Saturday, March 16, 2024

world-for-us vs world-in-itself (negativity vs vitality)

However, one of the greatest lessons of the ongoing discussion on global climate change is that these approaches are no longer adequate. We can, instead, offer a new terminology for thinking about this problem of the non- human world. Let us call the world in which we live the world-for-us. This is the world that we, as human beings, interpret and give meaning to, the world that we relate to or feel alienated from, the world that we are at once a part of and that is also separate from the human. But this world-for-us is not, of course, totally within the ambit of human wants and desires; the world often “bites back,” resists, or ignores our attempts to mold it into the world-for-us. Let us call this the world-in-itself. This is the world in some inaccessible, already-given state, which we then turn into the world-for-us. The world-in-itself is a paradoxical concept; the moment we think it and attempt to act on it, it ceases to be the world-in-itself and becomes the world-for-us. A significant part of this paradoxical world-in-itself is grounded by scientific inquiry – both the production of scientific knowledge of the world and the technical means of acting on and intervening in the world. (Eugene Thacker, 2011, preface)

Even though there is something out there that is not the world-for-us, and even though we can name it the world-in-itself, this latter constitutes a horizon for thought, always receding just beyond the bounds of intelligibility. Tragically, we are most reminded of the world-in-itself when the world-in-itself is manifest in the form of natural disasters. (ibid, preface)

No,天災不是悲劇,人禍才是,意思是說,天地人神,人處理不好與天地神的關係,就處理不好人與人的關係,人禍起因于人的  greed 和 hubris,此二毒,就是貪嗔,加起來就是 evil,意思是說,痴是拖泥帶水,婆婆媽媽,無傷大雅,屬肥皂劇,和心理治療,

In a sense, the world-without-us allows us to think the world-in-itself, without getting caught up in a vicious circle of logical paradox. The world-in-itself may co-exist with the world-for-us – indeed the human being is defined by its impressive capacity for not recognizing this distinction. By contrast, the world-without-us cannot co-exist with the human world-for-us; the world- without-us is the subtraction of the human from the world. To say that the world-without-us is antagonistic to the human is to attempt to put things in human terms, in the terms of the world-for-us. To say that the world- without-us is neutral with respect to the human, is to attempt to put things in the terms of the world-in-itself. 

In a sense, the real challenge today is not finding a new or improved version of the world-for-us, and it is not relentlessly pursuing the phantom objectivity of the world-in-itself. The real challenge lies in confronting this enigmatic concept of the world-without-us,(ibid, preface)

We can even abbreviate these three concepts further: the world-for-us is simply the World, the world-in-itself is simply the Earth, and the world-without-us is simply the Planet. (ibid, preface)

Scientists estimate that approximate ninety percent of the cells in the human body belong to non-human organisms (bacteria, fungi, and a whole bestiary of other organisms). Why shouldn’t this also be the case for human thought as well? In a sense, this book is an exploration of this idea – that thought is not human. In a sense, the world-without-us is not to be found in a “great beyond” that is exterior to the World (the world-for-us) or the Earth (the world-in-itself); rather, it is in the very fissures, lapses, or lacunae in the World and the Earth. (ibid, preface)

Hence, a central focus of this book is on the problem of thinking this world-without-us; and its argument is that this problem is at once a philosophical, a political, and a cultural problem. (ibid, preface)

Against these two common assumptions, I would propose that horror be understood not as dealing with human fear in a human world (the world-for- us), but that horror be understood as being about the limits of the human as it confronts a world that is not just a World, and not just the Earth, but also a Planet (the world-without-us). (ibid, preface)

Briefly, the argument of this book is that “horror” is a non-philosophical attempt to think about the world-without-us philosophically. (ibid, preface)


Kymeen

https://youtu.be/4nW30Rjy-Uc?si=al4W60wMd8kCcqvO

3/16/24 (星期六)

What's long COVID,Artaud 在 Rodez 電痙治療的時候,曾腸胃道出血,直到離開 Rodez 一年多後,才被確診腸癌,這件事說明,腸胃道出血,與 ECT,是兩回事,意思是說,須獨立視之,鑑別診斷之,我想問題出在,Rodez 是精神科專科醫院,且為慢性病房,非綜合醫院,一般身體疾病,無法周到照顧,近日讀 Michio Kaku 科普,此君太像美國人了,太樂觀了,對於科技,全無人文學的質疑,這時你才知道,Karen Barad 的 Agential Realism,用心何在,

The Terrifying A.I. Scam That Uses Your Loved One’s Voice

https://www.newyorker.com/science/annals-of-artificial-intelligence/the-terrifying-ai-scam-that-uses-your-loved-ones-voice

Friday, March 15, 2024

PHYSICS OF THE FUTURE HOW SCIENCE WILL SHAPE HUMAN DESTINY AND OUR DAILY LIVES BY THE YEAR 2100 (Michio Kaku, 2011) (negativity vs vitality)

 Without the scientist, there is no future. (Ibid, Introduction)

這句話,應改為,

With the scientist in the service of the Evil, there is definitely no future. 

你要理解,科學家,理中客也,天真如孩子一般 (childlike),他還真以為,他可以沒有立場,超越善惡,與世間邪惡血腥無涉,結果當然是,為惡所惡用,比如說石正麗製毒,包子投毒,然後 propaganda 鋪天蓋地,迫全世界指鹿為馬,兩人遂脫下褲子,搓著充血的下體,這邊風景獨好,小結,科學事業,是工具理性的極致成就,但是對於價值理性,一無所知,嗤之以鼻,遂結果只可能,作惡幫凶,意思是說,論 negativity vs vitality,必須處理「惡」,惡的定義,就是否定生命,

Carl Sagan (1934-1996)

https://en.wikipedia.org/wiki/Carl_Sagan

弦論簡介 (命若琴弦)

https://web.mit.edu/yenjie/www/lm/physics/phys-field-string-2.htm

string theory




意思是說,生命是一種振動,粒子只是這個振動的詐現,詐現的意思是說,你只能見及此表象,遂以為這個表象,就是真實,

3/15/24 (星期五)(negativity vs vitality) (我今天下午要去高雄)(存在治療)(1130330)(1130803)

寄信,如果史賓諾沙尼采伯格森德勒茲都屬 vitality > negativity (i.e. affirmation of life) 派,那麼他們是怎麼處理 negativity 的,數日前,燕郊一隻烤雞,引爆核彈,炸掉整個河北,夷為廢墟,嚴重毀損,方圓數萬里,這件事說明,共匪治下中國,沒有真相,這個「沒有真相」,就是共匪號稱,歷史虛無主義,換句話說,歷史就是徹底的 negativity,完全否定 vitality (affirmation of life),是否可說,結構主義 negativity > vitality,後結構主義 vitality > negativity,你要理解,肯定發生在否定之後,我們必須先學會說 no,才能夠學會說 yes,意思是說,否定是為了捍衛自己,做人的界線,肯定是為了好好做人,遂出發去某個地方,發生某個事件,比如說,燕郊那隻悲壯的烤雞,決定起義,引爆核彈,意思是說,那隻烤雞,像四通橋彭立發,vitality > negativity,意思是說,中國五千年歷史,就是前仆後繼的烤雞史,意思是說,後結構主義就是結構主義的逃逸路線 (lines of flight),德勒茲說,哲學學徒生涯,需要時間和邂逅,你要理解,邂逅就是意外,就是離題,就是歧路,就是漫遊,就是迷途,就是失去定向感,不知自己身在何處,就是 Jack Reacher 跳上第一部來車,去終點站,隨時可以下車,意思是說,再等下一部來車,

Thursday, March 14, 2024

Reflections on Contemporary Psychoanalytic Thought: The Lisbon Lectures (2022)

https://www.karnacbooks.com/product/reflections-on-contemporary-psychoanalytic-thought-the-lisbon-lectures/96241/

Herbert Rosenfeld Then and Now: The Significance of His Work for Contemporary Psychoanalysis(ed. Karin Johanna Zienert-Eilts, Wolfgang Hegener, 2024)

https://www.karnacbooks.com/product/herbert-rosenfeld-/97390/?MATCH=1

Deleuze (negativity vs vitality)

Although I have already identified Nietzsche as the crucial figure for Deleuze’s affirmationism, and we could also nominate Spinoza, I want to suggest the role of Bergson as truly influential. As we will see it is Bergson’s critique of the negative that underpins the consistency of Deleuze’s affirmationism, which later acquires Nietzschean or Spinozan accents. (The Persistence of the Negative: A Critique of Contemporary Continental Theory, Benjamin Noys, EUP, 2010, p. 52)

Antikythera mechanism (1901)

https://en.wikipedia.org/wiki/Antikythera_mechanism

包子剛剛下令再度製毒投毒和啟動攻打台灣

https://youtu.be/P6Z0LGkO4OY?si=yk6qLhJ6OM_sMaTF

Wormhole(蟲洞)

https://en.wikipedia.org/wiki/Wormhole


Cosmologist Stephen Hawking of Cambridge University once quipped, "Wormholes, if they exist, would be ideal for rapid space travel. You might go through a wormhole to the other side of the galaxy and be back in time for dinner." (Michio Kaku, 2004)


A wormhole is a hypothetical structure connecting disparate points in spacetime, and is based on a special solution of the Einstein field equations.[1]

A wormhole can be visualized as a tunnel with two ends at separate points in spacetime (i.e., different locations, different points in time, or both).

Wormholes are consistent with the general theory of relativity, but whether wormholes actually exist remains to be seen. Many scientists postulate that wormholes are merely projections of a fourth spatial dimension, analogous to how a two-dimensional (2D) being could experience only part of a three-dimensional (3D) object.[2] A well-known analogy of such constructs is provided by the Klein bottle, displaying a hole when rendered in three dimensions but not in four or higher dimensions. 

Theoretically, a wormhole might connect extremely long distances such as a billion light-years, or short distances such as a few meters, or different points in time, or even different universes.[3]

In 1995, Matt Visser suggested there may be many wormholes in the universe if cosmic strings with negative mass were generated in the early universe.[4][5] Some physicists, such as Kip Thorne, have suggested how to make wormholes artificially.[6]

M-theory

https://en.wikipedia.org/wiki/M-theory

M-theory is a theory in physics that unifies all consistent versions of superstring theory. Edward Witten first conjectured the existence of such a theory at a string theoryconference at the University of Southern California in 1995. Witten's announcement initiated a flurry of research activity known as the second superstring revolution. Prior to Witten's announcement, string theorists had identified five versions of superstring theory. Although these theories initially appeared to be very different, work by many physicists showed that the theories were related in intricate and nontrivial ways. Physicists found that apparently distinct theories could be unified by mathematical transformations called S-duality and T-duality. Witten's conjecture was based in part on the existence of these dualities and in part on the relationship of the string theories to a field theory called eleven-dimensional supergravity.

Although a complete formulation of M-theory is not known, such a formulation should describe two- and five-dimensional objects called branes and should be approximated by eleven-dimensional supergravity at low energies. Modern attempts to formulate M-theory are typically based on matrix theory or the AdS/CFT correspondence. According to Witten, M should stand for "magic", "mystery" or "membrane" according to taste, and the true meaning of the title should be decided when a more fundamental formulation of the theory is known.[1]

Investigations of the mathematical structure of M-theory have spawned important theoretical results in physics and mathematics. More speculatively, M-theory may provide a framework for developing a unified theory of all of the fundamental forces of nature. Attempts to connect M-theory to experiment typically focus on compactifying its extra dimensions to construct candidate models of the four-dimensional world, although so far none has been verified to give rise to physics as observed in high-energy physicsexperiments.

What is the Inflation Theory?

https://wmap.gsfc.nasa.gov/universe/bb_cosmo_infl.html

Astronomers are still trying to wade through this avalanche of data from the WMAP. As it sweeps away older conceptions of the universe, a new cosmological picture is emerging. "We have laid the cornerstone of a unified coherent theory of the cosmos," declares Charles L. Bennett, who led an international team that helped to build and analyze the WMAP satellite. So far, the leading theory is the "inflationary universe theory," a major refinement of the big bang theory, first proposed by physicist Alan Guth of MIT. In the inflationary scenario, in the first trillionth of a trillionth of a second, a mysterious antigravity force caused the universe to expand much faster than originally thought. The inflationary period was unimaginably explosive, with the universe expanding much faster than the speed of light. (This does not violate Einstein's dictum that nothing can travel faster than light, because it is empty space that is expanding. For material objects, the light barrier cannot be broken.) Within a fraction of a

second, the universe expanded by an unimaginable factor of 1050. (Michio Kaku, 2004)

THE AGE OF THE UNIVERSE (Negativity vs Vitality) (Michio Kaku, 2004)

意思是說,無何以生有,需要黑暗能量,需要黑暗材料,光就是生,生就是光,但是你要理解,黑暗才是常態,光只是詐(乍)現,

Confirming previous experiments, the WMAP satellite showed that the visible matter we see around us (including the mountains, planets, stars, and galaxies) makes up a paltry 4 percent of the total matter and energy content of the universe. (Of that 4 percent, most of it is in the form of hydrogen and helium, and probably only 0.03 percent takes the form of the heavy elements.) Most of the universe is actually made of mysterious, invisible material of totally unknown origin. The familiar elements that make up our world constitute only 0.03 percent of the universe. In some sense, science is being thrown back centuries into the past, before the rise of the atomic hypothesis, as physicists grapple with the fact that the universe is dominated by entirely new, unknown forms of matter and energy.

According to the WMAP, 23 percent of the universe is made of a strange, undetermined substance called dark matter, which has weight, surrounds the galaxies in a gigantic halo, but is totally invisible. Dark matter is so pervasive and abundant that, in our own Milky Way galaxy, it outweighs all the stars by a factor of i0. Although invisible, this strange dark matter can be observed indirectly by scientists because it bends starlight, just like glass, and hence can be located by the amount of optical distortion it creates.

Referring to the strange results obtained from the WMAP satellite, Princeton astronomer John Bahcall said, "We live in an implausible, crazy universe, but one whose defining characteristics we now know."

But perhaps the greatest surprise from the WMAP data, data that sent the scientific community reeling, was that 73 percent of the universe, by far the largest amount, is made of a totally unknown form of energy called dark energy, or the invisible energy hidden in the vacuum of space. Introduced by Einstein himself in i9i7 and then later discarded (he called it his "greatest blunder"), dark energy, or the energy of nothing or empty space, is now re-emerging as the driving force in the entire universe. This dark energy is now believed to create a new antigravity field which is driving the galaxies apart. The ultimate fate of the universe itself will be determined by dark energy.

No one at the present time has any understanding of where this "energy of nothing" comes from. "Frankly, we just don't understand it. We know what its effects are [but] we're completely clueless . . . everybody's clueless about it," admits Craig Hogan, an astronomer at the University of Washington at Seattle.

WMAP (2001)

https://map.gsfc.nasa.gov/

https://map.gsfc.nasa.gov/news/index.html

The Wilkinson Microwave Anisotropy Probe (WMAP) is a NASA Explorer mission that launched June 2001 to make fundamental measurements of cosmology -- the study of the properties of our universe as a whole. WMAP has been stunningly successful, producing our new Standard Model of Cosmology. WMAP's data stream has ended. Full analysis of the data is now complete.Publications have been submitted as of 12/20/2012.

WMAP's Top Ten


The WMAP science team has
  1. ... has put the "precision" in "precision cosmology" by reducing the allowed volume of cosmological parameters by a factor in excess of 68,000. The three most highly cited physics and astronomy papers published in the new millennium are WMAP scientific papers--- reflecting WMAP's enormous impact. 

  2. …mapped the pattern of tiny fluctuations in the Cosmic Microwave Background (CMB) radiation (the oldest light in the universe) and produced the first fine-resolution (0.2 degree) full-sky map of the microwave sky.

  3. …determined the universe to be 13.77 billion years old to within a half percent.

  4. …nailed down the curvature of space to within 0.4% of "flat" Euclidean.

  5. …determined that ordinary atoms (also called baryons) make up only 4.6% of the universe.

  6. …completed a census of the universe and finds that dark matter (matter not made up of atoms) is 24.0% 

  7. …determined that dark energy, in the form of a cosmological constant, makes up 71.4% of the universe, causing the expansion rate of the universe to speed up. - "Lingering doubts about the existence of dark energy and the composition of the universe dissolved when the WMAP satellite took the most detailed picture ever of the cosmic microwave background (CMB)." - Science Magazine 2003, "Breakthrough of the Year" article
  8. … mapped the polarization of the microwave radiation over the full sky and discovered that the universe was reionized earlier than previously believed. - "WMAP scores on large-scale structure. By measuring the polarization in the CMB it is possible to look at the amplitude of the fluctuations of density in the universe that produced the first galaxies. That is a real breakthrough in our understanding of the origin of structure." - ScienceWatch: "What's Hot in Physics", Simon Mitton, Mar./Apr. 2008.
  9. …detected that the amplitude of the variations in the density of the universe on big scales is slightly larger than smaller scales. This, along with other results, supports "inflation", the idea is that the universe underwent a dramatic period of expansion, growing by more than a trillion trillion fold in less than a trillionth of a trillionth of a second. Tiny fluctuations were generated during this expansion that eventually grew to form galaxies.

  10. … determined that the distribution of these fluctuations follows a bell curve with the same properties across the sky, and that there are equal numbers of hot and cold spots in the map. The simplest version of the inflation idea predicted these properties and remarkably, WMAP’s precision measurement of the properties of the fluctuations has confirmed these predictions, in detail.

洗碗工的宇宙論和本體論(福德身心診所)(明志篇)(存在治療)(1130330) (1130803)

13.7 billion years,4.5 billion years,五千個碗陳屍在荒山野嶺,五千個碗沉思在煙花巷中,形上學分為本體論和宇宙論,前者基於等待果陀,後者基於數學物理,昨掛失眠二字,仿隔壁街坊,舊愛新歡,哪些形上哲學家曾預見當今宇宙論,洗碗工何來本體,碗方有本體可言,洗碗工只是洗碗,意思是說,仿神秀,潔淨本體,當然惠能灑脫,連碗都懶得洗 (惠能匿跡,獵人群十八年,為其掌廚,自己則吃肉邊菜,順便補充蛋白質,意思是說,回到更新世二百六十萬年,nomadic van life,才是禪宗本意,意思是說,禪宗就是 metaphysics of nomadic van life),但是,用乾淨的碗吃飯,是眾生底線,你要理解,流浪貓狗,所求不多,不過乾淨,食物和水,意思是說,洗碗工守護自然,在混沌中,把碗洗淨,並非不敬,混沌的優先性,只是略盡,微薄人事,小結,浩瀚宇宙,蒼茫世間,有無盡的碗,洗碗工只不過,洗他能洗該洗的那五千個碗,就像薛西弗斯只不過,推他能推該推的那個巨石,洗碗工和薛西弗斯,本皆無本體可言,但是也許,只是也許,曠日時久,地老天荒,洗碗工成為碗,薛西弗斯成為巨石,意思是說,遂居然,成為宇宙塵埃的一部分,意思是說,遂居然,亦有本體可言,意思是說,碗讓洗碗工,回到存在,巨石讓薛西弗斯,回到存在,意思是說,放牛吃草,牛才是治療者,意思是說,碗才是治療者,巨石才是治療者,意思是說,宇宙塵埃,才是治療者,意思是說,這就是存在治療,至此,你終於,可以想像,洗碗工和薛西弗斯,是快樂的,

Wednesday, March 13, 2024

Michio Kaku (加來道雄) (b 1947)

https://mkaku.org/

https://en.wikipedia.org/wiki/Michio_Kaku


the night sky is like a time machine


Works

Fred Hoyle (1915-2001)

https://en.wikipedia.org/wiki/Fred_Hoyle

Stellar nucleosynthesis


元素的誕生

Stellar nucleosynthesis is the creation (nucleosynthesis) of chemical elements by nuclear fusion reactions within stars. Stellar nucleosynthesis has occurred since the original creation of hydrogen, helium and lithiumduring the Big Bang. As a predictive theory, it yields accurate estimates of the observed abundances of the elements. It explains why the observed abundances of elements change over time and why some elements and their isotopes are much more abundant than others. The theory was initially proposed by Fred Hoyle in 1946,[1] who later refined it in 1954.[2]

Hugh Everett III (1930-1982)

https://en.wikipedia.org/wiki/Hugh_Everett_III

an American physicist who, in his 1957 PhD thesis, proposed what is now known as the many-worlds interpretation (MWI) of quantum mechanics.

中國 13.27 億人月收入不到五千元

https://youtu.be/moxFWZdMMns?si=jaJylyh2Fu6WzJSa

習遠平嫖盡恆大歌舞團

https://youtu.be/LcaMpYPGsuw?si=Dt_e7m4Ay3HQQyIq

蘇小和說,習近平勸習遠平,少嫖一點,但是習遠平不聽,

Cosmic dust (宇宙塵埃)

https://en.wikipedia.org/wiki/Cosmic_dust

https://zh.wikipedia.org/zh-tw/%E5%AE%87%E5%AE%99%E5%A1%B5%E5%9F%83

Nebula (星雲)

https://en.wikipedia.org/wiki/Nebula

https://zh.wikipedia.org/zh-tw/%E6%98%9F%E4%BA%91

A distinct luminescent part of interstellar medium, which can consist of ionized, neutral, or molecular hydrogen and also cosmic dust. Nebulae are often star-forming regions, such as in the "Pillars of Creation" in the Eagle Nebula. In these regions, the formations of gas, dust, and other materials "clump" together to form denser regions, which attract further matter and eventually become dense enough to form stars. The remaining material is then thought to form planets and other planetary system objects.

局 (福德身心診所)

那晚回程,J 問我說,來診者多為二十至四十歲,有無代差隔閡,我說,四十年來,閱人無數,我只學到「局」一字 (意思是說,王晶好歹識五字,我只識一字),你要理解,不分老少,我們每個人,皆在人生局中,局可譯為情境 (situation),在局中遂可譯為 (situatedness),

王晶認識幾個英文單字 ?

答案是五個,(美國總統)Einstein,generation gap,Robert,Dorina,

John Gribbin (b 1946) (negativity vs vitality)

https://en.wikipedia.org/wiki/John_Gribbin

適合孟祥森,海邊躺著讀,當然,下班後妓女,深夜燈下讀,亦可,意思是說,宇宙論,只可能發生在,海邊和深夜燈下,起因是因為,近日重讀 Artaud,1937-1945,二戰方酣,他在五個精神病院,被電擊治療五十一次,意思是說,他活在另一個世界,你要理解,那五個精神病院,是有人在那裡工作的,工作的意思,就是掃地洗碗洗廁所,這就是我現在的工作,而 Artaud 的工作,只是譫妄,在五十一次譫妄中,完成無器官身體的作品,這件事告訴我們,平行宇宙,另一個世界,的意義在於,你我不知道,有平行宇宙,和另一個世界,的存在,意思是說,我們每個人,只能完成自己,在自己侷限渺小的「局」裡,必須完成的作品,對於平行宇宙,另一個世界,不需要知道,那邊,與此同時,正在發生什麼,或事後才知即可(事後不知亦可)(最好從頭到尾不知),意思是說,宇宙論的真義在於,「萬物眾生,彼此不知 (不識)」(這就是 vitality 和 affirmation of life 的定義),比如說,烏蠅不知蜜蜂,蜜蜂不知烏蠅,他們遂各自完成了自己,這時,你要煮一壺咖啡,點起紙菸,微笑看著,彼此不知不識的,孟祥森和珍芳達,一個躺在海邊,昏昏睡去,另一個則在深夜燈下,揉著痠痛的下體,


Monday, March 11, 2024

the intercessors (代禱者) (Negativity vs Vitality)

這個字德勒茲用過,Joeri Visser (2021) 論 Artaud 的語言,也用此字,德勒茲說,我們必須找到,我們的代禱者,意思是說,Artaud 就是那個代禱者,換句話說,就是治療者,你要理解,一把鹽送行流離,就是代禱者,就是治療者,

1988

https://youtu.be/bGI8MzxEPrk?si=r5Shh3_OXa2hRjU-

公共人文學的反思與實踐:以臺灣為場域 (Public Humanities and the Case of Taiwan : Reflections and Practices)(2023)(息壤七)

https://www.books.com.tw/products/0010977535?sloc=main

珍芳達,很多年前,演過一部緝兇驚悚片,片中她是一個,下班後,喜歡在燈下,讀書的妓女,意思是說,不要相信公知,尤其是與官方有「涉」(就是交尾)的那種,要相信勞動者,尤其是被操了「一百二十四」次,下班後仍在燈下讀書的那種,

歷史記憶的倫理:從轉型正義到超克過去 (The Ethics of Historical Memory: From Transitional Justice to Overcoming the Past)(2024)(息壤七)

https://www.books.com.tw/products/0010981985?sloc=main

這件事,共匪迄今,毫無作為,甚且「真理就是謊言」,「真相就是保險套」,尤其是「用過的那種」,你要理解,用過的保險套,共匪還逼迫中國人塞進去,重複又重複又重複的用,這件事太噁心,不信你試試看,

啟蒙與反叛─臺灣哲學的百年浪潮(洪子偉,鄧敦民,2019)(息壤七)

洪子偉; 鄧敦民 (編). 啟蒙與反叛─臺灣哲學的百年浪潮. 臺北: 國立臺灣大學出版中心. 2019

https://www.books.com.tw/products/0010809652

See also 


存在交涉:日治時期的臺灣哲學 (洪子偉編,2016)



你要理解,日治時代,不准台灣人,專研人文社會學科,卻鼓勵台灣人從醫,遂造就了台灣,醫生即仕紳的,在地怪異扭曲的殖民歷史傳統,迄今,此歪風未歇,人文社會,當然也仍不振,意思是說,所謂人文,所謂社會,不過牙牙學語,上焉者,以發音正確,模仿無誤為豪,下焉者,如我,則無聲無息,天地遊魂,烏蠅蜜蜂,草草一生,何來人文,何來社會,何來主體性,

熊十力與「體用不二」論 (林世榮,2008) (息壤七)

https://books.google.com.tw/books/about/%E7%86%8A%E5%8D%81%E5%8A%9B%E8%88%87_%E9%AB%94%E7%94%A8%E4%B8%8D%E4%BA%8C_%E8%AB%96.html?id=a1AyAQAAIAAJ&redir_esc=y

See also 

https://www.airitilibrary.com/Publication/Index/16844246-200706-x-7-115-152-a


吳汝鈞純粹力動現象學的建構之研究 (林美惠, 2013) (息壤七)

https://ndltd.ncl.edu.tw/cgi-bin/gs32/gsweb.cgi?o=dnclcdr&s=id=%22102HCU00183004%22.&searchmode=basic&extralimit=asc=%22%E7%8E%84%E5%A5%98%E5%A4%A7%E5%AD%B8%22&extralimitunit=%E7%8E%84%E5%A5%98%E5%A4%A7%E5%AD%B8

See also 

僧肇的聖人觀與吳汝鈞的純粹力動觀 (陳森田,2015)

https://buddhism.lib.ntu.edu.tw/FULLTEXT/JR-MAG/mag546641.pdf


純粹力動現象學的構思與建立 (The Making of the Phenomenology of Pure Vitality)(吳汝鈞,2015)


https://www.airitilibrary.com/Article/Detail/10213732-201506-201509010017-201509010017-151-195

「力動」與「體用」:吳汝鈞「力動論」哲學與熊十力「體用論」哲學的比較研究 (顏銘俊,2019)

3/11/24 (星期一)

武俠即運動員,生涯巔峰,在廿到廿五歲,意思是說,廿五之後,就應轉型,但是,這件事,罕見成功,而且,編導無情操,迴避生命現實,迎合觀眾,喜新厭舊,以致,世上從來,無人見過,中年落拓武俠,

我們先前說過,配角演的是自己,你要理解,配角片酬微薄,對白極少,甚至沒有 (這是為什麼李棟全愛上美智子,堅持要為她寫有日文對白的劇本,以致美智子感動落淚的原因),其存在,像是森林裡,不知名的,註定被遺忘的落葉,意思是說,配角平日,除了苦等通告,必須自謀生路,比如說在廟街賣衣服,屯門作保鑣,佐敦煮餛飩麵,


Sunday, March 10, 2024

獨臂刀 (1967)

文革次年,南寧食人,殺戮方酣,共匪長臂神魔,設計怪異兵器金刀鎖,用來對付,齊家配刀,這時已過卅分鐘,正巧小蠻之父,留下半本,左手刀譜,方剛派上用場,練就獨臂斷刀法,遂滅共匪,你要理解,江湖名門,徒有虛名,功夫不甚了了,意思是說,絕世武功,不在廟堂大院,必出山林荒野,那個年頭,台北有中影文化城,香港卲氏,自亦有一文化城,彼時香港,野地甚多,所以最末決鬥,必在望海嶼山,

共匪 A 片

https://youtu.be/1XfQES5WncE?si=srRVgOtD4TUG5Y2m

Generative AI in Practice: 100+ Amazing Ways Generative Artificial Intelligence is Changing Business and Society (2024-3-28)

https://www.amazon.co.uk/dp/1394245564/?&_encoding=UTF8&tag=wwwwapinstitu-21&linkCode=ur2&linkId=047a66852c0a3c3bc6fbc68a76ad0347&camp=1634&creative=6738

白川鄉

https://youtu.be/hJR3h96TAEg?si=f2lYGCWic-EtZKkM

Clayton Eshleman (1935-2021)

https://en.wikipedia.org/wiki/Clayton_Eshleman

  • Antonin Artaud, Watchfiends and Rack Screams: Works from the Final Period (Boston: Exact Change, 1995). Co-translated with Bernard Bador. 342 pages.

María Izquierdo (1902-1955)

https://en.wikipedia.org/wiki/Mar%C3%ADa_Izquierdo_(artist)

Jeremy Reed (b 1951)

https://en.wikipedia.org/wiki/Jeremy_Reed_(writer)

Eadweard Muybridge (1830-1904)

https://en.wikipedia.org/wiki/Eadweard_Muybridge

Mute (magazine)

https://en.wikipedia.org/wiki/Mute_(magazine)

https://www.metamute.org/

Paule Thévenin (1918-1993)

https://fr.wikipedia.org/wiki/Paule_Th%C3%A9venin

https://www.amazon.com/Antonin-Artaud-Works-Margit-Rowell/dp/0810961687?ref_=ast_author_mpb

https://www.amazon.com/Antonin-Artaud-Drawings-Portraits-Press/dp/0262039982/ref=sr_1_1?crid=6DBFJN24MRSS&dib=eyJ2IjoiMSJ9.Vm8gID3K36ApFp4YbcIP4SvK7nCL1H9aO1M0GCS6ZU-yXQpfw5C-aigZ3HlnYcGNxMVZXkPtZwP0Wh5RDCWUuCRmpVYilSMBba3GfnDmuRS3b8ukJWodD3h5Jm6WN3OQFQKxv3BOwPPwYy7VvgIOTBg5XVJSVTYYOL1O8uRe64OSYIwUIhSBkDTdInFh6h6NjnW-XXWY_144Gthpj0BeFzgV1hsvnO24j05wqEG7adA.NfGbBMFrfNeEmdMgStWvfX55IfkThr1eim7TJ58XFns&dib_tag=se&keywords=Paule+Th%C3%A9venin&qid=1710046745&s=books&sprefix=paule+th%C3%A9venin%2Cstripbooks-intl-ship%2C797&sr=1-1

Artaud’s closest friend at the end of his life, Paule Thévenin, who died in September 1993.

3:AM Magazine

https://www.3ammagazine.com/3am/

Stephen Barber (writer)

https://en.wikipedia.org/wiki/Stephen_Barber_(writer)

https://www.3ammagazine.com/3am/terrorise-the-reader-a-stephen-barber-interview/

Bibliography

  • Antonin Artaud: Blows and Bombs (1993)
  • Fragments of the European City (1995)
  • Weapons of Liberation (1996)
  • Artaud: The Screaming Body (1999)
  • Edmund White: The Burning World (1999)
  • Caligula: Divine Carnage (2001)
  • Extreme Europe (2001)
  • Projected Cities (2002)
  • Annihilation Zones: Far East Atrocities of the 20th Century (2002)
  • Genet: Pages Torn from the Book of Jean Genet (2004)
  • The Art of Destruction: the Films of the Vienna Action Group (2004)
  • The Vanishing Map (2006)
  • Hijikata: Revolt of the Body (2006)
  • The Tokyo Trilogy (2008)
  • Artaud: Terminal Curses: The Notebooks (2008)
  • Cities of Oblivion (2009)
  • Abandoned Images: Film and Film's End (2010)
  • England's Darkness (2013)
  • Berlin Bodies (2017)
  • White Noise Ballrooms (2018)

DAVID A. SHAFER

https://cla.csulb.edu/departments/history/faculty/shafer/

Édouard Toulouse (1865-1947)

https://en.wikipedia.org/wiki/%C3%89douard_Toulouse

As a young man, Toulouse worked for a number of newspapers in Marseille as a drama critic.

He later headed the Clinic for Mental Illness at the Paris Faculty.[1]:14 Toulouse believed artistic creativity had an important role to play in psychological treatment. He considered himself a novelist, 'and said that he had come to science through literary activity'[1]:14 In 1896 he conducted a survey of men of exceptional genius where he profiled writer Émile Zola and French luminaries to identify shared, explainable characteristics. Following this project, Toulouse was named the director of a modern clinic in the Parisian suburb of Villejuif in 1898.[2]

In 1912 he established the fortnightly literary journal Demain, which covered a wide array of topics.[2] A number of important figures worked on the journal, including Antonin Artaud and Jean Paulhan.[2]

At the beginning of World War I, Toulouse conducted a survey of asylum care in France, and looked to "transform asylums of confinement into hospitals of mental health care."[2]

He founded the League of Hygiene and Mental Prophylaxis in December 1920[1]:14


Artaud went to Dr Édouard Toulouse in 1920.

3/10/24 (星期日)

Artaud 的祖母和外祖母是姊妹,意思是說,這是一個直系血親互相通婚的家族,這點或許可以解釋,為什麼 Artaud 九個兄弟姊妹,只有三個,能夠倖存,其他多因先天性疾病夭折,Artaud 青春期起,成為精神科病人,當時診斷為神經衰落,意思是說,他纖細的神經,當時已不勝負荷,這個人生,結果他居然,還被徵召參加一戰,戰後他詩作投稿,與 Jacques Rivière,信件往返,是 1923-24,信中的他,就是狂風蘆葦,

Saturday, March 9, 2024

王羽 (1942-2022)

https://zh.wikipedia.org/zh-tw/%E7%8E%8B%E7%BE%BD

最後一次見到王羽,是五湖四海 (1992),那是朱延平絕世之作,有點像沙河悲歌是七等生絕世之作,爛尾雄安新區是包子絕世之作,這次又見王羽,是因為獨臂刀王 (1969),講的是方剛殺光共匪的故事,意思是說,讓人懷念,現已淪陷匪區的香港,你要理解,1969,文革浩劫,十年的第三年,意思是說,王羽後來如洪金寶劉家良,在香港搵食,並未效成龍吳京甄子丹投共,這是他武林一生,做過唯一正確的事,否則就辜負了他的右臂,

Ontological security (Negativity vs Vitality) (nihilism)

https://en.wikipedia.org/wiki/Ontological_security

Ontological Insecurity (Negativity vs Vitality) (Nihilism)

所有創作,包括形上學的構建,皆起因于本體的不安全感,有趣的是,物極必反,越不安全越用力,越用力越不安全,意思是說,美滿幸福者,不須創作,不需形上學,意思是說,美滿幸福,就是日復一日,脫褲刷牙,未幾 (就是沒有多久,很快完事的意思),穿褲刷牙,照 Artaud 說法,簡單講,就是最無趣的人,


Negativity > Vitality 者,佛陀,Arthur Schopenhauer,Friedrich Nietzsche (?),R. D. Laing,Antonin Artaud,Thomas Ligotti,Eugene Thacker,Julie Reshe,Theodor Adorno (?),Martin Heidegger (?),Duane Rousselle,Gilles Deleuze (?),Felix Guattari (?),Sabina Spielrein,


Vitality > Negativity 者,Positive Psychology,這邊風景獨好,新質生產力,新三件,Process Philosophy,Field-Being Theory,Friedrich Nietzsche (?),Henri Bergson,Alfred North Whitehead,


Negativity = Vitality 者,Sigmund Freud,Friedrich Nietzsche,


Friday, March 8, 2024

Henri Chopin (1922-2008)

https://en.wikipedia.org/wiki/Henri_Chopin

https://www.discogs.com/artist/153748-Henri-Chopin

the poor Dr Gaston Ferdière (1907-1990)

https://artauddesnosthenovel.com/2019/12/30/from-book-3-gaston-ferdiere/

https://fr.wikipedia.org/wiki/Gaston_Ferdi%C3%A8re

Poor,是倒霉的意思,

As soon as he was settled, Desnos invited Justine and me to his new, shabby flat near the Boulevard Montparnasse for a dinner party with Artaud and Louis and a new acquaintance, a medical student named Gaston Ferdière.

After only a few minutes of speaking with this Ferdière, I decided that he was the most boring man I’d ever met. He was pleasant enough, casual and drab in the manner of all closet anarchists, with pince-nez glasses like the kind Desnos now sported and eyebrows straight like Artaud’s but thicker, and gracefully large ears that seemed to point in a V to his jutting chin. After belaboring his studies in psychiatry, Ferdière bragged about the radical poetry he wrote, “Too obscene to ever be published!” He boasted repeatedly about this with great satisfaction but could not recall any lines when we asked for them. I was tempted to point out that he shared a table with two poets whose works—Liberty or Love! and The Seashell and the Clergyman—were banned outright. In fact the latest surrealist film, L’Âge d’Or, made by Luis Buñuel who had written Artaud, had just been censored too.

“Why don’t you publish anyway?” I needled Ferdière.

Ferdière smiled. When he did his enormous nose changed shape, from a graceful hook to a bulb. “It is difficult for a Surrealist to explain himself to psychiatrists, and I am still a student.”

“And yet the Surrealists were the first in France to recognize Freud,” I argued. “Don’t psychiatry and the Surrealists share the same interests—the irrational, madness, the occult?”

“Merely as pathology,” Ferdière replied. “For example, I had André Breton and Marcel Duchamp over for luncheon at the commissary at Saint-Anne the other day.” Oh, so now he was name-dropping. “After they left, one of the interns came up to me and asked, ‘What condition is that? What is their diagnosis?’ He assumed they were patients. He could not understand a word we said!”

“So you merely dip a toe in,” I persisted, “because your career might suffer if you go deeper.” Everyone else at the table was watching the two of us. Louis grinned to see me going at the man. Justine looked amused; apparently I was asking the questions she would ask. Artaud looked amused too, but what I caught in his acid stare was that I was asking the questions of Ferdière that he would have me ask of myself. Desnos, however, simply looked incredulous. He was always goading me for being too staid and polite.

“And I wonder if Freud would admire Breton?” asked Ferdière in turn. I had to admit I wondered this, too. “Freud fears psychosis—he would never explore it like Breton and Jacques Lacan would. Lacan is a fellow student and a Surrealist too.”

“And Lacan publishes. I know the name,” Louis argued.

“Of course you do,” I said, snickering.

After dinner Justine and I loitered in the kitchen by this board on bricks that functioned as a dinner table, not willing to excuse ourselves so early but loath to join the others with Ferdière in the main room. Though he was intelligent and perhaps psychiatry needed someone open-minded like Ferdière who at least tried to be creative, I could find no reason at all why Desnos was so friendly with him. Ferdière’s Surrealist associations seemed shallow and for this evening’s conversation Desnos might as well have simply pulled any man off the street. As I stood looking into the other room, Desnos leaned over to us and asked, “So what do you think?”

“I think he’s a dingle-berry,” Justine stoutly replied, and I laughed. The latest American slur—I could always count on her.

“Well, I was asking about my new place, Justine! And Gaston has some great ideas,” Desnos protested in a hurt voice, though the corners of his mouth turned up. “He’s studying to be a Jungian psychiatrist. He’s really fascinated by archetypes. He also thinks the patients merit better treatment and he’s right. He believes in art therapy, and he thinks doctors should pay visits in people’s houses, like medical doctors. That’s cutting-edge.”

“Can he choose the proper wine?” I asked, thinking of that voluminous cook, the other Gaston, creaking up the wooden stairs of our cellar hideaway. “You know, chianti for a Cubist, a merlot for an Impressionist, paint thinner for a Futurist, hemlock for a Surrealist, and so on.” Justine sniggered. I looked again at the corner in which Ferdière had trapped Artaud and was babbling enthusiastically at him. The imprisoned actor leaned against the wall and flicked an ash dismissively toward the fireplace, his eyes looking out over Ferdière’s shoulder at me with an undisguised plea for rescue before he said something, or threw something, or knocked over something. Standing near them, Louis looked over at me too and crossed his eyes. “I’m afraid I agree with Justine. What do you see in him?”

“He’s a drinking buddy,” Desnos admitted.

“Incubus or succubus?” Justine put in acidly.

It was Desnos’s turn to snigger, despite himself. I protested, “If that’s what you’re looking for, you could always borrow my father-in-law instead. He can out-drink your lightweight Ferdière. D’Arcy could probably drink you under the table without falling on his ass and practically knocking the planet off its axis the way you do.”

“Shut up you Hun! Gaston has a brilliant mind,” Desnos argued around his giggling.

“He’s a po-wet, Desnos,” I said, and stepped forward to release Artaud from the man’s gibbering. Ferdière then started in on me, trapping me in one of the chairs and leaning forward with those ears and that chin forming an exclamation point. Without mercy Artaud smiled a wickedly my way and left. I ended up listening to the student for quite some time, for Ferdière also wished to write a biography of Gabriel Randon, more commonly known as Jehan-Rictus, a tragic French poet I didn’t know. Therefore I did end up chatting about something worth learning about. I also decided Artaud deserved my revenge, but it would take some thought on my part to prevent that Levantine necromancer from turning whatever joke I planned for him back onto me. Artaud was a master of deflection.

Aside from his genial boorishness there was nothing at all memorable about Gaston Ferdière or that tedious evening we spent with him. Days later we had forgotten him, though I did make a note to look for that book on Jehan-Rictus if he ever wrote it. For years after that I occasionally glimpsed Ferdière on the street, particularly near Montparnasse, and he often stopped to talk to Desnos, and the student nodded and greeted me, too. Gaston Ferdière attended exhibitions and poetry readings, always a polite figure standing to one side or in the back. When he could catch a break from his studies he frequented the Dôme and the Coupole as we all did. He never sat with us, and I never saw him talking again with Artaud; he always seemed to be across the room, across the street, or walking away from Artaud as if to avoid crossing paths with the poet, but I could not be sure if this was deliberate or simply happenstance. When I mentioned it, no one else seemed to notice this and Artaud told me he never saw Ferdière at all.