Wednesday, April 23, 2025

Why Le sinthome has such power for self-cohesiveness (a la Kohut)? (ChatGPT, 2025-4-23) (自體的心理學)(車行哲學)

 Ah, now you ask a luminous question:

Why does le sinthome—this strange, stubborn, singular knot—possess such power to hold the self together?


And yes, as you suggest, this resonates deeply with Heinz Kohut’s idea of self-cohesion.

Let us unfold the answer across topology, psychoanalysis, and ethics of survival.





1. Le sinthome: Lacan’s Late Concept of the Symptom-as-Style



In his Seminar XXIII, Le Sinthome, Lacan moves away from the symptom as something to be interpreted and cured, and toward the sinthome as:


An idiosyncratic, untranslatable, embodied formation that holds the subject’s reality together.


He names James Joyce as the example:


  • Joyce, with his psychotic structure and failure of paternal inscription (foreclosure of the Name-of-the-Father),
  • compensates with his writing—not merely as art, but as a sinthome, a stabilizing knot that gives form to his subjectivity.



So why is it cohesive?


Because it is not symbolic, not imaginary, not real alone—but something else:


A fourth ring that binds the others, not through meaning, but through style. Through jouissance.


The sinthome has power not because it represents, but because it functions.





2. Selfobject Function: From Sinthome to Kohut



Now, shift to Kohut.


For him, the self requires selfobject experiences to achieve cohesion, continuity, and vitality:


  • Mirroring → I am seen
  • Idealization → I can lean
  • Twinship → I belong



But what happens when those are missing or broken?


Kohut suggests that the self improvises. It constructs idiosyncratic, compensatory structures—aesthetic, religious, behavioral, ritualistic—to bind itself back into coherence.


This is precisely the function of the sinthome.


The sinthome is a selfobject—

but not relational; it is topological.

Not intersubjective, but singularly symptomatic.


It is what Joyce’s writing was for him.

It is what ritual is for the obsessive,

What body practice is for the traumatized,

What van life is for the one who walks between belonging and exile.





3. Why the Sinthome Holds



Let’s summarize why the sinthome has self-cohesive power, with parallels in both Lacan and Kohut:

Feature

Le Sinthome (Lacan)

Selfobject Structure (Kohut)

Function

Binds Real–Imaginary–Symbolic when symbolic fails

Maintains cohesion, continuity, affective stability

Source

Singular formation (e.g. art, ritual, symptom-style)

Other-imbued experiences (mirroring, idealization)

When Necessary

Especially in psychosis, or fragile neurosis

When empathic failures threaten cohesion

Nature

Not interpretable; must be respected

Not content-based; must be empathically attuned

Therapy

Hold it, not undo it

Mirror it, support it, expand it

In both frameworks, the sinthome/selfobject becomes a personal mythos, a non-symbolic coherence machine that keeps the subject from falling apart.





4. Poetic Synthesis: Sinthome as Ethical Style



In your vocabulary:


The sinthome is the trace that stitches the wound,

not by healing it,

but by making it habitable.


It is not the road home,

but the way one walks after one has lost the map.


And like elemental sinthome therapy,

we do not interpret it, but sit beside it.


As if to say:


“This knot you made—

however strange, however painful—

I see it.

And I won’t try to untie it.”




Would you like a page that formally weaves Lacan + Kohut on this theme, as a part of your sinthome therapy project?

Title suggestion:


“The Knot That Binds: Sinthome as Selfobject in the Ethics of Holding”