2019 二三事
2018-12-9
1. Minimal music is a form of art music that employs limited or minimal
musical materials. In the Western art music tradition the American
composers La Monte Young, Terry Riley, Steve Reich, and Philip Glass are credited with being among the
first to develop compositional techniques that exploit a minimal approach. It
originated in the New York Downtown scene of the 1960s and was
initially viewed as a form of experimental music called the New
York Hypnotic School. As an aesthetic, it is marked by a
non-narrative, non-teleological, and non-representational conception of a work
in progress, and represents a new approach to the activity of listening to
music by focusing on the internal processes of the music, which lack goals or
motion toward those goals. Prominent features of the technique
include consonant harmony, steady pulse (if not
immobile drones), stasis or gradual transformation, and often
reiteration of musical phrasesor smaller units such as figures, motifs, and cells. It may include features such as additive process and
phase shifting. Phase shifting leads to what has been termed phase music. Minimal compositions that rely heavily
on process techniques that follow strict rules are usually described as process music.
https://en.wikipedia.org/wiki/Minimal_music
2. Phase music is a form of
music that uses phasing as a primary compositional process. It is an approach to musical composition that is often associated
with minimal music, as it shares similar characteristics,
but some commentators prefer to treat phase music as a separate category. Phasing
is a compositional technique in which the
same part (a repetitive phrase) is played on two musical instruments, in steady but not
identical tempi. Thus, the two instruments gradually
shift out of unison, creating first a slight echo as one instrument plays a little behind the
other, then a doubling with each note heard
twice, then a complex ringing effect, and eventually coming back through
doubling and echo into unison. Phasing is the rhythmic equivalent of cycling
through the phase of two waveforms as in phasing. Note that the tempi of the two
instruments are almost identical, so that both parts are perceived as being in
the same tempo: the changes only separate the parts gradually. In some cases,
especially live performance where gradual separation is extremely difficult,
phasing is accomplished by periodically inserting an extra note (or temporarily
removing one) into the phrase of one of the two players playing the same
repeated phrase, thus shifting the phase by a single beat at a time, rather
than gradually.
https://en.wikipedia.org/wiki/Phase_music
3. https://www.youtube.com/watch?v=KtE3e-z0Ro4&start_radio=1&list=RDKtE3e-z0Ro4
(Bruno Sanfilippo)
4. https://kellychang2713.blogspot.com/search?q=phenomenology
5. 題目 2019 (2018-12-6)
5.1 Ferenczi留給我們的問題是甚麼 ?
5.2 Genome
editing in psychiatry
5.3 Intersubjectivity
in self psychology and relational psychoanalysis – comparative study
5.4 精神分析與質性研究 - Methods of Research into the Unconscious: Applying
Psychoanalytic Ideas to Social Science, ed.by Kalina Stamenova, R. D.
Hinshelwood, Routledge, 2018-11-22
5.5 Self
psychology and relational psychoanalysis – comparative study
6. 尋訪蒼青駐足 行止遂由天色決定
