https://en.wikipedia.org/wiki/Frantz_Fanon
France
Fanon was educated at the University of Lyon, where he also studied literature, drama and philosophy, sometimes attending Merleau-Ponty's lectures. During this period, he wrote three plays, of which two survive.[24] After qualifying as a psychiatrist in 1951, Fanon did a residency in psychiatry at Saint-Alban-sur-Limagnole under the radical Catalan psychiatrist François Tosquelles, who invigorated Fanon's thinking by emphasizing the role of culture in psychopathology.
In 1948, Fanon started a relationship with Michèle Weyer, a medical student, who soon became pregnant. He left her for an 18-year-old high school student, Josie, whom he married in 1952. At the urging of his friends, he later recognized his daughter, Mireille, although he did not have contact with her.[25]
In France, while completing his residency, Fanon wrote and published his first book, Black Skin, White Masks (1952), an analysis of the negative psychological effects of colonial subjugation upon black people. Originally, the manuscript was the doctoral dissertation, submitted at Lyon, entitled Essay on the Disalienation of the Black, which was a response to the racism that Fanon experienced while studying psychiatry and medicine at the University in Lyon; the rejection of the dissertation prompted Fanon to publish it as a book. In 1951, for his doctor of medicine degree, he submitted another dissertation of narrower scope and a different subject (Altérations mentales, modifications caractérielles, troubles psychiques et déficit intellectuel dans l'hérédo-dégénération spino-cérébelleuse : à propos d'un cas de maladie de Friedreich avec délire de possession – Mental alterations, character modifications, psychic disorders, and intellectual deficit in hereditary spinocerebellar degeneration: A case of Friedreich's disease with delusions of possession). Left-wing philosopher Francis Jeanson, leader of the pro-Algerian independence Jeanson network, read Fanon's manuscript and, as a senior book editor at Éditions du Seuil in Paris, gave the book its new title and wrote its epilogue.[26]
After receiving Fanon's manuscript at Seuil, Jeanson invited him to an editorial meeting. Amid Jeanson's praise of the book, Fanon exclaimed: "Not bad for a nigger, is it?" Insulted, Jeanson dismissed Fanon from his office. Later, Jeanson learned that his response had earned him the writer's lifelong respect, and Fanon acceded to Jeanson's suggestion that the book be entitled Black Skin, White Masks.[26]
In the book, Fanon described the unfair treatment of black people in France and how they were disapproved of by white people. Frantz argued that racism and dehumanization directed toward black people caused feelings of inferiority among black people. This dehumanization prevented black people from fully assimilating into white society and, further, into full personhood. This caused psychological strife among black people, as even if they spoke French, obtained an education, and followed social customs associated with white people, they would still never be regarded as French, or a Man; instead, black people are defined as "Black Man" rather than "Man". (See further discussion of Black Skin, White Masks under Work, below.)
Algeria
After his residency, Fanon practised psychiatry at Pontorson, near Mont Saint-Michel, for another year and then (from 1953) in Algeria. He was chef de service at the Blida-Joinville Psychiatric Hospital in Algeria. He worked there until his deportation in January 1957.[27]
Fanon's methods of treatment started evolving, particularly by beginning socio-therapy to connect with his patients' cultural backgrounds. He also trained nurses and interns. Following the outbreak of the Algerian revolution in November 1954, Fanon joined the Front de Libération Nationale (FLN), after having made contact with Pierre Chaulet at Blida in 1955. Working at a French hospital in Algeria, Fanon became responsible for treating the psychological distress of the French soldiers and officers who carried out torture in order to suppress anti-colonial resistance. Additionally, Fanon was also responsible for treating Algerian torture victims.
Fanon made extensive trips across Algeria, mainly in the Kabylia region, to study the cultural and psychological life of Algerians. His lost study of "The marabout of Si Slimane" is an example. These trips were also a means for clandestine activities, notably in his visits to the ski resort of Chrea which hid an FLN base.
Joining the FLN and exile from Algeria
By summer 1956, Fanon realized that he could no longer continue to support French efforts, even indirectly, via his hospital work. In November, he submitted his "Letter of Resignation to the Resident Minister", which later became an influential text of its own in anti-colonialist circles.[28]
Shortly afterwards, Fanon was expelled from Algeria and moved to Tunis, where he joined the FLN openly. He was part of the editorial collective of Al Moudjahid, for which he wrote until the end of his life. He also served as Ambassador to Ghana for the Provisional Algerian Government (GPRA). He attended conferences in Accra, Conakry, Addis Ababa, Leopoldville, Cairo and Tripoli. Many of his shorter writings from this period were collected posthumously in the book Toward the African Revolution. In this book, Fanon reveals war tactical strategies; in one chapter, he discusses how to open a southern front to the war and how to run the supply lines.[27]
Upon his return to Tunis, after his exhausting trip across the Sahara to open a Third Front, Fanon was diagnosed with leukemia. He went to the Soviet Union for treatment and experienced remission of his illness. When he came back to Tunis once again, he dictated his testament The Wretched of the Earth. When he was not confined to his bed, he delivered lectures to Armée de Libération Nationale (ALN) officers at Ghardimao on the Algerian–Tunisian border. He traveled to Rome for a three-day meeting with Jean-Paul Sartre, who had greatly influenced his work. Sartre agreed to write a preface to Fanon's last book, The Wretched of the Earth.[29]
Death and aftermath
With his health declining, Fanon's comrades urged him to seek treatment in the U.S. as his Soviet doctors had suggested.[30] In 1961, the CIA arranged a trip under the promise of stealth for further leukemia treatment at a National Institutes of Health facility.[30][31] During his time in the United States, Fanon was handled by CIA agent Oliver Iselin.[32] As Lewis R. Gordon points out, the circumstances of Fanon's stay are somewhat disputed: "What has become orthodoxy, however, is that he was kept in a hotel without treatment for several days until he contracted pneumonia."[30]
On 6 December 1961, Fanon died from double pneumonia in Bethesda, Maryland. He had begun leukemia treatment but far too late.[33] He had been admitted under the name of Ibrahim Omar Fanon, a Libyan nom de guerre he had assumed in order to enter a hospital in Rome after being wounded in Morocco during a mission for the Algerian National Liberation Front.[34] He was buried in Algeria after lying in state in Tunisia. Later, his body was moved to a martyrs' (Chouhada) graveyard at Aïn Kerma in eastern Algeria.
Frantz Fanon was survived by his French wife, Josie (née Dublé), their son, Olivier Fanon, and his daughter from a previous relationship, Mireille Fanon-Mendès France. Josie Fanon later became disillusioned with the government and after years of depression and drinking died by suicide in Algiers in 1989.[27][35] Mireille became a professor of international law and conflict resolution and serves as president of the Frantz Fanon Foundation. Olivier became president of the Frantz Fanon National Association, which was created in Algiers in 2012.[36]
Works
Black Skin, White Masks
Black Skin, White Masks was first published in French as Peau noire, masques blancs in 1952 and is one of Fanon's most important works. In Black Skin, White Masks, Fanon psychoanalyzes the oppressed black person who is perceived to have to be a lesser creature in the white world that they live in, and studies how they navigate the world through a performance of Whiteness.[15] Particularly in discussing language, he talks about how the black person's use of a colonizer's language is seen by the colonizer as predatory, and not transformative, which in turn may create insecurity in the black's consciousness.[37] He recounts that he himself faced many admonitions as a child for using Creole French instead of "real French", or "French French", that is, "white" French.[15] Ultimately, he concludes that "mastery of language [of the white/colonizer] for the sake of recognition as white reflects a dependency that subordinates the black's humanity".[37]
The reception of his work has been affected by English translations which are recognized to contain numerous omissions and errors, while his unpublished work, including his doctoral thesis, has received little attention. As a result, it has been argued that Fanon has often been portrayed as an advocate of violence (it would be more accurate to characterize him as a dialectical opponent of nonviolence) and that his ideas have been extremely oversimplified. This reductionist vision of Fanon's work ignores the subtlety of his understanding of the colonial system. For example, the fifth chapter of Black Skin, White Masks translates, literally, as "The Lived Experience of the Black" ("L'expérience vécue du Noir"), but Markmann's translation is "The Fact of Blackness", which leaves out the massive influence of phenomenology on Fanon's early work.[38]
Although Fanon wrote Black Skin, White Masks while still in France, most of his work was written in North Africa. It was during this time that he produced works such as L'An Cinq, de la Révolution Algérienne in 1959 (Year Five of the Algerian Revolution), later republished as Sociology of a Revolution and later still as A Dying Colonialism. Fanon's original title was "Reality of a Nation"; however, the publisher, François Maspero, refused to accept this title.
Fanon's three books were supplemented by numerous psychiatry articles as well as radical critiques of French colonialism in journals such as Esprit and El Moudjahid.
A Dying Colonialism
A Dying Colonialism is a 1959 book by Fanon that provides an account of how, during the Algerian Revolution, the people of Algeria fought their oppressors. They changed centuries-old cultural patterns and embraced certain ancient cultural practices long derided by their colonialist oppressors as "primitive," in order to destroy the oppressors. Fanon uses the fifth year of the Algerian Revolution as a point of departure for an explication of the inevitable dynamics of colonial oppression. The militant book describes Fanon's understanding that for the colonized, “having a gun is the only chance you still have of giving a meaning to your death.”[39] It also contains one of his most influential articles, "Unveiled Algeria", that signifies the fall of imperialism and describes how oppressed people struggle to decolonize their "mind" to avoid assimilation.
The Wretched of the Earth
In The Wretched of the Earth (1961, Les damnés de la terre), published shortly before Fanon's death, Fanon defends the right of a colonized people to use violence to gain independence. In addition, he delineated the processes and forces leading to national independence or neocolonialism during the decolonization movement that engulfed much of the world after World War II. In defence of the use of violence by colonized peoples, Fanon argued that human beings who are not considered as such (by the colonizer) shall not be bound by principles that apply to humanity in their attitude towards the colonizer. His book was censored by the French government.
For Fanon in The Wretched of the Earth, the colonizer's presence in Algeria is based on sheer military strength. Any resistance to this strength must also be of a violent nature because it is the only "language" the colonizer speaks. Thus, violent resistance is a necessity imposed by the colonists upon the colonized. The relevance of language and the reformation of discourse pervades much of his work, which is why it is so interdisciplinary, spanning psychiatric concerns to encompass politics, sociology, anthropology, linguistics and literature.[40]
His participation in the Algerian Front de Libération Nationale from 1955 determined his audience as the Algerian colonized. It was to them that his final work, Les damnés de la terre (translated into English by Constance Farrington as The Wretched of the Earth) was directed. It constitutes a warning to the oppressed of the dangers they face in the whirlwind of decolonization and the transition to a neo-colonialist, globalized world.[41]
An often overlooked aspect of Fanon's work is that he did not like to physically write his pieces. Instead, he would dictate to his wife, Josie, who did all of the writing and, in some cases, contributed and edited.[37]
