These ponderings attempt to let themselves be appropriated by the event. (Beiträge zur Philosophie (Vom Ereignis), Martin Heidegger, 1936–38/1989)
為什麼,有的電影耐看,有的不耐看,你要理解,這和懸宕情節動作卡司無關,這和是否有其風景有關,這和是否有其依附有關,意思是說,有風景,有依附,就耐看,無風景,無依附,就不耐看,意思是說,耐,是極其主觀的經驗,意思是說,耐,等同于物之恆定 (object constancy),惟其物之恆定,方有自體之恆定 (self constancy),當然,我們知道,兩者皆非恆定,意思是說,耐,實為無奈,