Friday, July 31, 2020
但這已是定局這點我知道 (Psychology of the self) (Daseinsanalysis) (Critical Psychotherapy)
不確定那個窗口是否也蟬鳴不歇當然我希望
但這已是定局這點我知道
樹似乎不高為什麼他們選了這些長不高的樹種
但這已是定局這點我知道
至此你知道我是無能再做甚麼了
但這已是定局這點我知道
無能的理由是只能在既有的系統的邊緣上討生活
然後催眠式的跟自己說
但這已是定局這點我知道
但這已是定局這點我知道
樹似乎不高為什麼他們選了這些長不高的樹種
但這已是定局這點我知道
至此你知道我是無能再做甚麼了
但這已是定局這點我知道
無能的理由是只能在既有的系統的邊緣上討生活
然後催眠式的跟自己說
但這已是定局這點我知道
Freud and the Émigré: Austrian Émigrés, Exiles and the Legacy of Psychoanalysis in Britain, 1930s–1970s (ed. Elana Shapira, Daniela Finzi, Palgrave Macmillan, 2020-11-8)
This book reconsiders standard narratives regarding Austrian émigrés and exiles to Britain by addressing the seminal role of Sigmund Freud and his writings, and the critical part played by his contemporaries, in the construction of a method promoting humanized relations between individual and society and subjectivity and culture. This anthology presents groundbreaking examples of the manners in which well-known personalities including psychoanalysts Anna Freud and Ernst Kris, sociologist Marie Jahoda, authors Stefan Zweig and Hilde Spiel, film director Berthold Viertel, architect Ernst Freud, and artist Oskar Kokoschka, achieved a greater impact, and contributed to the broadening of British and global cultures, through constructing a psychologically effective language and activating their émigré networks. They advanced a visionary Viennese tradition through political and social engagements and through promoting humanistic perspectives in their scientific, educational and artistic works. (amazon)
Scansion in Psychoanalysis and Art: The Cut in Creation (Art, Creativity, and Psychoanalysis Book Series) (Vanessa Sinclair, Routledge, 2020-11-17)
Scansion in Psychoanalysis and Art examines a strain of artists spanning more than a century, beginning at the dawn of photography and culminating in the discussion of contemporary artists, to illustrate various psychoanalytic concepts by examining artists working in a multitude of mediums.
Drawing on the theories of Sigmund Freud, who applied psychoanalytic methods to art and literature to decipher the meaning and intention of the creator, as well as Jacques Lacan’s dissemination of scansion as a powerful disruption of narrative, the book explores examples of the long and rich relationship between psychoanalysis and the fine arts. Whilst guiding readers through the different artists and their artforms - from painting and music to poetry, collage, photography, film, performance art, technology and body modification - Sinclair interrogates scansion as a generative process often inherent of the act of creation itself.
This is an intriguing book for psychoanalysts, psychologists and creative arts therapists, who wish to explore the generative potential of scansion and the relationship between psychoanalysis and the arts, as well as to artists and art historians interested in a psychoanalytic view of these processes. (amazon)
i have no doubt that a session, like a life, can be short, even arbitrarily short, but, this arbitrariness is tragic fate itself, most likely, meaningless, after all, and i don't think, it should be up to anyone, including the Lacanian analysts
When Minds Meet: The Work of Lewis Aron (Relational Perspectives Book Series) (ed. Galit Atlas, Routledge, 2020-11-30)
This extraordinary volume offers a sampling of Lewis Aron’s most important contributions to Relational psychoanalysis.
One of the founders of Relational thinking, Aron was an internationally recognized psychoanalyst, sought after teacher, lecturer, and the Director of the New York University Postdoctoral Program in Psychotherapy and Psychoanalysis. His pioneering work introduced and revolutionized the concepts of mutuality, the analyst’s subjectivity, and the paradigm of mutual vulnerability in the analytic setting. During the last few years of his life, Aron was exploring the ethical considerations of writing psychoanalytic case histories and the importance of self-reflection and scepticism not only for analysts with their patients, but also as a stance towards the field of psychoanalysis itself. Aron is known for his singular, highly compelling teaching and writing style and for an unparalleled ability to convey complex, often comparative theoretical concepts in a uniquely inviting and approachable way. The reader will encounter both seminal papers on the vision and method of contemporary clinical practice, as well as cutting edge newer writing from the years just before his death. Edited and with a foreword by Galit Atlas, each chapter is preceded by a new introduction by some of the most important thinkers in our field: Jessica Benjamin, Michael Eigen Jay Greenberg, Adrienne Harris, Stephen Hartman Steven Kuchuck, Thomas Ogden, Joyce Slochower, Donnel Stern, Merav Roth, Chana Ullman and Aron himself.
This book will make an important addition to the libraries of experienced clinicians and psychoanalytic scholars already familiar with Aron’s work, as well as students, newer professionals or anyone seeking an introduction to relational psychoanalysis and one of its most stunning, vibrant voices.(amazon)
Theoretical and Clinical Perspectives on Narrative in Psychoanalysis: The Creation of Intimate Fictions (Joye Weisel-Barth, Routledge, 2020-12-30)
This book is of and about psychoanalytic stories. It describes the personal, theoretical, and cultural stories that patients and analysts bring, create, and modify in analytic work. It shows how the joint creation of new life narratives over time results in transformed senses of self and relationship.
Flowing from the tradition of narrative theory, these stories seek to recast the creation of analytic narratives in social contexts and contemporary relational theories. They depict ongoing therapeutic process and heightened interactive events and moments that together expand personal scope and change life directions for both partners in the analytic dyad. Its stories illuminate sometimes difficult and arcane analytic theory, bringing the meanings and utility of theory into living action. They also show how familiar emotions such as love, hate, envy, loneliness and active human values such as empathy, generosity, and good faith function in psychoanalytic interaction. In short, these analytic stories are useful teaching tools. The narrative tales in this book address a wide range of history and emotions in both patients and analyst. The patients, fictionalized characters from a lifetime of analytic practice, are protagonists with backgrounds of trauma, loss, relational and geographical dislocation but also successful adaptations and struggle toward self-development. Some of their stories describe intense short-term work and others long-term analytic relationships. The subjective experience and responses of the analyst are also central parts of the analytic fictions. (amazon)
for me, fiction, if it is worth its salt, has to be fragmented and cruel, and, not sure yet, but maybe, this one, is a pro-Proustian one, in other words, you can relax, there is no unsweetened horror here
The Feeling Intellect: The Independent tradition in English psychoanalysis (Steven Groarke, Routledge, 2020-12-30)
he talks about resistance of psychoanalysis in Del Loewenthal (2015) too, i think this one is the first time he put his debts together
Talking about Evil: Psychoanalytic, Social, and Cultural Perspectives (Relational Perspectives Book Series) (ed. Rina Lazar, Routledge, 2016)
How can we talk about evil? How can we make sense of its presence all around us? How can we come to terms with the sad fact that our involvement in doing or enabling evil is an interminable aspect of our lives in the world? This book is an attempt to engage these questions in a new way.
Written from within the complicated reality of Israel, the contributors to this book forge a collective effort to think about evil from multiple perspectives. A necessary effort, since psychoanalysis has been slow to account for the existence of evil, while philosophy and the social sciences have tended to neglect its psychological aspects.
The essays collected here join to form a wide canvas on which a portrait of evil gradually emerges, from the Bible, through the enlightenment to the Holocaust; from Kant, through Freud, Klein, Bromberg and Stein to Arendt, Agamben and Bauman; using literature, history, cinema, social theory and psychoanalysis.
Talking about Evil opens up a much needed space for thinking, in itself an antidote to evil. It will be of interest to psychoanalysts, psychotherapists, and scholars and students of philosophy, social theory and the humanities.(amazon) (accessible via scribd)
The Already Dead: The New Time of Politics, Culture, and Illness (Eric Cazdyn, Duke University Press, 2012)
In The Already Dead, Eric Cazdyn examines the ways that contemporary medicine, globalization, politics, and culture intersect to produce a condition and concept that he names "the new chronic." Cazdyn argues that just as contemporary medicine uses targeted drug therapies and biotechnology to manage rather than cure diseases, global capitalism aims not for resolution but rather for a continual state of crisis management that perpetuates the iniquities of the status quo. Engaging critical theory, philosophy, and psychoanalysis, he explores the ways that crisis affects perceptions of time and denies alternative ways of being and thinking.
To resist the exploitative crisis state, which Cazdyn terms "the global abyss," he posits the concept of "the already dead," a condition in which the subject (medical, political, psychological) has been killed but has yet to die. Embracing this condition, he argues, allows for a revolutionary consciousness open to a utopian future. Woven into Cazdyn's analysis are personal anecdotes about his battle with leukemia and his struggle to obtain Canadian citizenship during his illness. These narratives help to illustrate his systemic critique, one that reconfigures the relationship between politics, capitalism, revolution, and the body. (amazon) (Introduction, accessible via scribd)
When asked whether he would see a new patient, a psychoanalyst wanted to know if it was an emergency. ‘‘No, the patient’s relatively stable, functional, adjusted—not in crisis,’’ the referring doctor replied. ‘‘Oh no!’’ the analyst exclaimed. ‘‘In that case I better see him right away.’
Being Posthuman: Ontologies of the Future (Zahi Zalloua, Bloomsbury Academic, 2021-1-14)
Posthumanism is both a descriptive and a prescriptive term. Firstly, it registers a shift beginning in the late 1960s and epitomized by Foucault's “the death of Man”. Secondly, it refers to the future and a new relationship with the non-human, along with a different understanding of human exceptionalism.
In Being Posthuman: Ontologies of the Future, Zahi Zalloua interrogates this future and shows that “post-” does not necessarily mean 'after' or that what comes after is more advanced than what has gone before. He pursues this line of inquiry across four distinct, yet interrelated, figures: cyborgs, animals, objects, and racialized and excluded 'others'. These figures disrupt the narrative of the 'human' and its singularity and by reading them together, Zalloua determines that it is only when posthumanist discourse is combined with psychoanalysis that subjectivity can be properly examined. (amazon)
In Being Posthuman: Ontologies of the Future, Zahi Zalloua interrogates this future and shows that “post-” does not necessarily mean 'after' or that what comes after is more advanced than what has gone before. He pursues this line of inquiry across four distinct, yet interrelated, figures: cyborgs, animals, objects, and racialized and excluded 'others'. These figures disrupt the narrative of the 'human' and its singularity and by reading them together, Zalloua determines that it is only when posthumanist discourse is combined with psychoanalysis that subjectivity can be properly examined. (amazon)
Thursday, July 30, 2020
The Other Side of Hope (Finnish: Toivon tuolla puolen) (Aki Kaurismäki, 2017)
https://en.wikipedia.org/wiki/The_Other_Side_of_Hope
https://www.myvideo.net.tw/details/0/192359
https://en.wikipedia.org/wiki/Aki_Kaurism%C3%A4ki (b 1957)
Kaurismäki has noted that this film will be his last as a director.
https://www.myvideo.net.tw/details/0/192359
https://en.wikipedia.org/wiki/Aki_Kaurism%C3%A4ki (b 1957)
Kaurismäki has noted that this film will be his last as a director.
The Algorithmic Self
https://politybooks.com/the-algorithmic-self/
https://www.semanticscholar.org/paper/The-Algorithmic-Self%3A-Layered-Accounts-of-Life-and-Markham/23d1c67fd45278c91bea092831397d5340ecff84
https://www.semanticscholar.org/paper/The-Algorithmic-Self-Pasquale/96483ef4a38cf620e28c2ae18d3e768788e628ee
now, since they say, man is a computer, which can be programmed, deleted, reprogrammed, updated, given up, discarded, bought a new one, again and again, his toothache, apparently, i'm afraid, is, absolutely, fucking irrelevant
https://www.semanticscholar.org/paper/The-Algorithmic-Self%3A-Layered-Accounts-of-Life-and-Markham/23d1c67fd45278c91bea092831397d5340ecff84
https://www.semanticscholar.org/paper/The-Algorithmic-Self-Pasquale/96483ef4a38cf620e28c2ae18d3e768788e628ee
now, since they say, man is a computer, which can be programmed, deleted, reprogrammed, updated, given up, discarded, bought a new one, again and again, his toothache, apparently, i'm afraid, is, absolutely, fucking irrelevant
从《恭賀皇上駕崩之天下太平经》看中共官场
https://www.youtube.com/watch?v=iSEjxpgRlZw
https://www.youtube.com/watch?v=rEdsVj6j2Cc
這本書是曠古絕唱適合打炮叫床傳頌不信你試試看很靈的
這本書鉅細無遺邏輯結構完整書長大約七千五百萬億頁分為人名地名動物名植物名上古篇中古篇近代篇當代篇每個「名字」後加上「平安」兩字比如說毛澤東平安毛澤東一號炮友平安毛澤東二號炮友平安以此類推到兩千號或石牌路一段一號平安石牌路一段二號平安以此類推我很驚訝Google這麼偉大卻沒有想過編寫這本書
https://www.youtube.com/watch?v=rEdsVj6j2Cc
這本書是曠古絕唱適合打炮叫床傳頌不信你試試看很靈的
這本書鉅細無遺邏輯結構完整書長大約七千五百萬億頁分為人名地名動物名植物名上古篇中古篇近代篇當代篇每個「名字」後加上「平安」兩字比如說毛澤東平安毛澤東一號炮友平安毛澤東二號炮友平安以此類推到兩千號或石牌路一段一號平安石牌路一段二號平安以此類推我很驚訝Google這麼偉大卻沒有想過編寫這本書
Jean-Michel Jarre (b 1948)
https://en.wikipedia.org/wiki/Jean-Michel_Jarre
https://www.youtube.com/watch?v=j55B08bm8mg
As of 2004, Jarre had sold an estimated 80 million albums. He was the first Western musician officially invited to perform in the People's Republic of China and holds the world record for the largest-ever audience at an outdoor event for his Moscow concert on 6 September 1997, which was attended by 3.5 million people.
edible and palatable, has nothing to do with resistance, which is inedible and unpalatable
https://www.youtube.com/watch?v=j55B08bm8mg
As of 2004, Jarre had sold an estimated 80 million albums. He was the first Western musician officially invited to perform in the People's Republic of China and holds the world record for the largest-ever audience at an outdoor event for his Moscow concert on 6 September 1997, which was attended by 3.5 million people.
edible and palatable, has nothing to do with resistance, which is inedible and unpalatable
6:53 AM
cloudy, humid, windy, once in a while, free man for thursday, i.e. thursday man; howard caygill on resistance, hopefully not a joke; john heron's fourth wave of humanism / humanistic psychology, sounds like reunion of humanistic psychology and transpersonal psychology, but put the spiritual back to the personal and interpersonal, this conclusion should be called humanistic psychology 3.0, rather than 4.0; apparently he lives in a harmonious world, quite contented; 多年後的自責 他們 畢竟沒有找到路; 洗碗 可以洗出 endorphine 嗎; now, if i am, nothing but, an algorithm, you can be sure, it's an algorithm which gets lost, all the time, and fucking enjoys it, very much; 去年我第一次去宜蘭監獄 在三星鄉迷路了四十分鐘 今年我第二次去 導航王幫我不迷路 但遺憾的是 失去了迷路的快樂 你必須理解 那個地方 是沒有路標 和門牌號碼的 意思是說 是用山巒當成指引的 偏偏那些山 看起來都差不多 意思是說 應該用樹當指引 偏偏那些樹 看起來也都差不多 意思是說 應該用蔥當指引 偏偏那些三星蔥 看起來當然都差不多 而且 你不要指望 問路 被你問的人 也都滿臉 回到自然的 真誠的茫然 ;
Wednesday, July 29, 2020
閻麗夢在班農節目表示，她有足夠證據證明病毒並非來自自然，也不是來自華南海鮮市場，她正準備證明只要有足夠的材料，半年就能製造病毒
https://www.youtube.com/watch?v=DqQuRSQPNg4
https://www.youtube.com/watch?v=GIB_yIIHdpk
毫無疑問這是基因編輯製造的毒王生化武器
我唯一的疑問是習近平是投毒後才知道還是投毒前就知道
如果是前者那就是有人要搞他
如果是後者那就是他要搞死全世界
意思是說
前者是別人搞他後他順便搞死全世界
後者就是他要搞死全世界
總之搞死全世界的結果是一樣的
因為習近平從小就學會表情裝得很無辜
所以我認為是後者
https://www.youtube.com/watch?v=GIB_yIIHdpk
毫無疑問這是基因編輯製造的毒王生化武器
我唯一的疑問是習近平是投毒後才知道還是投毒前就知道
如果是前者那就是有人要搞他
如果是後者那就是他要搞死全世界
意思是說
前者是別人搞他後他順便搞死全世界
後者就是他要搞死全世界
總之搞死全世界的結果是一樣的
因為習近平從小就學會表情裝得很無辜
所以我認為是後者
關於本能 (Psychology of the self) (Daseinsanalysis) (Critical Psychotherapy)
本能不是只有佛洛伊德最愛講的性
他的性解決的是繁衍和生存
我想問題出在大腦的演化讓事情變複雜了
很久很久以前當那個人在草原上狩獵
用一顆石頭擊昏一隻野兔 (這是有難度的)
這是棒球的源起很明顯
他停下來設計出棒球的遊戲規則
這個停下來是文明起源的關鍵
桃園騎摩托車橫衝直撞的年輕市民
應該要停下來學這件事
我不在意他在哪裡停下來
我通常是在廁所或便利商店街角
棒球不是性
除非你除了對傘
對棒子也有性的符號的想像
棒球本質上與繁衍和生存無關
棒球說明了佛洛伊德錯了
人類的本能就是打棒球
人類作為一個負責糟蹋地球的
再糟糕不過的物種的
救贖在打出高飛界外球
讓上帝目瞪口呆
捏一把冷汗的
高飛界外球
他的性解決的是繁衍和生存
我想問題出在大腦的演化讓事情變複雜了
很久很久以前當那個人在草原上狩獵
用一顆石頭擊昏一隻野兔 (這是有難度的)
這是棒球的源起很明顯
他停下來設計出棒球的遊戲規則
這個停下來是文明起源的關鍵
桃園騎摩托車橫衝直撞的年輕市民
應該要停下來學這件事
我不在意他在哪裡停下來
我通常是在廁所或便利商店街角
棒球不是性
除非你除了對傘
對棒子也有性的符號的想像
棒球本質上與繁衍和生存無關
棒球說明了佛洛伊德錯了
人類的本能就是打棒球
人類作為一個負責糟蹋地球的
再糟糕不過的物種的
救贖在打出高飛界外球
讓上帝目瞪口呆
捏一把冷汗的
高飛界外球
On Resistance: A Philosophy of Defiance (Howard Caygill, Bloomsbury Academic, 2013)
No word is more central to the contemporary political imagination and action than 'resistance'. In its various manifestations - from the armed guerrilla to Gandhian mass pacifist protest, from Wikileaks and the Arab Spring to the global eruption and violent repression of the Occupy movement - concepts of resistance are becoming ubiquitous and urgent. In this book, Howard Caygill conducts the first ever systematic analysis of 'resistance': as a means of defying political oppression, in its relationship with military violence and its cultural representation.
Beginning with the militaristic doctrine of Clausewitz and the evolution of a new model of guerrilla warfare to resist the forces of Napoleonic France, On Resistance elucidates and critiques the contributions of seminal resistant thinkers from Marx and Nietzsche to Mao, Gandhi, Sartre and Fanon to identify continuities of resistance and rebellion from the Paris Commune to the Greenham Women's Peace Camp. Employing a threefold line of inquiry, Caygill exposes the persistent discourses through which resistance has been framed in terms of force, violence, consciousness and subjectivity to evolve a critique of resistance. Tracing the features of resistance, its strategies, character and habitual forms throughout modern world history Caygill identifies the typological consistencies which make up resistance. Finally, by teasing out the conceptual nuances of resistance and its affinities to concepts of repression, reform and revolution, Caygill reflects upon contemporary manifestations of resistance to identify whether the 21st century is evolving new understandings of protest and struggle. (amazon) (accessible via scribd)
came across Howard Caygill via Steven Groarke's chapter "Psychoanalysis and the Event of Resistance" (in Del Loewenthal, 2015); Groarke wrote a bunch of book reviews, seemed to mainly center on Winnicott
interestingly, Caygill wrote about walter benjamin, kant, levinas, and kafka too (2020-7-29)
Beginning with the militaristic doctrine of Clausewitz and the evolution of a new model of guerrilla warfare to resist the forces of Napoleonic France, On Resistance elucidates and critiques the contributions of seminal resistant thinkers from Marx and Nietzsche to Mao, Gandhi, Sartre and Fanon to identify continuities of resistance and rebellion from the Paris Commune to the Greenham Women's Peace Camp. Employing a threefold line of inquiry, Caygill exposes the persistent discourses through which resistance has been framed in terms of force, violence, consciousness and subjectivity to evolve a critique of resistance. Tracing the features of resistance, its strategies, character and habitual forms throughout modern world history Caygill identifies the typological consistencies which make up resistance. Finally, by teasing out the conceptual nuances of resistance and its affinities to concepts of repression, reform and revolution, Caygill reflects upon contemporary manifestations of resistance to identify whether the 21st century is evolving new understandings of protest and struggle. (amazon) (accessible via scribd)
came across Howard Caygill via Steven Groarke's chapter "Psychoanalysis and the Event of Resistance" (in Del Loewenthal, 2015); Groarke wrote a bunch of book reviews, seemed to mainly center on Winnicott
interestingly, Caygill wrote about walter benjamin, kant, levinas, and kafka too (2020-7-29)
From Darwin to Derrida: Selfish Genes, Social Selves, and the Meanings of Life (David Haig, The MIT Press, 2020)
How the meaningless process of natural selection produces purposeful beings who find meaning in the world.
In From Darwin to Derrida, evolutionary biologist David Haig explains how a physical world of matter in motion gave rise to a living world of purpose and meaning. Natural selection, a process without purpose, gives rise to purposeful beings who find meaning in the world. The key to this, Haig proposes, is the origin of mutable “texts”—genes—that preserve a record of what has worked in the world. These texts become the specifications for the intricate mechanisms of living beings.
Haig draws on a wide range of sources—from Laurence Sterne's Tristram Shandy to Immanuel Kant's Critique of the Power of Judgment to the work of Jacques Derrida to the latest findings on gene transmission, duplication, and expression—to make his argument. Genes and their effects, he explains, are like eggs and chickens. Eggs exist for the sake of becoming chickens and chickens for the sake of laying eggs. A gene's effects have a causal role in determining which genes are copied. A gene (considered as a lineage of material copies) persists if its lineage has been consistently associated with survival and reproduction. Organisms can be understood as interpreters that link information from the environment to meaningful action in the environment. Meaning, Haig argues, is the output of a process of interpretation; there is a continuum from the very simplest forms of interpretation, instantiated in single RNA molecules near the origins of life, to the most sophisticated. Life is interpretation—the use of information in choice. (amazon)
well, life is interpretation, and, you see, interpretation is the famous after-the-fact fabricated deception, therefore, life is meaningless, though we try so hard to deceive ourselves it must mean something, after all, and, don't worry, even life is meaningless, life goes on, business as usual, like nothing happens, after all, we must admit, thank god, and his associates, this is the ONLY good news, left for us, the infamous laughable mortal thinking reed (2020-7-29)
關於演化和演化的代價 (Psychology of the self) (Daseinsanalysis) (Critical Psychotherapy)
一直不解為什麼 John Bowlby (1907-1990) 晚年要寫達爾文傳記 (Charles Darwin: A New Life, by John Bowlby, W. W. Norton & Co, 1991) 一直以為他是要把依附理論放回演化的脈絡來回家 (Cf. The Science of Intimate Relationships, ed. by Garth Fletcher, Jeffry Simpson, et al, Wiley-Blackwell, 2e, 2019) (Cf. Attachment Theory in Modern Evolutionary Persepctive, Jeffry Simpson, 1997, book chapter, accessible via scribd)
一直不解為什麼德希達 (1930-2004) 的最後一個 seminar 要講 The Beast and the Sovereign (2001-2002) (2004) (Cf. Derrdia and our Animal Other: Derrida's Final Seminar, The Beast and the Sovereign, by David Farrell Krell, Indiana University Press, 2013, accessible via scribd) 一直以為他太厭煩了不想做人了
我想演化是壅擠的最後一班列車一堆人打得頭破血流要擠上車據說這樣就可以逃命到彼岸隔岸觀火
我想演化是一把雙面刃生命適應變遷改變了自己的習性以致改變了自己的基因 (epigenetics)所謂適者生存結果倖存機會大留下來交媾繁衍播種的基因多是那些對變遷磕頭作揖的基因換句話說硬頸的都被滅絕
然後最讓人髮指不齒的是這時人還會製造論述來歌頌那些倖存的磕頭作揖的基因用複雜的符號文字把它賦予抽象的境界形上的意義
然後這就是你活著的生存的標準
依此人類文明史不過是自圓其說的事後的謊言
不信你仔細想想看
現在你可以理解為什麼 Bowlby 死前要重返達爾文和德希達死前一定不要做人了罷
雖然我不確定 Bowlby 的重返有沒有對依附理論的套套循環的弔詭作反省和我當然是誤讀了德希達因為他並沒有不想做人很可能是他養了幾條狗然後從狗狗身上學到解構人的哲學這件事我正在學
簡單講演化的代價是讓生命為了倖存罔顧一切失去自然然後把失去的當成不好的應該揚棄的意思是說你回不到自然如果你他媽的可恥的倖存我想 Primo Levi 知道這個道理
一直不解為什麼德希達 (1930-2004) 的最後一個 seminar 要講 The Beast and the Sovereign (2001-2002) (2004) (Cf. Derrdia and our Animal Other: Derrida's Final Seminar, The Beast and the Sovereign, by David Farrell Krell, Indiana University Press, 2013, accessible via scribd) 一直以為他太厭煩了不想做人了
我想演化是壅擠的最後一班列車一堆人打得頭破血流要擠上車據說這樣就可以逃命到彼岸隔岸觀火
我想演化是一把雙面刃生命適應變遷改變了自己的習性以致改變了自己的基因 (epigenetics)所謂適者生存結果倖存機會大留下來交媾繁衍播種的基因多是那些對變遷磕頭作揖的基因換句話說硬頸的都被滅絕
然後最讓人髮指不齒的是這時人還會製造論述來歌頌那些倖存的磕頭作揖的基因用複雜的符號文字把它賦予抽象的境界形上的意義
然後這就是你活著的生存的標準
依此人類文明史不過是自圓其說的事後的謊言
不信你仔細想想看
現在你可以理解為什麼 Bowlby 死前要重返達爾文和德希達死前一定不要做人了罷
雖然我不確定 Bowlby 的重返有沒有對依附理論的套套循環的弔詭作反省和我當然是誤讀了德希達因為他並沒有不想做人很可能是他養了幾條狗然後從狗狗身上學到解構人的哲學這件事我正在學
簡單講演化的代價是讓生命為了倖存罔顧一切失去自然然後把失去的當成不好的應該揚棄的意思是說你回不到自然如果你他媽的可恥的倖存我想 Primo Levi 知道這個道理
Tuesday, July 28, 2020
精神分析在中國: 奠基在三個禁區之上的咬文嚼字的戲論 (Psychology of the self) (Daseinsanalysis) (Critical Psychotherapy)
起因是
Psychoanalysis and Psychotherapy in China : Volume 3 Number 1, ed. by David E. Scharff, Phoenix Publishing House, June 2020
內容如下
SECTION ONE: CULTURE AND PSYCHOANALYSIS
Shame East and West: similarities, differences, culture, and self
Michael Stadter and Gao Jun
Chinese culture and psychoanalysis
Peter Loewenberg
Femininity and masculinity in Chinese culture
Wang Huan
Rereading Klein’s “Some reflections on ‘The Oresteia’”—the evolution of the mother-daughter relationship in four generations of Chinese women
Xu Jianqin (Jane Xu)
Commentary: “Rereading Klein’s ‘Some reflections on “The Oresteia” ’—the evolution of the mother—daughter relationship in four generations of Chinese women”, by Xu Jianqin (Jane Xu)
Jill Savege Scharff
SECTION TWO: POPULATION, TRAUMA, AND MENTAL HEALTH
Editor’s introduction: Nicholas Eberstadt’s “China’s demographic prospects to 2040 and their implications: an overview”
David E. Scharff
China’s demographic prospects to 2040 and their implications: an overview
Nicholas Eberstadt
Traumatised women—organised violence
Sverre Varvin and Eivor Lægreid
SECTION THREE: CLINICAL MATTERS
A family with oedipal dynamics
Li Yanling
Discussion: “A family with oedipal dynamics” by Li Yanling, with David E. Scharff
Elizabeth Palacios
Brief intervention with a Chinese family of a school-refusing fourteen-year-old girl
David E. Scharff and Janine Wanlass
The setting in online video psychotherapy
Duan Haoning
Discussion: “The setting in online video psychotherapy” by Duan Haoning
Zhang Peichao
SECTION FOUR: GOING ONLINE IN THE TIME OF COVID-19
Driven to teletherapy
Jill Savege Scharff
On the use of teleanalysis during COVID-19 in Panama
Yolanda Varela
SECTION FIVE: BOOK REVIEWS
Preface to the Chinese edition of The Matrix of the Mind: Object Relations and the Psychoanalytic Dialogue, by Thomas H. Ogden, translated by Yin Yiting
Introduced by Thomas H. Ogden and Reviewed by Yin Yiting
這件事說明過去三十年全球化新自由主義 (neoliberalism) 把中國大陸當成市場來擴張包括精神分析在內這叫做市場換技術其本質是市場換良心
你必須想像老師有禁區 (self-censorship) 學生有禁區 (self-censorship) 學生的中國病人也有禁區 (self-censorship) 所以中國的精神分析是奠基在三個禁區 (censorships) 之上的咬文嚼字的戲論
習近平是所有的禁區 (censorships) 的最後的審判者
皇上坐在中南海的龍椅上公審佛洛伊德
我希望佛洛伊德腰板夠硬跪不下去
就像傳說中當年他面對納粹一般
Where did Freud say: ‘I can heartily recommend the Gestapo to anyone’?
There is a widely repeated story that the Nazis made Freud sign a document stating that they had treated him with “respect and consideration”. According to the story, Freud added beneath his signature: “I can heartily recommend the Gestapo to anyone”.
The document was subsequently found by researchers and contains no such comment.
意思是說那只是個傳說
Alan Bullock (1914-2004)
https://en.wikipedia.org/wiki/Alan_Bullock
https://en.wikipedia.org/wiki/Hitler:_A_Study_in_Tyranny
https://en.wikipedia.org/wiki/Bullock_Report_(A_Language_for_Life)
https://www.amazon.com/Hitler-Stalin-Parallel-Alan-Bullock/dp/0394586018/ref=tmm_hrd_swatch_0?_encoding=UTF8&qid=1595929992&sr=1-1
https://en.wikipedia.org/wiki/Hitler:_A_Study_in_Tyranny
https://en.wikipedia.org/wiki/Bullock_Report_(A_Language_for_Life)
https://www.amazon.com/Hitler-Stalin-Parallel-Alan-Bullock/dp/0394586018/ref=tmm_hrd_swatch_0?_encoding=UTF8&qid=1595929992&sr=1-1
關於在台灣玩期貨的指導原則的數點說明
起因是二月聽到一例
近一個月又聽到兩個玩期貨玩到吐血
血本無歸的例子
顯然這些不是孤例
鄭重建議重看 Trading Places (1983) 而且不要輕信
為大陸詐騙集團打工的香港女生慫恿下單
意思是說絕不下單才是台灣好漢
近一個月又聽到兩個玩期貨玩到吐血
血本無歸的例子
顯然這些不是孤例
鄭重建議重看 Trading Places (1983) 而且不要輕信
為大陸詐騙集團打工的香港女生慫恿下單
意思是說絕不下單才是台灣好漢
在那正午的漫漫長夜 (Psychology of the self) (Daseinsanalysis) (Critical Psychotherapy)
你幾乎放棄相信黎明還會再來的可能
這件事說明你需要重讀一點海明威
Colin Feltham 最後來到黝暗的現實主義 (depressive realism)
這件事說明他少看了幾部笑破肚子 (belly laugh) 的喜劇
喜劇演員的童年到底發生了甚麼悲慘的事
這件事說明哭到盡頭人類才學會笑
這件事說明你需要重讀一點海明威
Colin Feltham 最後來到黝暗的現實主義 (depressive realism)
這件事說明他少看了幾部笑破肚子 (belly laugh) 的喜劇
喜劇演員的童年到底發生了甚麼悲慘的事
這件事說明哭到盡頭人類才學會笑
關於推動趙家人高質量貪汙的內循環的指導原則的數點說明
https://www.youtube.com/watch?v=W7hNulRkqMQ
應用5G大數據量子運算人工智能分析全覆蓋無死角對掠奪所有貪汙項目萬無一失絕對完美滅跡死無對證假如一時沒有猛爆標的也可以創造舊瓶裝新酒龐氏騙局收割韭菜堪稱完美內循環絕不失手
應用5G大數據量子運算人工智能分析全覆蓋無死角對掠奪所有貪汙項目萬無一失絕對完美滅跡死無對證假如一時沒有猛爆標的也可以創造舊瓶裝新酒龐氏騙局收割韭菜堪稱完美內循環絕不失手
3:26 PM
雨不夠大不夠久
這是結論
柏拉圖的碗是誰幫他洗的
Michael Rustin 說古希臘羅馬有本事的人是不工作的
工作的是奴隸換句話說
柏拉圖的洗碗工有沒有留下希臘悲劇或哲學對話
我樂於想像那是
失傳的斷簡殘篇
封面當然
是一個破碗
有點像風清揚
無意留下的獨孤九劍
那本書我們稱之為洗碗學 (bowlology)
https://www.bowlology.com/
這是結論
柏拉圖的碗是誰幫他洗的
Michael Rustin 說古希臘羅馬有本事的人是不工作的
工作的是奴隸換句話說
柏拉圖的洗碗工有沒有留下希臘悲劇或哲學對話
我樂於想像那是
失傳的斷簡殘篇
封面當然
是一個破碗
有點像風清揚
無意留下的獨孤九劍
那本書我們稱之為洗碗學 (bowlology)
https://www.bowlology.com/
Whatever happened to critical thinking? (Colin Feltham, Therapy Today, 2014)
https://www.bacp.co.uk/bacp-journals/therapy-today/2014/april-2014/whatever-happened-to-critical-thinking/
he elaborated further in his chapter in Del Loewenthal (2015)
he elaborated further in his chapter in Del Loewenthal (2015)
内循环的实质，是要穿越到1949年重新经历大饥荒和文革？
https://www.youtube.com/watch?v=KZ6XVy4-QPs
老黑說共匪即將恢復比例屠殺制毛澤東的神奇慈悲數字是每一輪殺百分之五習近平說他媽的太少了打算每次殺百分之五十這個說法符合藥力動力學的半衰期大概四輪就可以幾乎殺光只剩百分之六點二五
老黑說共匪即將恢復比例屠殺制毛澤東的神奇慈悲數字是每一輪殺百分之五習近平說他媽的太少了打算每次殺百分之五十這個說法符合藥力動力學的半衰期大概四輪就可以幾乎殺光只剩百分之六點二五
Monday, July 27, 2020
Art Which Can’t Be Art (Alan Kaprow, 1986)
http://readingbetween.org/artwhichcantbeart.pdf
我說的是澆水他說的是刷牙意思是說澆水就是刷牙刷牙就是澆水這兩件事都發生在夏天意思是說過了夏天你就不該刷牙或澆水
我說的是澆水他說的是刷牙意思是說澆水就是刷牙刷牙就是澆水這兩件事都發生在夏天意思是說過了夏天你就不該刷牙或澆水
想起殷海光的魚 (Psychology of the self) (Daseinsanalysis) (Critical Psychotherapy)
起因是 Colin Feltham 在講批判的思考 (critical thinking)
大家都說這件事跟理則學邏輯有關
所以你可以說現象學的直覺不可信
但昨晚夢到機器人和人的差別是機器人不會痛
所以痛是生物的本質
或正確的說痛苦是生命的本質
當然你會說情緒是生物的本質
或正確的說痛苦的情緒是生命的本質
這些我都理解所以我想起殷海光
和他的小花園印象中挖了一個小水池種了幾株芭蕉
你要理解那個年頭的知識份子喜歡挖水池
養幾條游來游去的魚雖然種芭蕉未必
澆水的秘訣是
大面積像指揮棒一般的灑
有點像下雨
水量是關鍵
我不確定游水的秘訣
可能是把小水池想像成太平洋
你必須承認這是一個巨大的想像
我想批判的思考的起點和終點
是打算走自己的路
批判的思考的界線是那條路不可能走太遠
不可能走太遠的理由是你沒有精神體力意志
而且你受限於某個時空那是一張牢牢的維穩的網
頂多你可能找到一兩個縫隙然後透過縫隙看到黑夜的藍天
意思是說理則學邏輯無法帶我們走太遠
雖然它是必要的工具之一但它不是答案
有工具 (gear) 當然很好你可以打開啤酒瓶
但啤酒和你的關係是你要喝下去
意思是說啤酒是具體的不是抽象的
這件事蘇格拉底很早以前就說過
在他喝下那碗毒酒之前
意思是說那碗毒酒是抽象的
至此你可以批判的思考
我對批判兩字完全不理解
大家都說這件事跟理則學邏輯有關
所以你可以說現象學的直覺不可信
但昨晚夢到機器人和人的差別是機器人不會痛
所以痛是生物的本質
或正確的說痛苦是生命的本質
當然你會說情緒是生物的本質
或正確的說痛苦的情緒是生命的本質
這些我都理解所以我想起殷海光
和他的小花園印象中挖了一個小水池種了幾株芭蕉
你要理解那個年頭的知識份子喜歡挖水池
養幾條游來游去的魚雖然種芭蕉未必
澆水的秘訣是
大面積像指揮棒一般的灑
有點像下雨
水量是關鍵
我不確定游水的秘訣
可能是把小水池想像成太平洋
你必須承認這是一個巨大的想像
我想批判的思考的起點和終點
是打算走自己的路
批判的思考的界線是那條路不可能走太遠
不可能走太遠的理由是你沒有精神體力意志
而且你受限於某個時空那是一張牢牢的維穩的網
頂多你可能找到一兩個縫隙然後透過縫隙看到黑夜的藍天
意思是說理則學邏輯無法帶我們走太遠
雖然它是必要的工具之一但它不是答案
有工具 (gear) 當然很好你可以打開啤酒瓶
但啤酒和你的關係是你要喝下去
意思是說啤酒是具體的不是抽象的
這件事蘇格拉底很早以前就說過
在他喝下那碗毒酒之前
意思是說那碗毒酒是抽象的
至此你可以批判的思考
我對批判兩字完全不理解
习近平密谋与美国开战，最担心军队叛变
https://www.youtube.com/watch?v=zddjQx2ZwC0
如何策反解放軍這回真正解放中國是一個有趣的精神分析問題要記住謊言(包括自我謊言)是一條迂迴的螺旋梯意思是說謊言的謊言即真理真理的真理即謊言真理的謊言即真理謊言的真理即謊言以此類推你就會神清氣爽不會被洗腦成功意思是說負責洗腦的黨機器都開始懷疑它是不是快要瘋了意思是說瘋狂即清醒清醒即瘋狂這件事改寫了DSM-5這件事很重要
如何策反解放軍這回真正解放中國是一個有趣的精神分析問題要記住謊言(包括自我謊言)是一條迂迴的螺旋梯意思是說謊言的謊言即真理真理的真理即謊言真理的謊言即真理謊言的真理即謊言以此類推你就會神清氣爽不會被洗腦成功意思是說負責洗腦的黨機器都開始懷疑它是不是快要瘋了意思是說瘋狂即清醒清醒即瘋狂這件事改寫了DSM-5這件事很重要
China: A New History (1992) (2006)
file:///C:/Users/Kelly%20Chang/Downloads/FairbankChinaaNewHistory.pdf
https://en.wikipedia.org/wiki/John_K._Fairbank (1907-1991)
i'd like to know how fairbank changed his point of view about CCP, after kowtowing to CCP for forty years, and the "scholarly" tragedy is his "scholarly" point of view made a difference about US's foreign policy toward KMT vs. CCP, and changed china
高文謙先生曾說八九六四他站在陸橋看著人山人海看到清華大學老教授們拿著一幅橫幅上面寫著「跪久了站起來遛遛」不禁落淚決定那天不躲回家避難費正清不知道知不知道這件事
https://en.wikipedia.org/wiki/John_K._Fairbank (1907-1991)
i'd like to know how fairbank changed his point of view about CCP, after kowtowing to CCP for forty years, and the "scholarly" tragedy is his "scholarly" point of view made a difference about US's foreign policy toward KMT vs. CCP, and changed china
高文謙先生曾說八九六四他站在陸橋看著人山人海看到清華大學老教授們拿著一幅橫幅上面寫著「跪久了站起來遛遛」不禁落淚決定那天不躲回家避難費正清不知道知不知道這件事
Sunday, July 26, 2020
每個人都有他的土地公廟 (Psychology of the self) (Daseinsanalysis)
這是為什麼我要住在那裡的原因
我先前說過一旁溪水潺潺小樹林綠意甚濃
當然這是我的嚮往我的想像
我先前說過一旁溪水潺潺小樹林綠意甚濃
當然這是我的嚮往我的想像
感官文化與八識 (Psychology of the self)
澆水的秘訣是交響樂如下
西班牙是視覺的
德國是聽覺的
法國是嗅覺的
中國是味覺的
日本是觸覺的
上述顯然是文化心理學或文化存有哲學
眼耳鼻舌身統合為意
意穿起盔甲戴起面具為末那
末那流轉世間起高樓宴賓客樓塌了之際
脫下盔甲摘下面具
面對空無廢墟俯首無語蒼天為阿賴耶
意思是說中國人的末那阿賴耶是吃出來的
西班牙是視覺的
德國是聽覺的
法國是嗅覺的
中國是味覺的
日本是觸覺的
上述顯然是文化心理學或文化存有哲學
眼耳鼻舌身統合為意
意穿起盔甲戴起面具為末那
末那流轉世間起高樓宴賓客樓塌了之際
脫下盔甲摘下面具
面對空無廢墟俯首無語蒼天為阿賴耶
意思是說中國人的末那阿賴耶是吃出來的
碎片的拾荒者 (Psychology of the self) (Daseinsanalysis) (Critical Psychotherapy)
拾荒是更新世 (Pleistocene) 的存在方式 (way of life, way of being)
雖然一般我們都給面子說那是狩獵採集 (hunter-gatherer)
拾荒就是清道夫 (scavenger)
在不遠處守候等大型獵食者飽餐完畢
再收刮一點殘肉帶回洞穴謙卑晚餐
聽起來有點像趙家人豢養的白手套
拾荒聽起來實在不體面
但那是我們唯一的命運
我剛剛說過唯一的作品的可能性是碎片
所以狩獵採集拾荒碎片者的結果是甚麼
你可以理解他營養不良長相猥瑣行徑詭秘夜半出門
我看著這個他媽的作品一直搖頭
生命是一個作品 (Psychology of the self) (Daseinsanalysis) (Critical Psychotherapy)
這句話是甚麼意思
當你說生命是一個作品
你是在說藝術的純粹性的呈現嗎
那你一定住在象牙塔沒有洗過碗
你是在說真實的行徑的懊憾嗎
那我希望你不要希冀最終救贖
因為救贖的作品是最糟的可能的作品
只出現在中共黨史或基本教義派聖典
假如生命拒絕成為一個作品 (anti-art-work)
那會發生生甚麼
用熱力學的話來說
那會是最大的entropy
一切都是碎片
無法連結沒有pattern沒有結構的碎片
這明顯是創世紀的前一章
沒有人見過的那一章
這是我相信的作品
當你說生命是一個作品
你是在說藝術的純粹性的呈現嗎
那你一定住在象牙塔沒有洗過碗
你是在說真實的行徑的懊憾嗎
那我希望你不要希冀最終救贖
因為救贖的作品是最糟的可能的作品
只出現在中共黨史或基本教義派聖典
假如生命拒絕成為一個作品 (anti-art-work)
那會發生生甚麼
用熱力學的話來說
那會是最大的entropy
一切都是碎片
無法連結沒有pattern沒有結構的碎片
這明顯是創世紀的前一章
沒有人見過的那一章
這是我相信的作品
Power of the Center: A Study of Composition in the Visual Arts (Rudolf Arnheim, University of California Press, 1982) (Psychology of the self)
The tension between two systems for understanding and picturing space, the concentric and the Cartesian, is regarded by the author as the key to composition in painting, sculpture and architecture (amazon)
The Split and the Structure: Twenty-Eight Essays (Rudolf Arnheim, University of California Press, 1996) (Psychology of the self)
Rudolf Arnheim's great forte is his ability to illuminate the perceptual processes that go into the making and reception of artworks―painting, sculpture, architecture, and film. Over the years, his pioneering mode of "reading" art from a unique scientific/philosophic perspective has garnered him an established and devoted audience. That audience will take pleasure in Arnheim's most recent collection of essays, one that covers a range of topics and includes titles such as "Outer Space and Inner Space," "What Is an Aesthetic Fact?," "As I Saw Children's Art," "Two Ways of Being Human," "Consciousness―an Island of Images," and "From Chaos to Wholeness."
The notion of structure is Arnheim's guide in these explorations. Most of the essays examine the nature of structure affirmatively: how it comes about, its incentives and objectives, its celebration of perfection. He is interested in how artists grope for structure to shape powerful, enlightening images, and how a scientist's search for truth is a search for structure.
Writing with enviable clarity, even when deploying complex arguments, Arnheim makes it easy and exciting to follow him as he thinks. America is not abundantly supplied with "public intellectuals" such as Rudolf Arnheim―to have his writings with us is cause for celebration.
"The word 'structure' appears for good reason in the title of this collection. . . . Structure seems to be needed as an arbiter wherever this civilization of ours is split by selfish interests and fighting for either/or decisions. The essays want to speak with the voice of reason, because they want to show how the parts require the whole." (amazon)
The notion of structure is Arnheim's guide in these explorations. Most of the essays examine the nature of structure affirmatively: how it comes about, its incentives and objectives, its celebration of perfection. He is interested in how artists grope for structure to shape powerful, enlightening images, and how a scientist's search for truth is a search for structure.
Writing with enviable clarity, even when deploying complex arguments, Arnheim makes it easy and exciting to follow him as he thinks. America is not abundantly supplied with "public intellectuals" such as Rudolf Arnheim―to have his writings with us is cause for celebration.
"The word 'structure' appears for good reason in the title of this collection. . . . Structure seems to be needed as an arbiter wherever this civilization of ours is split by selfish interests and fighting for either/or decisions. The essays want to speak with the voice of reason, because they want to show how the parts require the whole." (amazon)
From the Back Cover
The notion of structure is Arnheim's guide in these explorations. Most of the essays examine the nature of structure affirmatively: how it comes about, its incentives and objectives, its celebration of perfection. His interested in how artists grope for structure to shape powerful, enlightening images, and how a scientist's search for truth is a search for structure. (amazon)
Rudolf Arnheim (1904-2007) (Psychology of the self)
https://en.wikipedia.org/wiki/Rudolf_Arnheim
https://drive.google.com/file/d/1xeKyZTQIYNDSrkDdQxRsGAMD25gIK9US/view?usp=sharing
https://drive.google.com/drive/folders/1Ey_gry6sAFdNIXimxynNFlvl7etC_DyM?usp=sharing
https://www.questia.com/read/1G1-274113823/rudolf-arnheim
https://drive.google.com/file/d/1xeKyZTQIYNDSrkDdQxRsGAMD25gIK9US/view?usp=sharing
https://drive.google.com/drive/folders/1Ey_gry6sAFdNIXimxynNFlvl7etC_DyM?usp=sharing
https://www.questia.com/read/1G1-274113823/rudolf-arnheim
What's the basic difference between entropy (熵, S) and enthalpy (焓, H) ?
https://www.quora.com/Whats-the-basic-difference-between-entropy-and-enthalpy
https://zh.wikipedia.org/wiki/%E7%84%93
https://zh.wikipedia.org/wiki/%E7%86%B5
H = U + PV
U is the internal energy of the system and P is constant pressure, and V is volume
ΔH = ΔU + PΔV
ΔS = ΔH/T
T is the temperature in °K or °C
Entropy measures the amount of disorder a system undergoes while transferring heat.
https://zh.wikipedia.org/wiki/%E7%84%93
https://zh.wikipedia.org/wiki/%E7%86%B5
H = U + PV
U is the internal energy of the system and P is constant pressure, and V is volume
ΔH = ΔU + PΔV
ΔS = ΔH/T
T is the temperature in °K or °C
Entropy measures the amount of disorder a system undergoes while transferring heat.
Saturday, July 25, 2020
Virginia residents warned not to plant mysterious seeds apparently sent from China (WFTV, 2020-7-24)
https://www.youtube.com/watch?v=JSIpFJL8dxs
https://www.wftv.com/news/trending/virginia-residents-warned-not-plant-mysterious-seeds-apparently-sent-china/KZUHEL5ZSFFYTDKXVYGVXYOQUM/
now, this is fucking damned evil, which only CCP is capable of
https://www.wftv.com/news/trending/virginia-residents-warned-not-plant-mysterious-seeds-apparently-sent-china/KZUHEL5ZSFFYTDKXVYGVXYOQUM/
now, this is fucking damned evil, which only CCP is capable of
new beginning (Daseinsanalsis) (Critical Psychotherapy)
美國電影常有的情節是
幹一大票收山開始新生活蔚藍海灘
這件事說明美國人對新生活的想像
而所謂一大票通常五十萬美金就夠
撐兩年這件事說明美國人對錢和時間的想像
二十年前劉冠軍趁經手五六億台幣
捲款潛逃不知所蹤
這是一輩子只有一次的機會
也是冠軍此生最重要的作品
據說在美國定居的趙家人有一百零八萬人
平均每個趙家人貪汙六十億美金
這是一輩子只有一次的機會
也是趙家人此生最重要的作品
幹一大票收山開始新生活蔚藍海灘
這件事說明美國人對新生活的想像
而所謂一大票通常五十萬美金就夠
撐兩年這件事說明美國人對錢和時間的想像
二十年前劉冠軍趁經手五六億台幣
捲款潛逃不知所蹤
這是一輩子只有一次的機會
也是冠軍此生最重要的作品
據說在美國定居的趙家人有一百零八萬人
平均每個趙家人貪汙六十億美金
這是一輩子只有一次的機會
也是趙家人此生最重要的作品
熵 (entropy)
https://zh.wikipedia.org/wiki/%E7%86%B5
https://en.wikipedia.org/wiki/Entropy
https://www.youtube.com/watch?v=YM-uykVfq_E (time's arrow)
https://www.sciencedirect.com/science/article/abs/pii/S0306987713002521
http://www.thenegativepsychologist.com/the-concept-of-psychological-entropy/
https://behavenet.com/entropynegentropy
entropy is meant for measuring disorder, but, what if disorder is life itself ?
https://en.wikipedia.org/wiki/Entropy
https://www.youtube.com/watch?v=YM-uykVfq_E (time's arrow)
https://www.sciencedirect.com/science/article/abs/pii/S0306987713002521
http://www.thenegativepsychologist.com/the-concept-of-psychological-entropy/
https://behavenet.com/entropynegentropy
entropy is meant for measuring disorder, but, what if disorder is life itself ?
1946 (Daseinsanalysis) (Critical Psychotherapy)
這是流亡者才了解的數字
我到最近才懂
活得像動物一樣
活得像草木一樣
活得像瓦石一樣
前提是當掉你矜貴的意識 (首先你要找一家當舖) (然後扔掉典當收據) (以示決心永不贖回)
讓進來的蛛絲馬跡找不到管理員
然後你要相信四大
地水火風
然後你要活在住在四大
讓元素浸潤你穿過你
讓你變成四大的一體
至此我們方可稱之為自體
這時你的心理 (如果你還需要那種玩意)
方可稱之為自體的心理學 (意思是說最好拿掉心理二字逕稱之為自體學)
意思是說至此之前那些拐彎抹角的心理
不過戲論你是說著玩拿來唬人的
意思是說自體緣自四大返回四大
無來無去不過四大
至此你看著窗外的天
好像第一次見天
然後你要相信四大
地水火風
然後你要活在住在四大
讓元素浸潤你穿過你
讓你變成四大的一體
至此我們方可稱之為自體
這時你的心理 (如果你還需要那種玩意)
方可稱之為自體的心理學 (意思是說最好拿掉心理二字逕稱之為自體學)
意思是說至此之前那些拐彎抹角的心理
不過戲論你是說著玩拿來唬人的
意思是說自體緣自四大返回四大
無來無去不過四大
至此你看著窗外的天
好像第一次見天
蔡偉投奔自由尋求政治庇護
https://www.youlucky.com/post/%E7%B8%BD%E9%A0%98%E4%BA%8B%E7%8A%AF%E5%A4%A7%E5%BF%8C%E6%B6%89%E5%81%BD%E9%80%A0%E8%AD%89%E4%BB%B6-%E8%88%8A%E9%87%91%E5%B1%B1%E4%B8%AD%E9%A0%98%E9%A4%A8%E7%AA%A9%E8%97%8Ffbi%E9%80%9A%E7%B7%9D%E7%8A%AF-%E5%B7%9D%E6%99%AE%E5%B0%87%E9%97%9C%E6%8E%89%E6%9B%B4%E5%A4%9A%E4%BD%BF%E9%A4%A8%EF%BC%9F%EF%BC%81%E9%98%B2%E6%9A%97%E6%AE%BA-%E7%BF%92%E8%BF%91%E5%B9%B3%E5%A0%AA%E6%AF%94%E9%87%91%E4%B8%89%E8%83%96
https://www.youtube.com/post/UgzXUAeBizUTNmplaR94AaABCQ
https://www.youtube.com/watch?v=o42BggiRkG8
https://www.youtube.com/post/UgzXUAeBizUTNmplaR94AaABCQ
https://www.youtube.com/watch?v=o42BggiRkG8
具體 vs 抽象
就像任何美好的事物你必須把對立擺在同一張床上所以最糟的是具體的具體或抽象的抽象最有趣的是具體的抽象或抽象的具體
比如說疲倦的珍芳達是一個疲倦的深夜孤燈下疲倦的讀疲倦的哲學和精神分析的疲倦的妓女
這件事發生過你要具體的抽象的或抽象的具體的相信
我是說那五個疲倦
這五個疲倦就是拉康講的真實 (the Real)
比如說疲倦的珍芳達是一個疲倦的深夜孤燈下疲倦的讀疲倦的哲學和精神分析的疲倦的妓女
這件事發生過你要具體的抽象的或抽象的具體的相信
我是說那五個疲倦
這五個疲倦就是拉康講的真實 (the Real)
wild thing (野雞)
這是盧貝松最喜歡的我知道我也喜歡所以我知道盧貝松喜歡但是盧貝松應該不知道我喜歡只能假設知道我喜歡這點你必須原諒他日理萬姬實在事忙
上述這句話就是互為主體的詮釋學的同理的循環
所以你可以理解互為主體的詮釋學的同理的循環
與 wild 無關也與日理萬姬無關說文解字姬即雞
所以正確的說與野雞無關
上述這句話就是互為主體的詮釋學的同理的循環
所以你可以理解互為主體的詮釋學的同理的循環
與 wild 無關也與日理萬姬無關說文解字姬即雞
所以正確的說與野雞無關
on the road (Daseinsanalysis) (Critical Psychotherapy)
公路電影自成一族
通常情節是某君獨行荒涼公路遇貨卡遲緩阻路不耐煩超車且超車時按了幾下喇叭比了一隻中指幾十里後小餐館打尖遇獰笑貨卡司機走進門來草草奪門離去卻被尾隨至死
這種驚悚就是比中指的 road rage 這件事常發生所以孔子學院的孔子說過「管好你的中指」
或三兩好友也許三個太多只能兩個啟程去遠方遠方是很遠的地方很遠是真的很遠至少數千公里基本上我的看法是數千不夠遠應該至少數萬公里但這明顯是強求了
一路發生趣事倒楣事感慨事莽撞事大吼大叫大哭大笑事等等
心花路放 (寧浩導演, 黃渤徐崢主演, 2014) 屬此這部片子是中國改革開放三十年的最大的想像的成就裡面每個人都很自由包括北京青年丁香那個獨行女同志
我的意思是那個自由是最大的想像的成就
台灣沒有公路電影這件事我六十年前就說過原因是台灣便利商店太多所以你隨時可以上廁所買飲料遇見小學同學他媽的媽媽
原因是公路電影的前提是你必須來到前不搭村後不著店的鳥不下蛋的淡出鳥來的鳥地方或遇見被大雪困住六十一小時的 Jack Reacher
沒有公路電影對台灣人的睡眠和心智健康和存有經驗的影響是甚麼
這個嚴重的問題我留給失眠的你去絕望的想
迄今我聽過最好的公路旅行是史坦貝克的「與查理上路」 (Travel with Charley: In Search of America, 1962) 尤其是那件事發生在1960年史坦貝克五十八歲 (1902-1968) 這件事讓中年後的我六十年後振奮
我想他1962年拿到的諾貝爾文學獎其實要歸功查理
不過那個旅途的次標題太嚴重了有點像你上廁所蹲了老半天沒有結果卻想找到你不該找到的東西
所以公路電影的不可違抗的本質就是「不該找到不該找到的東西」
如果你真的找到那就是喜劇所以心花路放是悲劇我剛剛說過那是中國半桶水改革開放三十年的最偉大的半桶水悲劇
台灣則沒有桶沒有半桶只有礦泉水
通常情節是某君獨行荒涼公路遇貨卡遲緩阻路不耐煩超車且超車時按了幾下喇叭比了一隻中指幾十里後小餐館打尖遇獰笑貨卡司機走進門來草草奪門離去卻被尾隨至死
這種驚悚就是比中指的 road rage 這件事常發生所以孔子學院的孔子說過「管好你的中指」
或三兩好友也許三個太多只能兩個啟程去遠方遠方是很遠的地方很遠是真的很遠至少數千公里基本上我的看法是數千不夠遠應該至少數萬公里但這明顯是強求了
一路發生趣事倒楣事感慨事莽撞事大吼大叫大哭大笑事等等
心花路放 (寧浩導演, 黃渤徐崢主演, 2014) 屬此這部片子是中國改革開放三十年的最大的想像的成就裡面每個人都很自由包括北京青年丁香那個獨行女同志
我的意思是那個自由是最大的想像的成就
台灣沒有公路電影這件事我六十年前就說過原因是台灣便利商店太多所以你隨時可以上廁所買飲料遇見小學同學他媽的媽媽
原因是公路電影的前提是你必須來到前不搭村後不著店的鳥不下蛋的淡出鳥來的鳥地方或遇見被大雪困住六十一小時的 Jack Reacher
沒有公路電影對台灣人的睡眠和心智健康和存有經驗的影響是甚麼
這個嚴重的問題我留給失眠的你去絕望的想
迄今我聽過最好的公路旅行是史坦貝克的「與查理上路」 (Travel with Charley: In Search of America, 1962) 尤其是那件事發生在1960年史坦貝克五十八歲 (1902-1968) 這件事讓中年後的我六十年後振奮
我想他1962年拿到的諾貝爾文學獎其實要歸功查理
不過那個旅途的次標題太嚴重了有點像你上廁所蹲了老半天沒有結果卻想找到你不該找到的東西
所以公路電影的不可違抗的本質就是「不該找到不該找到的東西」
如果你真的找到那就是喜劇所以心花路放是悲劇我剛剛說過那是中國半桶水改革開放三十年的最偉大的半桶水悲劇
台灣則沒有桶沒有半桶只有礦泉水
3:33 AM (Daseinsanalysis) (Critical Psychotherapy)
這時天落起雨來
當然這是我的想像
絕對不用那兩個字
我猜 Terrence Malick 對於別人把他的電影和哲學老是扯在一起
一定有一種揮之不去的頑癬的厭煩
我想電影和精神分析也有類似的厭煩
意思是說如果你看著窗外深夜的山
如果看不到精神分析
你就應該閉嘴
這個閉嘴說明視覺影像和動作情節
精神分析無法解釋
當然它是有名的屁股的刺 (pain in the ass)
甚麼都想解釋都有本事解釋
所以你早到焦慮準時到強迫症晚到阻抗
你問那如果放鴿子不到呢
我似笑非笑看著你說
那是最嚴重的死亡本能的自我放逐
最後這句深奧的話到底是甚麼意思
其實我也不知道
我剛剛說過
當然這是我的想像
當然這是我的想像
絕對不用那兩個字
我猜 Terrence Malick 對於別人把他的電影和哲學老是扯在一起
一定有一種揮之不去的頑癬的厭煩
我想電影和精神分析也有類似的厭煩
意思是說如果你看著窗外深夜的山
如果看不到精神分析
你就應該閉嘴
這個閉嘴說明視覺影像和動作情節
精神分析無法解釋
當然它是有名的屁股的刺 (pain in the ass)
甚麼都想解釋都有本事解釋
所以你早到焦慮準時到強迫症晚到阻抗
你問那如果放鴿子不到呢
我似笑非笑看著你說
那是最嚴重的死亡本能的自我放逐
最後這句深奧的話到底是甚麼意思
其實我也不知道
我剛剛說過
當然這是我的想像
Friday, July 24, 2020
Terrence Malick's hiatus
原本想以世界為題寫一篇海德格哲學的論文後作罷放棄博士學位改學電影翻譯海德格1928年The Essence of Reasons譯稿1969年出版1970年代拍了兩部片子隨即消失(自我放逐？)巴黎廿年直到The Thin Red Line (1998)復出整個下午我都在想那廿年約略35到55歲他在做什麼讀什麼想什麼我樂於想像是那廿年消失泉源了他1998之後迄今未歇的創造力
A Hidden Life (formerly titled Radegund) (Terrence Malick, 2019)
https://en.wikipedia.org/wiki/A_Hidden_Life_(2019_film)
https://www.myvideo.net.tw/details/0/303673
https://en.wikipedia.org/wiki/Franz_J%C3%A4gerst%C3%A4tter
The film depicts the life of Franz Jägerstätter, an Austrian farmer and devout Catholic who refused to fight for the Nazis in World War II. The film's title was taken from George Eliot's book Middlemarch.
the white rose and Franz Jagerstatter were in Heinz Kohut's mind too
and, today, we are facing another fucking evil empire, CCP
tell me, how are you going to face it ?
https://www.myvideo.net.tw/details/0/303673
https://en.wikipedia.org/wiki/Franz_J%C3%A4gerst%C3%A4tter
The film depicts the life of Franz Jägerstätter, an Austrian farmer and devout Catholic who refused to fight for the Nazis in World War II. The film's title was taken from George Eliot's book Middlemarch.
the white rose and Franz Jagerstatter were in Heinz Kohut's mind too
and, today, we are facing another fucking evil empire, CCP
tell me, how are you going to face it ?
共產主義中國與習近平的情人們和其他紅二代的未來
https://www.youtube.com/watch?v=_Udv0yTaOJk
https://www.youtube.com/watch?v=XtlgfI_wShA
胡錫進說習近平最想殺光的順序首先就是除他以外的其他所有紅二代這個判斷是正確的
https://www.youtube.com/watch?v=XtlgfI_wShA
胡錫進說習近平最想殺光的順序首先就是除他以外的其他所有紅二代這個判斷是正確的
我想說的存在治療 (Daseinsanalysis)
以電影為例關鍵不是離奇的鏡頭取景或角色說深奧的話或脫俗的音效
我先前說過看電影只要看前五分鐘你就知道對不對胃
那五分鐘如果是中資的電影通常會花三分鐘列出七八九個製片公司
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一定會有龍飛來飛去必須很磅礡但通常不會讓你想看下去
意思是說中資的電影與藝術無關就像中國的政治與人民無關中國的奶粉與牛無關
你問那五分鐘後呢我說我不知道但看得下去我就會看二十分鐘
意思是說近一兩年我看過的千百部電影都頂多只是片斷
他們說電影是有語言的 (cinematic language) 但你可以理解跟我們每天的語言一樣
陳腔濫調居多比如說片頭混亂三分鐘後就鏡頭一轉說兩天前或十八年後
先不說這些尤其關於
中資怎麼糟蹋電影了
所以關鍵是甚麼
關鍵是存在本身
有點像有人把歷史本身當成能指來讀歷史
關鍵是把存在本身當成能指來讀存在
讓它回到能指
能指就是表象
再尋找不過的表象
但又不只是表象
一般表象沒有靈魂
所以能指是再尋常不過的有靈魂的表象
比如說昨天我在宜監教堂跟十來個受刑人說美沙冬
聽者面無表情有點不耐煩不一會一起尿遁消失十分鐘
我走到教室另一邊端詳著牆上掛的十誡
除了我以外，你不可有別的神
這句話的意思就是
除了我以外，你不可有別的能指
這句話讓我不寒而慄
這個「慄」就是能指
法國電影裡的能指通常是驅動慾望的一樣東西比如說一個銅板或一個天真無垢的少女
然後所有角色情節都繞著這個能指蠱惑流動回到原點在片尾而那個原點通常是死亡
所以我想說的存在治療是
以存在本身為能指
而這個無明的帶來緣起甚深的能指一點都不打算不尋常
以前我說角色 (character) 很重要現在我終於知道
重要的原因是如果他有趣才足以取悅這個能指
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