https://en.wikipedia.org/wiki/Paul_Virilio
Paul Virilio (French: [viʁiljo]; 4 January 1932 – 10 September 2018)[3] was a French cultural theorist, urbanist, architect and aestheticphilosopher. He is best known for his writings about technology as it has developed in relation to speed and power, with diverse references to architecture, the arts, the city and the military. Virilio was a prolific creator of neologisms, most notably his concept of "dromology", the all-around, pervasive inscription of speed in every aspect of life.
According to two biographers, Virilio was a "historian of warfare, technology and photography, a philosopher of architecture, military strategy and cinema, and a politically engaged provocative commentator on history, terrorism, mass media and human-machine relations."[4]
Bibliography
- Speed and Politics: An Essay on Dromology. New York: Semiotext(e), 1977 [1986]
- War and Cinema: The Logistics of Perception. London: Verso, 1989.
- Popular Defense and Ecological Struggles. New York: Semiotext(e), 1990.
- The Aesthetics of Disappearance. New York: Semiotext(e), 1991.
- Lost Dimension. New York: Semiotext(e), 1991.
- Atom Egoyan. Paris: Dis Voir, 1994.
- The Vision Machine. Bloomington: Indiana University Press, 1994.
- Bunker Archaeology. New York: Princeton University Press, 1994.
- The Art of the Motor. Minneapolis: University of Minnesota Press, 1995.
- Open Sky. London: Verso, 1997.
- Pure War. New York: Semiotext(e), 1997.
- Politics of the Very Worst. New York: Semiotext(e), 1999.
- Polar Inertia. London: Sage, 1999.
- A Landscape of Events. Cambridge: MIT Press, 2000.
- The Information Bomb. London: Verso, 2000.
- Strategy of Deception. London: Verso, 2000.
- Virilio Live: Selected Interviews. Edited by John Armitage. London: Sage, 2001.
- Ground Zero. London: Verso, 2002.
- Desert Screen: War at the Speed of Light. London: Continuum, 2002.
- Crepuscular Dawn. New York: Semiotext(e), 2002.
- Art and Fear. London: Continuum, 2003. ( originally published in 2000 by Editions Galilee under the title La Procedure Silence, meaning "The Silence Trial". )
- Unknown Quantity. New York: Thames & Hudson, 2003.
- City of Panic. Oxford: Berg, 2005.
- The Accident of Art. (with Sylvère Lotringer) New York: Semiotext(e), 2005.
- Negative Horizon: An Essay in Dromoscopy. London: Continuum, 2005.
- Art as Far as the Eye Can See. Oxford: Berg Publishers, 2007.
- The Original Accident. Cambridge: Polity, 2007
- Grey Ecology. New York/Dresden: Atropos Press, 2009.
- The University of Disaster. Cambridge: Polity, 2010.
- The Futurism of the Instant: Stop-Eject. Cambridge: Polity, 2010.
- A Winter's Journey : Four Conversations with Marianne Brausch. The French list. Seagull Books, 2011.
- The Administration of Fear. New York: Semiotext(e), 2012.
- The Great Accelerator. Cambridge: Polity, 2012.
