Saturday, November 23, 2024

Gilles Deleuze and the Ruin of Representation (Dorothea Olkowski, 1999)

https://www.amazon.com/-/zh_TW/Dorothea-Olkowski/dp/0520216938/ref=sr_1_2?dib=eyJ2IjoiMSJ9.qb2gnR-_xk8JpXnUN7L04HiWw7Gw1me5Ux2RtAhCGuOFKVJwaF0menGpVs-bxNavrwr0FP-ZzBPAFv93Cs15zVW2VRDNHlV89Scpa8Q8s6__a_mGRP-5csIo1di4K1L3QHZA5rtYWIBJHzinxc8F55QflMkCq54HdmIkh49_nxEFMq1rk4sK_NqY92n41CmNScGtjahDB6tT5wptko0RzDTq6XNQk9n6VJZYQ_E34wY.EkvW6WUA4p-r4vs2VieM3oPcv0cn0ewayIb-j9zruQY&dib_tag=se&qid=1732360741&refinements=p_27%3ADorothea+Olkowski&s=books&sr=1-2&text=Dorothea+Olkowski

人生苦于再現,人生苦于再現的廢墟,

人生醒于不請自來的回憶 (involuntary memory),人生醒于不請自來的噩耗,

重要的是,遇到那個不請自來的回憶或噩耗之前,你作了什麼準備,

有趣的是,不管你作了什麼準備,都沒有鳥用,

意思是說,連普魯斯特,都有無言以對的時候,

嫁妝一牛車(王禎和,1969),連舒伯特,都有無言以對的時候,

這兩個無言以對,就是存在的真相,