august wind

豆豆先生在苗栗吃法國料理

https://www.youtube.com/watch?v=MCJcxb_RtII

The Sokal Hoax

Fashionable Nonsense: Postmodern Intellectuals' Abuse of Science, by Alan Sokal, Jean Bricmont, Picador, 1998

Intellectual Impostures, by Alan Sokal, Jean Bricmont, Profile Books Ltd, 1999

The Sokal Hoax: The Sham That Shook the Academy, by Lingua Franca, Bison Books, 2000

Beyond the Hoax: Science, Philosophy and Culture, by Alan Sokal, Oxford University Press, 2008

Alan Sokal的批評是沒有真搞懂的人不要誤用科學作為論述

反過來說奉行科學者也不須要管過去兩世紀這個世界藉科學進步之名變成怎麼樣的鬼名堂

意思是說科學發生在一個理性潔淨無菌天使和鈔票飛來飛去的地方

這裡的鈔票是台幣因為天使只收台幣

科學家好像不知道做為一種動物人類有多麼齷齪

我可以同意不要跨領域誤用這說明跨領域之論述有多麼困難

但我想D&G可以以好看的魔幻文學(與科學有涉時不妨視為科幻)讀之

陣頭 (2012)

https://www.youtube.com/watch?v=9T6YfY-BTkY

九天臨海這點很重要意思是說如果在市集打鼓會吵死人

阿泰會不會彈吉它他台北的音樂老師知道如果台北還有音樂老師的話

阿泰為什麼台語說得像湖南人

為什麼沒有一個人身上有刺青或嚼檳榔

練陣頭者顯須武功很好應渡海跟葉問宮二學藝

環島是關鍵不過不知道他們怎麼過蘇花公路不被撞翻

人和神的關係在"搬"和"請"兩字之差這點阿賢比阿泰知道他們兩人承受的傳統包袱不一樣

就像澤庵和尚看到武藏雕的佛像笑說暴戾之人胡亂雕久了居然可以雕出慈悲

意思是說我們今天都在"搬"說不出"請"了但也許鼓打久了或碗洗久了"請"會從心底生起

最動人還是阿西和他的煮飯ㄟ和他的一粒流星流對彼平去和他們夫妻倆一生收留五湖四海

三粒文化祭是最大敗筆讓整片陷入fucking happy cliché

好像不這樣會找不到自豪

武藏擱淺江戶找不到人跟他玩命因為大家都養生保身浪人這行已經過氣後來來了一個自稱日本第一的劍客被武藏打翻入河意思是說島國之人喜歡玩第一的名號這樣的自豪不要也罷

其實演出最動人是梨子大喊後他們在東隆宮前那場

那場一無所求起因只是鞭炮響了誤打誤撞即興演出

那場三粒沒有轉播所以那場不存在所以那場不是cliché

以上有點強求無礙這是近年好看台片之一我已看了七遍

chord chart (弦圖)

A chord chart (or chart) is a form of musical notation that describes the basic harmonic and rhythmic information for a song or tune. It is the most common form of notation used by professional session musicians playing jazz or popular music. It is intended primarily for a rhythm section (usually consisting of piano, guitar, drums and bass). In these genres the musicians are expected to be able to improvise the actual notes used for the chords and the appropriate ornamentation, counter melody or bassline. (wikipedia)

So I prefer to think of the book along the lines of a chord chart, of the kind jazz musicians use to improvise by. (ibid, 311/3787)

refrain (疊句)

a repeated line or number of lines in a poem or song, typically at the end of each verse

The fact that such a (patchwork) quilt does not have to take the shape of a rectangle or a square, but can become totally lopsided and develop in any direction or many directions, doesn't mean there can't be colors or textures that repeat here and there, creating patterns; the book definitely has conceptual motifs or refrains flowing through it, resurfacing here and there in sometimes slightly different forms or terms, only to re-submerge and then reappear elsewhere. In this respect, this book could be said to resemble a musical score ... (ibid, 304/3787, italics added)

百衲本二十四史

https://onedrive.live.com/?id=F097F481E9CD1C98!142&cid=F097F481E9CD1C98

起因是讀到下面這句話

it's more like a patchwork quilt (百衲被) than a piece of fabric ... (D&G's A Thousand Plateaus, Eugene Holland, 2013, kindle location 299/3787)

百衲被顧名思義是丐幫出家師父窮苦人家拼湊度冬的被

Richard Pinhas (b 1951)

http://www.richard-pinhas.com/

這是德勒茲的學生他的音樂初聽難聽再聽還是難聽所以不須勉強聽

The birth and death of Villa 21

Abstract

From 1962 to 1966 David Cooper ran an experimental hospital ward in Villa 21 of Shenley Hospital, Hertfordshire, England. In the histories of mid-twentieth-century psychiatry and anti-psychiatry, this ward has been almost entirely forgotten, overshadowed by the figure of R.D. Laing and his Kingsley Hall experiment. This study attempts to construct a history of Villa 21 and to reassert its historical importance as a manifestation of British anti-psychiatry and the radically anti-institutional politics of its time. Beginning before the opening of the ward, this article follows the story of Villa 21 on theoretical, practical and personal levels through its experimental journey and into its dramatic aftermath when Cooper's experiment was ideologically obliterated by his successor Michael Conran and physically obliterated by the Hospital administration. It contends that Villa 21 is an example of anti-psychiatry's attempt to engage with the very structure of society at a profound level.

Hist Psychiatry. 2013 Sep;24(3):326-40.

land of the dead (2005)

https://www.youtube.com/watch?v=aA722XN43rE

它們看著夜空的煙花

北野武也看過的煙花

這一幕十分動人

老子 (600-470 B.C.) 姓李名耳 字聃

https://www.youtube.com/watch?v=yiS7EzS6wbo

now唯一問題是這個老子長得穿得像俊俏的摩西

演得最好的是那頭牛

PM 5:21

輕裝是因為卸下重裝

另類生活是因為找到個人的line of flight

但生活很具體

空間時間吃喝日用金錢心之所寄

打開窗看到甚麼

比如說

一餐廿水餃一天兩餐

一年一萬兩千個水餃

有人說line of flight

就是line of escape

逃逸的路線

但逃 ... 不論如何聽起來

還是有點窩囊

A line of flight (French: ligne de fuite) is a concept developed by Gilles Deleuze and used extensively in his work with Félix Guattari. Translator Brian Massumi notes that in French, "Fuite covers not only the act of fleeing or eluding but also flowing, leaking, and disappearing into the distance (the vanishing point in a painting is a point de fuite). It has no relation to flying." (wikipedia)

這分明不是逃

也不是飛

而且再怎麼飛再怎麼逃

終須找個客棧歇息

Sebald說他最中意流連的地方

是瑞士的小客棧

廣東粥

地氣

地氣不是用接的
是用躺的

入秋你才知道

不用床墊睡在地上
凌晨四點被凍醒的時候

暮色

流浪狗流浪貓流浪人

本來就知道這個世界有很多流浪人

但本來不知道這個世界有這麼多流浪狗流浪貓

不管是那一種流浪

問題都出在跟不流浪的人

造作的亮麗的自以為是的文明的界面交手的殘酷

意思是說不流浪的人

驕傲的構建了文明的高牆華廈躲在Fiddler's Green
邊讀Levinas邊正確獰笑邊永不吃虧

諸神是他們的家僕

出生錯誤人生失敗的流浪者
祇好流竄暗巷溝渠驚恐不安

問題在我們都已無自然可回

不管你流不流浪

流浪的歸宿
不是回到牆內躲在牆內

正是找到倖存的湖泊森林駐足

今天流浪的你祇能撐過漫漫
長夜找不到隙縫的繼續流浪

老友聽住你要撐住

落雨

民宿

不是去住民宿

是住在民宿

不須大話架子

生活遂質樸起來

蟲鳴午夜

高地高原(plateau)*

為什麼不是山谷

a thousand valleys比如說

顯然D&G要的是

遊牧的視野

不是要住在那裡

不是想像

的確有一條山路

安靜的躺在窗前

*In Deleuze and Guattari, a plateau is reached when circumstances combine to bring an activity to a pitch of intensity that is not automatically dissipated in a climax. 

The heightening of energies is sustained
long enough to leave a kind of afterimage of its dynamism that can be reactivated or injected into other activities, creating a fabric of intensive
states between which any number of connecting routes could exist. 

Each section of A Thousand Plateaus tries to combine conceptual bricks in such a way as to construct this kind of intensive state in thought. (Translator's Foreword: Pleasures of Philosophy, by Brian Massumi, p. 15)

巧克力和弓月

彩虹

反對者

墨西哥人說

真實的反對者

是不忍收割利益的反對者

台灣沒有這種反對者

墨西哥人搖頭說

虛假的反對者

是惦惦吃三碗公的反對者

台灣盛產這種反對者

這種三碗公公反對者揉著
鼓鼓的小腹邊打飽嗝邊說

收割就是轉型正義
轉型正義就是收割

墨西哥人悲傷地說

tener un poco de tequila, amigo,
estás lleno de mierda

Psychology and Neoliberalism (Concepts for Critical Psychology) (Michael Arfken, Routledge, Nov 10, 2016)

During the Enlightenment a new idea of the person was conceived which in turn came to have far-reaching effects on the development of liberal democratic theory and political economy. By looking at the psychological theories that were developed to support our modern political and economic institutions, Mike Arfken demonstrates that psychology has not only played a vital role in the development of liberalism but also in the more recent expansion of neoliberal capitalism. In this way, modern psychology is revealed as the expression of an underlying political economy.

The book's primary focus is on the historical, philosophical, and theoretical dimensions of psychology and neoliberalism, but it also considers a number of prominent concrete examples. The author gives particular attention to how the emergence of the cognitive revolution and the recent interest in social class and globalization have made psychological theory and practice instrumental in the reproduction and expansion of neoliberalism.

Michael Arfken is an associate professor in the Department of Psychology at the University of Prince Edward Island, Canada, where he teaches courses in critical psychology, phenomenological psychology, and ecopsychology. (amazon)

賺呷人

https://www.youtube.com/watch?v=ctaduNATuog
https://www.youtube.com/watch?v=GUZndy9j3-g

南京1949

墨西哥人說

太平洋沒有記憶
今晚住哪都好

那對年輕的夫妻
1949年困住南京

變天是再不走
就離不開的意思

康德處理的是牛頓
德勒茲處理的是渾沌

那對年輕的夫妻
處理的是中國歷史

很久以後
我才知悉此事

那時我已沒有記憶
處理的是五千個碗

3200蚊住在香港台北

https://www.youtube.com/watch?v=hk7JQ9T_A_A
https://www.youtube.com/watch?v=wg92eQSBzuc
https://www.youtube.com/watch?v=-nmIrco1Olc
https://www.youtube.com/watch?v=gdKmkaa9ICo

to those 1320000 caged HK friends

The Video Timeline Project (St John's College Nottingham)

http://www.stjohnstimeline.co.uk/

https://www.youtube.com/user/StJohnsNottingham

Eugene W. Holland (1999, 2013)

https://drive.google.com/file/d/0B5viXpvvYMYETFdya3dnZDdUVFk/view?usp=sharing

https://drive.google.com/file/d/0B5viXpvvYMYEN0s3cmFmb1YyZ3c/view?usp=sharing

it's more like a patchwork quilt (百衲被) than a piece of fabric ... (Holland, 2013, kindle location 299/3787)

Nomad Citizenship: Free-Market Communism and the Slow-Motion General Strike (Eugene W. Holland, 2011)

Nomad Citizenship argues for transforming our institutions and practices of citizenship and markets in order to release society from dependence on the state and capital. It changes Deleuze and Guattari’s concept of nomadology into a utopian project with immediate practical implications, developing ideas of a nonlinear Marxism and of the slow-motion general strike.

Responding to the challenge of creating philosophical concepts with concrete applications, Eugene W. Holland looks outside the state to analyze contemporary political and economic development using the ideas of nomad citizenship and free-market communism. Holland’s nomadology seeks to displace capital-controlled free markets with truly free markets. Its goal is to rescue market exchange, not perpetuate capitalism—to enable noncapitalist markets to coordinate socialized production on a global scale and, with an eye to the common good, to liberate them from capitalist control.

In suggesting the slow-motion general strike, Holland aims to transform citizenship: to renew, enrich, and invigorate it by supplanting the monopoly of state citizenship with plural nomad citizenships. In the process, he offers critiques of both the Clinton and Bush regimes in the broader context of critiques of the social contract, the labor contract, and the form of the state itself. (amazon)

不吐不快座頭市

https://www.youtube.com/watch?v=9UmNDPqlE7M&list=PLYsnfVa9OhnPUaJnzU021eV6RQly4sJNa

立秋得馨 天地始肅

《月令七十二候集解》：「七月節，立字解見春（立春）。秋，揪也，物於此而揪斂也。」立秋一般預示著炎熱的夏天即將過去，秋天即將來臨。

我國古代將立秋分為三候：「一候涼風至；二候白露生；三候寒蟬鳴。」

龍的傳人 (1990)

https://www.youtube.com/watch?v=4l3vH_3_7KU

萬萬沒想到

https://www.youtube.com/watch?v=g_c9ByePrJc

https://www.youtube.com/watch?v=0AION9CQ-iw

The Shawshank Redemption (1994)

https://www.youtube.com/watch?v=hXeUo72EcF0

螳螂

我不知道它為什麼要爬牆就像海明威不知道那隻豹為什麼要爬吉力馬扎羅山

Deleuze and Psychology: Philosophical Provocations to Psychological Practices (Concepts for Critical Psychology) (Maria Nichterlein, John R. Morss, Aug 5, 2016)

This book overviews the philosophical contribution of Deleuze including the project he developed with Guattari. It goes on to explore the application of these ideas in three major dimensions of psychology: its unit of analysis, its method and its applications to the clinic. (amazon) (kindle 2016-8-6)




 ... the connections that Deleuze establishes between literature and the clinic are central to understanding how a philosophy of Difference articulates itself in grounded practices. ... literature is not understood in the familiar sense of narrative approaches in therapy, but as a way of being in language. (Lichterliein & Morss, 2016, preface, italics added) 

With Deleuze we find inspiration in the creativity of the artist for visions of an energised psychology. (ibid, afterword)

The Detonator (2006)

https://www.youtube.com/watch?v=Nw2yMg1HRsY

The Marksman (2005)

https://www.youtube.com/watch?v=lLr7d88-BT0&t=1928s

72

8/5, 1:27 PM, hot noon, wounded pigeon, check it out, later on, disappeared. 137,  時評耗神, barking,   useless,   meaningless,   worthless,     愚蠢不義,   日日東昇,    back to Douglas Detrick 1989,   interestingly,   seemed to vanish afterwards,   only two articles (1985, 1986) in the pep-web
8/5, 6:53 PM, 宜亨 thesis proposal,  a la Bacon.  (亞)熱帶的溽暑   如何呈現慾望   如何呈現毀滅   如何呈現無聊   如何呈現孤獨   如何呈現死亡   呈現在先    把論述    交給無能呈現的藝評家
8/6. 6:34 AM. 文字的藝術  影像的藝術  敘事的藝術  思想的藝術  洗碗的藝術  性愛的藝術   關鍵是藝術兩字   立秋前日   今夏缺自然風   高溫悶熱   十分難熬    只能一天一天過完   不要喝酒   賊窩續扮理學家   象山怎麼死的    據考一天三包菸咳死   擇一比較研究   一直回到尤里西斯   吃的不多   偶而吃一點農藥應該還好   我是說桂格麥片   躺床放辦公室   讓蟲子須爬樓用餐   有雲   劉大任不該玩造園盆景   這把年紀    不值    明顯困在惡性循環    不打算靠諂媚屈膝過日    那你怎麼過日

8/6. 8:00 AM. count down
8/6. 11:00 AM. 貓媽不見蹤影兩周剛剛回來與小貓聚https://drive.google.com/file/d/0B5viXpvvYMYEUi00eTlPSGlwWmc/view?usp=sharing

8/6. 12:19 Noon. ... on or about December, 1910, human character changed (Virginia Woolf) 
8/6.  3:46 PM. ... the connections that Deleuze establishes between literature and the clinic are central to understanding how a philosophy of Difference articulates itself in grounded practices. ... literature is not understood in the familiar sense of narrative approaches in therapy, but as a way of being in language. (Lichterliein & Morss, 2016, preface, italics added) With Deleuze we find inspiration in the creativity of the artist for visions of an energised psychology. (ibid, afterword)
8/6. 5:43 PM. 古阿莫是台灣的王大錘教我看了不少電影股摸零是一個台灣傑出青年他決定暑假後要重念大一第十七次明年參加世大運龜兔賽跑不確定他是龜還是兔
8/6. 10:50 PM. busy. call it a day. dinner. finally. 4 ER so far. one alcoholism with pancreatitis H2.
8/7. 8:25 AM. 艷陽喝水德勒茲. 今日立秋. 立秋得馨 天地始肅.

8/7. 9:44 AM. 往常值班三日可讀一本Jack Reacher或Matthew Scudder.  now一本德勒茲. a walk in the park
8/7. 1:25 PM. Encyclopedia of Critical Psychology (2014, FJU online)
8/7. 7:29 PM. 假裝明天是今天後的另一天不是第三天
8/8. 7:08 AM. J&J&D  有點安慰  是一個支撐.   D&G本質上是藝術家.
8/8. 5:01 PM. iced coke. take a break. 4 consults to go, tomorrow morning.
8/8. 8:41 PM. back from the trenches just now.
8/9. 1:23 AM. wake up by, delirium with fever, adm 8/4. three hours before dawn
這樣的事每月將輪迴一次

Insight: Essays on Psychoanalytic Knowing (Jorge L. Ahumada, 2011)

Insight means "How do we know about our psychic reality?"

James Rose mentioned about this book in "The Non-Linear Mind: Psychoanalysis of Complexity in Psychic Life" (2016, Chap 8). 

Ahumada takes the view that the fundamental dynamic of insight is counter-induction. This means reversing the usual logic of induction, which is to identify the general from the particular. Counter-induction is an apparently paradoxical position of taking the way things have been observed as a guide to how they are not. ... Identification of these ideas shaping experience is the stuff of insight. These "ideas" might be thought to be the manifestations of the analysand's strange attractors. (ibid, kindle location 3104-3108/3723)

A la David Smail, we need another book on "Outsight", i.e. "How do we know about our external reality?" 

立秋前四日

那個嗲嗲老女人問了四個高人指點的問題

肥媽校長在制服之夜唱了一首膾炙人口的歌

sit down, class

老古和文西都很懷念他們永恆的校長肥媽

原住民失去的是生活方式(way of life)

還我一個生活

他們持指甲刀說

把生活找回來

self就回來了

回來就是歸位

像失智迷途的土地公

被放回祂微笑不語的位

坐這個位早就知道會有今日

鎗火裡被殺手追殺的文哥說

流浪就是歸不了位

直到古剎

比如說
蘭若寺圓福寺

或蘇乞兒經絡盡斷
與其父窩身之寺

問題是

我們今日只有氣派
鼎盛香火大師道場

已無古剎

這時蘇燦啃著放了好幾天的乾硬饅頭
得知百餘台灣人在祖國東京吃相很好

嘿苦盡甘來
吃相很好呢

此時他尚未二遇洪七公
得其傳之睡夢羅漢拳

七公說立秋前四日
溫度溼度皆不對勁

七公的故事很動人

他本官拜大清國防部長

助李鴻章發展核潛艇和導蛋

後讀黃宗羲

遂剪其辮

入丐幫

浪跡天涯海角

與華山風清揚和船子和尚惺惜

四十年不刷牙不洗澡不換內褲

據台灣唯一歷史學家阿菊斯多德考證

七公吃相不佳

上面四字是七公墨寶

書於廣州妓院蘇燦請客之際

現存故宮南院怡紅閣

老古文西識七公多年

相見不如偶遇

久久一起大醉聊聊精神分析

阿菊斯多德說他們三人吃相都很難看

七公後曾傳如來神掌給周星馳

憑之打敗斧頭幫和火雲邪神

這段大家都知道不必贅述

The Dude and the Zen Master (Jeff Bridges, Bernie Glassman, 2013)

這時

老古說天已快亮

文西說溽暑的夜

老古說溽暑的晝

文西說溽暑的心

老古說一個兩歲小孩炎日被鎖在車內

文西說路人澆水降溫

老古說其實應直接破窗

文西說溽暑的PTSD

老古說一生至此

文西說未嘗避暑
老古說武藏五輪書
文西說分地水火風空五篇
老古說武藏幼時不曾被鎖在烤箱車內
文西說但曾目睹其父與無二齋決鬥喪命
老古說且持短劍欲報父仇時錯弒其母
文西說無二齋收之為徒
老古說他卻不欲為之徒
文西說自己倒吊大樹學武
老古說摔得七昏八素
文西說無二齋默默解之下樹
老古說祇說一句
文西說要盪要閃須藉腰力
老古說無二齋後與強人決鬥
文西說雖贏但亦重殘
老古說之後漸陷瘋狂
文西說挑臖武藏弒之
老古說武藏推石壓之
文西說巨石刻字墓碑
老古說此時武藏十歲多
文西說返宮本村與家姐聚
老古說睹世人虛偽無趣
文西說十三歲首役勝
老古說離村開始流浪
文西說行前威嚇村人定期匯款到連鎖居酒屋
(可見他很早就出入居酒屋)
老古說養之供其盤纏
(武藏說打贏會說他是來自宮本村的武藏哥)
(比如說來自崙背的山雞哥或旺角的浩南哥)
(意思是說打輸的不必多說來自哪一村)
文西說這種大尾鱸鰻生涯
老古說顯然比上班族一例一休註定被抓去加班實際七休零到一有趣
(浪人不屬製造業也不屬服務業)
文西說以上卅年前印象
老古說這時天色已暗
文西說連續工作十五天
老古說每個人都有他的strange attractor
文西說都有他的addiction
老古說what makes him tick
文西說what holds him together
老古說來根菸吧
文西說自毀的嗔憤(resentment)可否成為strange attractor
老古說why not

也跟你講過很多次

不要叫我文西叫我達文西

跟你講過很多次

不要叫我摸西叫我自摸西

道歉

不確定誰是原住民

誰應該跟原住民道甚麼歉

同學們我先前說過

三粒電視台曾說

台灣的始祖是一個不愛刷牙的埃及人

他的名字叫做摩東

他才是原住民

顧名思義

這顯然是摩西的表弟

至於摩西本尊

現在還在台灣混

混得很好

所以他們的道歉

有神學的意涵

同學們我們都知道

神學很重要

誰都惹不起

有權力的人和他們的神

after 3200 KM

https://www.youtube.com/watch?v=8XVWrLD1DAI

仗義每多屠狗輩 負心總是當權者