https://en.wikipedia.org/wiki/Theodor_W._Adorno
https://en.wikipedia.org/wiki/Theodor_W._Adorno_bibliography
- Kierkegaard: Construction of the Aesthetic (1933)
- Dialectic of Enlightenment (with Max Horkheimer, 1944)
- Composing for the Films (1947)
- Philosophy of New Music (1949)
- The Authoritarian Personality (1950)
- Minima Moralia: Reflections from Damaged Life (1951)
- In Search of Wagner (1952)
- Prisms (1955)
- Against Epistemology: A Metacritique; Studies in Husserl and the Phenomenological Antinomies (1956)
- Dissonanzen. Musik in der verwalteten Welt (1956)
- Notes to Literature I (1958)
- Sound Figures (1959)
- Mahler: A Musical Physiognomy (1960)
- Notes to Literature II (1961)
- Introduction to the Sociology of Music (1962)
- Hegel: Three Studies (1963)
- Critical Models: Interventions and Catchwords (1963)
- Quasi una Fantasia (1963)
- The Jargon of Authenticity (1964)
- Night Music: Essays on Music 1928–1962 (1964)
- Negative Dialectics (1966)
- Alban Berg: Master of the Smallest Link (1968)
- Critical Models: Interventions and Catchwords (1969)
- Posthumously published
- Aesthetic Theory (1970)
- Beethoven: The Philosophy of Music; Fragments and Texts (1993)
- The Psychological Technique of Martin Luther Thomas' Radio Addresses (2000)
- Kant's 'Critique of Pure Reason' (2002)
- Current of Music (2006)
阿多諾寄情古典音樂，從中聽到，破壞殆盡的歐洲，和否定的辨證，意思是說，他的哲學，就是歐陸文明廢墟的哲學，其中，否定 (negativity) 是關鍵詞，但是，我不確定，他最終，有沒有來到，否定的否定 (negation of negation) ，而且，我不確定，否定的否定，是否就等同于，生機動能 (vitality)，是否就等同于，肯定生命 (affirmation of life)，意思是說，我們仍在否定的廢墟，一刻都沒有離開，當然，據說，尼采，西谷啟治，D&G，曾經離開過，
