Pablo Picasso explored the tension between figuration and abstraction, producing works that delved into surrealism, emotional expression, and complex relationships with form and space. This period is particularly marked by:


1. Transition to Surrealism

• While Picasso did not officially join the Surrealist movement, his works during this time often reflected surrealist themes, including:

• Distorted, fragmented forms.

• Symbolism rooted in dreams, subconscious desires, and sexuality.

• An emotional intensity that bordered on psychological exploration.


2. Exploration of the Human Form

• Picasso began breaking the human figure into biomorphic shapes, blending abstraction with figuration.

• His depictions of the human body during this time were often grotesque, erotic, and distorted, reflecting complex emotional states.

• Example: His “Bone Women” series features angular, skeletal forms that verge on abstraction, emphasizing tension and unease.


3. Focus on Marie-Thérèse Walter

• Picasso began a passionate relationship with Marie-Thérèse Walter in 1927, and her presence deeply influenced his art.

• During this period, Marie-Thérèse became a muse for many of his works, appearing in:

• Sensual, dreamlike portraits with soft, rounded forms.

• Symbolic and surreal depictions that blurred her identity with organic shapes like fruits and plants.


4. Sculptural Influences

• Picasso’s interest in sculpture intensified during this period, and this is evident in his paintings, which often resemble three-dimensional assemblages.

• His experiments with materials and textures in sculpture informed his two-dimensional works, creating a unique interplay of volumes and surfaces.


5. Notable Works


“The Painter and His Model” (1927)

• A semi-abstract exploration of the relationship between the artist and muse, reflecting Picasso’s ongoing fascination with creation and sexuality.


“The Large Nude in Red Armchair” (1929)

• A distorted, surreal depiction of a reclining woman, possibly influenced by his relationship with Marie-Thérèse Walter.

• This work emphasizes emotional intensity through the deformation of the human figure.


“The Kiss” (1931)

• A surreal, intimate depiction of lovers, blending organic and geometric forms to evoke both tenderness and tension.


Sculpture: “Woman in the Garden” (1929-1930)

• A monumental, surrealist-inspired sculpture made of welded metal, reflecting Picasso’s innovative approach to materials.


6. Emotional and Symbolic Depth

• These works often carry intense emotional symbolism, grappling with themes such as:

• Desire and Eros: Inspired by his relationship with Marie-Thérèse.

• Conflict and Fragmentation: Expressed through distorted figures.

• Dreams and the Subconscious: Reflecting surrealist ideas.


7. Influences and Impact

• Picasso’s work during this period was influenced by:

• The Surrealist movement, including André Breton and Salvador Dalí.

• His personal relationships, particularly with Marie-Thérèse.

• The broader cultural climate of the interwar years, marked by tension and uncertainty.

• These works bridged the gap between his earlier Cubist experiments and the emotional weight of his later masterpieces, such as Guernica (1937).


Conclusion


Between 1926 and 1932, Picasso’s work became increasingly emotional, symbolic, and abstract, often reflecting his personal life and the broader influence of surrealism. This period represents a dynamic phase of experimentation and transformation, showcasing Picasso’s ability to innovate while engaging deeply with the emotional and psychological dimensions of art.


The Razor’s Edge (Somerset Maugham, 1944) (車行形上學)

William Somerset Maugham (1874-1965)

https://en.wikipedia.org/wiki/W._Somerset_Maugham

https://en.wikipedia.org/wiki/List_of_works_by_W._Somerset_Maugham#Novels_and_story_collections


It may be that when his life at last comes to an end he will leave no more trace of his sojourn on earth than a stone thrown into a river leaves on the surface of the water. (Chap 1)


1/1/25 (星期三)

今不赴霄裡,你要理解,老實計時,是 doing time 關鍵,一天一天,一周一周,一月一月,一年一年,的過,這是為什麼,問候語說,have a nice day,這麼重要,

Few Options (2011)

https://en.wikipedia.org/wiki/Few_Options (free on Plex)

Kill 'Em All 2 (2024)

https://en.wikipedia.org/wiki/Kill_%27Em_All_2 (Apple TV, 2025-1-1)

Classified (2024)

https://en.wikipedia.org/wiki/Classified_(2024_film)

Gunner (2024)

https://en.wikipedia.org/wiki/Gunner_(film)

The Creation of a Novelist (2017)

https://www.researchgate.net/publication/316470690_The_Creation_of_a_Novelist

What is an author now? Discourse analysis applied to the idea of an author (2015)

https://www.researchgate.net/publication/282420752_What_is_an_author_now_Discourse_analysis_applied_to_the_idea_of_an_author

See also 

https://sites.evergreen.edu/politicalshakespeares/wp-content/uploads/sites/226/2015/12/Foucault-What-is-an-Author.pdf